Mae Martin: SAP
- टीवी स्पेशल
- 2023
- 1 घं 10 मि
IMDb रेटिंग
6.3/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the sto... सभी पढ़ेंThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".
- निर्देशक
- स्टार
फ़ोटो
फ़ीचर्ड समीक्षाएं
I've been a fan of Mae's since first seeing them on Baroness Von Sketch Show occasionally. On a recent road trip my wife and I got a lot of enjoyment when we listened to the Don't Ask Tig episode that featured Mae, and who didn't enjoy what they brought to the second season of The Flight attendant?
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
"SAP" is one of those shows where you actually had to be there. Mae is super likeable and has great chemistry with the audience. They are way better to watch live with friends than alone on netflix. Yes, it's true with every stand-up but with some ppl it's more so(ex: if Michelle Wolf is 9.5/10 on netflix then she's 10/10 live. If Mae is 6/10 on netflix, they are 8/10 live).
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
I love Mae, they have a unique nervous energy about them. Also they are great with deadpan humor so might be not everyone gets when they are joking. This special is full of that energy and some personal stories, not all of them happy or sappy. And some people may not share all their believes which I suspect is the real reason some people claim this show wasn't funny at all.
Because it was, I laughed aloud many times and I bet it was a joy to see live. I hope they get to too many more specials and polish their style even more.
I hope this review if finally ok to post because I think this is my fourth time writing and trying to submit it.
Because it was, I laughed aloud many times and I bet it was a joy to see live. I hope they get to too many more specials and polish their style even more.
I hope this review if finally ok to post because I think this is my fourth time writing and trying to submit it.
I keep submitting this review and it doesn't post.???
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I'll give this two stars because my wife laughed once throughout the special. I didn't laugh at all. Im sure some people hate this simply because it's an LGBTQIA+ comedian. I don't give a damn about that. I just didn't find it funny at all. It starts with a years old joke Mae has told many times before. From there it devolves in to, at times, incoherent rambling. Mae will often stop mid joke and go on a tangent about something completely different. The word "like" is used in almost every sentence. I'm, like, such and such, like, XYZ. I wish Mae all the best in the future, but this type of manic incoherent comedy isn't for me. Mae is all over the place and, in my opinion, makes for an almost unwatchable hour.
क्या आपको पता है
- कनेक्शनReferences Beauty and the Beast (1991)
- साउंडट्रैकThe Lions Sleeps Tonight
Written by Solomon Linda, Hugo Peretti, Luigi Creatore, George David Weiss and Albert Stanton
टॉप पसंद
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विवरण
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- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- 梅.馬丁:原汁原味
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- चलने की अवधि1 घंटा 10 मिनट
- रंग
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