Mae Martin: SAP
- टीवी स्पेशल
- 2023
- 1 घं 10 मि
IMDb रेटिंग
6.3/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the sto... सभी पढ़ेंThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".
- निर्देशक
- स्टार
फ़ोटो
फ़ीचर्ड समीक्षाएं
Based on some of the other reviews I've read, I think that perhaps this special isnt for everyone, and thats okay. Personally, I laughed a ton throughout, *like* to the point of having coughing fits because im still recovering from a cold.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I've been a fan of Mae's since first seeing them on Baroness Von Sketch Show occasionally. On a recent road trip my wife and I got a lot of enjoyment when we listened to the Don't Ask Tig episode that featured Mae, and who didn't enjoy what they brought to the second season of The Flight attendant?
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
I keep submitting this review and it doesn't post.???
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I was excited to see that Mae Martin had a Netflix special; I enjoyed Feel Good and find Mae charming and likable. I thought the special would be an opportunity for Mae to showcase their talents as a comedian because the content of Feel Good was mostly autobiographical. This is a disappointing special. There are some rambling mildly amusing anecdotes, but there aren't any funny lines. I don't think I laughed once watching the entire thing. I still like Mae's style and personality and find them sincere and amusing, but this isn't comedy. This is like watching a monologue of a person who I would find interesting to talk with at a party. It's also sad that Mae calls out comedians like Louis CK and Dave Chapelle in a desperate attempt to score political points when they can't get a laugh from their audience. If you're going toe-to-toe with some of the GOATS then you need better material.
Mae has such a charming stage presence. It takes a while to get used to the fact that she's incoherent. She's scattershot. I enjoy the sparkly bits and shimmering shadows she throws out. However, I found myself shifting into the mindset of being her therapist.
That's a weird sensation for me to have while watching a comedy special, but I have felt it before. Like in Jerrod Carmichael's Rothaniel, in shows by the brilliant Hannah Gadsby, in multiple specials by Mike Birbiglia. I am a psychiatrist-psychotherapist.(big mouthful that, I know) so it's my job and my passion and my vocation to listen to people who have learned how to free associate.
Bottom Line: I Love Mae Martin. Her appearance, her whole personality, her storytelling style.... I'm eatin' it up.
That's a weird sensation for me to have while watching a comedy special, but I have felt it before. Like in Jerrod Carmichael's Rothaniel, in shows by the brilliant Hannah Gadsby, in multiple specials by Mike Birbiglia. I am a psychiatrist-psychotherapist.(big mouthful that, I know) so it's my job and my passion and my vocation to listen to people who have learned how to free associate.
Bottom Line: I Love Mae Martin. Her appearance, her whole personality, her storytelling style.... I'm eatin' it up.
क्या आपको पता है
- कनेक्शनReferences Beauty and the Beast (1991)
- साउंडट्रैकThe Lions Sleeps Tonight
Written by Solomon Linda, Hugo Peretti, Luigi Creatore, George David Weiss and Albert Stanton
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- 梅.馬丁:原汁原味
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 10 मिनट
- रंग
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