Silent Retreat

The fact that so many reviews point out the inconsistency in tone of the film is a hint. I mean, I get it, I get that they wanted to do all of this, but it just doesn't work. The first half of the film is fine, it's just that it seems to turn direction in such a jarring way that it really kills all the momentum it had been building up. The performances are fine, even if the characters are nothing to write home about, and the production values for an indie film are also pretty impressive. It really comes down to the screenplay and the fact that the directing needed to be toned down a bit. Even for a good time, this doesn't all work, although it could've.

Janey Andrews lost her family in a crash. She's alone in the world. A judge sends her to a meditation retreat for assault despite her plea of self-defense. The all-female retreat is in the middle of the woods run a doctor and his two sons. The women are forbidden to speak or even make eye contact. Janey tries to escape but she's captured by one of the sons although he seems to be afraid of something in the woods.

It's a watchable Canadian indie horror. It starts off with a creepy notion of these women being controlled by this weird doctor. It could have gone down many different paths. It tries to do something with sound. At least, it's unusual. It does need to decide whether the creature is attracted by sound or is hurt by it. It may make more sense for everybody to be quiet including the men. It may be even better if the doctor's introduction is done in a sound-proof room. The sound idea has issues that needs to be addressed. As for the creature itself, it is not the best although I'm sure the low budget restricted the movie. The main problem is the way the creature moves and the way it is filmed. It isn't scary. The blood looks too red especially in the dark. This horror has an intriguing premise and it needs more work to hash it out.

Silent Retreat (2013) is a Canadian movie that I recently watched on Prime. The storyline follows a troubled young lady who is sent to a unique rehabilitation retreat where she isn't allowed to talk. It is rumored there's a dark past at the rehab center and a creature that eats people in the surrounding woods. When other young ladies turn up missing at the center, the students don't know if they've been released, eaten by the creature in the woods or worse... The new girl is itching to find out what's what and try to free the other girls.

This movie is directed by Tricia Lee (Blood Hunters) and stars Sofia Banzhaf (Splinters), Robert Nolan (Sixty Minutes to Midnight), Jen Pogue (The Masked Saint) and Katie Buitendyk (Total Frat Movie).

I found the first hour of this movie frustrating. The storyline was fairly straightforward with some unique elements. There is some good subplots and character development baked in. The acting, writing and dialogue were uneven and disappointing at times. Even the first few horror scenes, which were limited, were shot too dark and missed the mark. But an hour into the movie the horror elements kick up a notch and you get your first great kill with gore and solid flesh eating. The creature in the woods reveal is outstanding and I was left wondering where that was the entire movie. The conclusion is actually pretty good if you can be patient enough to get to it.

Overall, this has some well executed scenes at the end that make it worth a watch but missed an opportunity to be great. I would score this a 5/10 and recommend seeing it once.

Sent to a retreat in the woods, a troubled woman is sent to a retreat in the middle of the woods where she finds the owners are secretly brainwashing women into being obedient wives and feeding the rejects to a deranged creature nearby and tries to get away alive.

This one was quite an intriguing if really flawed creature feature. Among the better qualities here is the way this one builds up the really intriguing premise of the retreat out in the middle of the woods run by the sinister family that enforces a strict series of rules on them for their beneficial behavior. It's rather interesting how it manages to build this in the first half as there's the rules in play that simply make no sense yet creates an atmosphere here where it's all about ensuring the supposedly-perfect spawning ground for their secret agenda which is one of the more dark and sinister motives here for covering up their tracks, yet still manages to create the kind of fun here wallowing in this chilling atmosphere with the silence, refusal to acknowledge anyone and the general state of forced serenity created makes this a quite chilling set-up. Once it gets to the later half and there's the fun of the creature thrown into the mix that not only makes for a solid storyline addition as well as helping to aid in his mission this one does become a lot more fun with the additional body-count added to the creepiness displayed by the set-up as the first encounter out in the woods rescuing her friend leads to the action-packed massacre of the girls in the cabin as well as the aftermath of cleaning up after it which makes for some even better fun throughout here. As well, that leaves the ending confrontation quite thrilling as well with plenty of fine encounters that are rather bloody and really kick this one up somewhat. These here are what hold this one up over it's few minor flaws present. The main feature holding this one back is the utterly bland and boring beginning half which is quite low on action as it just tends to focus on the setup of the secret cult or her trying to adapt to the rules of the place which are just utterly bland and really keep the film pretty slow-going in this part of the film and keep the creature off-screen during this time. While that occurs, it's also quite a relief since the creature here is a complete joke with many really bad flaws about it, namely the awful look of the thing which is clearly hampered by it's low-budget nature but also the just weak design as well since it looks really lame and has a weak prosthetic look that doesn't help it much even if that wasn't the case. These here really hold this one back.

Rated R: Graphic Violence and Language.

Janey (Chelsea Jenish) is a trouble child. And for her efforts, or lack thereof, is sent off to a remote retreat for nonconformist girls under the guidance of a doctor (Robert Nolan) whose methods are ….a bit radical. The Doctor, and his staff of male accomplices, uses hypnosis and other extreme techniques to get their subjects to comply with their rules that command their patients to be completely obedient through deafening silence. Failure to obey the directions beyond their imposed 'two-strike rule' will result in the subject being fed to a lurking creature that inhabits the surrounding woods.

Janey is hardly the conformist. And her rebellious attitude towards the retreat's rules and regulators eventually lead to unavoidable confrontation. But with other girls simply disappearing, Janey must weigh her defiance against the risks of being overpowered by either the male administrators or the evil yet to be revealed from the outside.

Director Tricia Lee makes her feature film debut with Silent Retreat and shows a high degree of talent in transitioning genres. The film's opening scene is unquestionably horror, but the film switches gears and takes more of a dramatic path for the middle act focusing on Janey's relationship with fellow prisoner Alexis (Sofia Banzhaf) and the regimented retreat rules. We got lost ourselves for a while forgetting for a few moments that there was something mysteriously lurking within the forest. A mysterious something that reveals itself in the film's final chapters reminding us that Silent Retreat is horror plain and simple.

Characters as portrayed by Chelsea Jenish, Sofia Banzhaf and Robert Nolan are perfectly cast as they lend their combined talents to a tale that all three seem committed to pulling together. Lee does not seem to be in rush to allow blood splatter consistently through the film's full 95-minute running time and instead uses her DVD chapters wisely to form a setting and atmosphere that the film will heavily rely upon.

Silent Retreat won Best Canadian Film at the 2013 Toronto After Dark Film Festival, but you can remove the "Canadian" from the award plaque and you would still be left with a viable and enjoyable film worthy of our attention.

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