Phoenix
- 2023
- 2 घं 12 मि
IMDb रेटिंग
6.0/10
1.1 हज़ार
आपकी रेटिंग
कहानी तब आगे बढ़ती है जब नायक जॉन और उसका परिवार अपने जीवन के पुनर्निर्माण की आशा के साथ एक दूर द्वीप के गांव में स्थानांतरित हो जाते हैं। लेकिन नियति ने उनके लिए कुछ और ही योजना बना रखी है।कहानी तब आगे बढ़ती है जब नायक जॉन और उसका परिवार अपने जीवन के पुनर्निर्माण की आशा के साथ एक दूर द्वीप के गांव में स्थानांतरित हो जाते हैं। लेकिन नियति ने उनके लिए कुछ और ही योजना बना रखी है।कहानी तब आगे बढ़ती है जब नायक जॉन और उसका परिवार अपने जीवन के पुनर्निर्माण की आशा के साथ एक दूर द्वीप के गांव में स्थानांतरित हो जाते हैं। लेकिन नियति ने उनके लिए कुछ और ही योजना बना रखी है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
Not sure what horror element was there in the movie. The movie echoed mediocre acting and editing. The sound was another aspect which lacked the finesse a horror genre needed. The director was not sure on how to hold its character ls. Camera was also really really amateur. It just could nor build up the essence. The chemistry between Freddy and Rose also echoed mediocrity. Screenplay was one which needed expert hand especially when you deal with horror movies. The team needs a lot to learn before they attempt a tested genre like this. Not sure what was the inspiration to churn out such a mediocrity.
A huge let down. This could have been treated better.
A huge let down. This could have been treated better.
Good screen play. Seems like the actor playing role of Freddy and actress playing the role of Ross are less experienced to play emotional scenes. The way story converted from horror to emotional shows the brilliance of screen play. The last scene was too good. The red color thunder storm was absolutely brilliant. In OTT i missed 2 scenes. The priest doing house blessing and reason why Freddy left the place before engagement. Movie should give a complete satisfaction only if all questions are answered. To me the reason for Freddy to leave the engagement could have added more emotion. Overall 7/10.
I thoroughly enjoyed the movie except the little lag in back story. Felt like the climax was too short. I would call it more of a mystery romance movie than horror, for the fleeting 3 or 4 short horror scenes, which my 9 year old braved through. Certainly a heart string puller & few great moments in between. 360 degree turn around into an 'all in all' serious role and his effort in pulling it off seamlessly is appreciative. Baby Aavni did justice to her role as Maria. At a later day, I might even rewatch it. Overall its an engaging movie to watch. Definitely an above average movie. I would say its a 7 star and above movie & I give it 9 stars because I thoroughly enjoyed it.
It has the capabilities to achieve the status of great horror film but fall short of it because of the mix of different genres!
Excellent use of sound effects and some horror scenes are very much impressive !
Midhun Manuel Thomas scripting made movie more engaging and decent directorial debut for Vishnu Bharathan !!!
Technical sides are top notch and aju did a fine work,others did decent performances !
Over all this one is surely a different level of horror blending mystery romantic entertainment.
Watch it in good sound quality theater to experince to the fullest of its impressive sound effects !
Excellent use of sound effects and some horror scenes are very much impressive !
Midhun Manuel Thomas scripting made movie more engaging and decent directorial debut for Vishnu Bharathan !!!
Technical sides are top notch and aju did a fine work,others did decent performances !
Over all this one is surely a different level of horror blending mystery romantic entertainment.
Watch it in good sound quality theater to experince to the fullest of its impressive sound effects !
I think the bar is set so low for horror in Malayalam cinema that anything mildly intriguing can cause a few ripples among our largely unexposed audiences. The case in point is Phoenix, which can easily be bifurcated into a horror drama in the first half and a romantic tragedy in the second.
Between the two, the more engaging elements are in the first, and while the second promises an old-school romance, the dramatic dialogues often took me out of the setup. (This was the case in Aashiq Abu's reimagining of Neelavelicham too.) Of course, I understand the director's intention to portray the slowness of the '70s, and this works in parts. The integration of the cholera epidemic into the plot also offers a different backdrop, as opposed to the usual "killing off" of a central character to evoke grief.
From a writing standpoint, I think Midhun Manuel picked bits and pieces from various works (like the Insidious films and Gabriel Garcia Marquez's classic novel Love in the Time of Cholera), probably his personal favorites, and gave it his own spin. Sam CS' music works in parts, but there were too many songs in the second half, further hampering the flow. As a debut director, I feel Vishnu Bharathan is promising, and given a more fast-paced screenplay, he can truly shine. Some shot choices are solid, especially one that uses the split diopter lens. The visual effects are not bad.
Coming to the performances, Baby Aavni's "possessed" act was quite good. Aju Varghese adds one more feather to his cap in a role that initially requires him to be a chauvinist, and later an inquisitive (and somewhat scared) man of the house. Abhirami Bose looks good and even exudes the '70s girl aura, but the lipsync was off in places. Chandunadh's performance occasionally borders on the theatrical, but there's been visible progress over the years. Anoop Menon and the rest are adequate.
P. S. Where's that creepy scene of the priest (Rony David Raj) at the seaside cemetery that was in the trailer? In fact, that scene was what made me want to watch the film in the first place.
Between the two, the more engaging elements are in the first, and while the second promises an old-school romance, the dramatic dialogues often took me out of the setup. (This was the case in Aashiq Abu's reimagining of Neelavelicham too.) Of course, I understand the director's intention to portray the slowness of the '70s, and this works in parts. The integration of the cholera epidemic into the plot also offers a different backdrop, as opposed to the usual "killing off" of a central character to evoke grief.
From a writing standpoint, I think Midhun Manuel picked bits and pieces from various works (like the Insidious films and Gabriel Garcia Marquez's classic novel Love in the Time of Cholera), probably his personal favorites, and gave it his own spin. Sam CS' music works in parts, but there were too many songs in the second half, further hampering the flow. As a debut director, I feel Vishnu Bharathan is promising, and given a more fast-paced screenplay, he can truly shine. Some shot choices are solid, especially one that uses the split diopter lens. The visual effects are not bad.
Coming to the performances, Baby Aavni's "possessed" act was quite good. Aju Varghese adds one more feather to his cap in a role that initially requires him to be a chauvinist, and later an inquisitive (and somewhat scared) man of the house. Abhirami Bose looks good and even exudes the '70s girl aura, but the lipsync was off in places. Chandunadh's performance occasionally borders on the theatrical, but there's been visible progress over the years. Anoop Menon and the rest are adequate.
P. S. Where's that creepy scene of the priest (Rony David Raj) at the seaside cemetery that was in the trailer? In fact, that scene was what made me want to watch the film in the first place.
क्या आपको पता है
- साउंडट्रैकEnnile Punchiri
Vinayak Sasikumar
Kapil Kapilan, K.S Chithra
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $13,625
- चलने की अवधि2 घंटे 12 मिनट
- रंग
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