Pedro Páramo

I'm sure that people giving a low rating, have simply not read the book, and hence not understood this wonderful movie. You don't have to read the book, but if you really want to understand the movie, read the book at some point. You'll be surprised and you'll love both!

Pedro Paramo, the book, reflects sadness and melancholy on every page. This is what made Rulfo great - his narrative was some sort of beautiful sadness. The book's narrative is simple yet beautiful. This movie does a great job of conveying the book's sadness through its dialogues, music, and the environment of Comala.

I'm surprised this is the director's opera prima. The actors, production, and costume design - every department paid a lot of attention to ensure the movie is as accurate as possible. Some of the book's dialogues are retained in the movie, along with the imagery, suffering, and horror - nothing is left aside.

This is undoubtedly a fantastic visual representation of Pedro Paramo, and it's one of those rare movies that can live up to the books they're based on.

The difficulty of adapting one of the best Mexican literary works and one of the greatest examples of surrealism was a complete challenge for this great photographer and now debuting director. The film tries and succeeds very well, with an excellent cast and a long history in Mexican cinema, they give it the necessary support to tell this magical, melancholic story that is difficult to understand for those who are not Mexican. It is not the typical Hollywood, there are no monsters, aliens, or other current inclusive themes. This film is a tribute to Mexico, to our history, to our countryside and to our people. I think Mr. Rulfo would be happy with the work done on his great novel.

A mother's last wish is for her son, Juan, to visit the father he never knew in a distant town. Juan finds the town abandoned and yet swirling with life. Nothing is as it seems. Apparitions appear and drift away. Pedro Páramo, the father, lays claim to the town and its inhabitants, and yet strangely his soul also belongs to them. Juan risks being swallowed by the miscreant spirits, the terrible deeds, and all the heartache. Not the inheritance he expected.

With intoxicating dance sequences, a profusion of light and color, flashbacks, capable acting, and the amazing cinematography of Rodrigo Prieto, the film and cast bring Juan Rulfo's 1955 masterpiece of magic realism to life. "If you want to understand who we are as a country," said one of the actors "then open the book."

The best part of the film is the characters. They are not good or bad, just human. Director Rodrigo Prieto, who was present for this world premiere screening at the Toronto International Film Festival, said that the characters fascinated him too. "Each character" he said, "has something about ourselves." Have an internal journey of your own in the magic and darkness of this film, a reflection of the Mexican soul.

A wonderful film.

The acting is top notch. This movie shows that there are wonderful Mexican actors and that we CAN write a good script, so I will not be forgiving any sub par job in the future.

The movie is gorgeous. Everything is done with love and care. My only (very small) complaint would be some of the CGI. But it doesn't take away from the wonderful story-telling and the visuals.

If paying attention is not your forte, maybe the movie is not for you. By the way, the movie is magical realism, that means it combines fantastical elements with day-to-day life. The reviews that say "it does not make sense", do they also complain about other genres? Does Avengers make sense? Star Wars?

Every character has a story to tell. It's not about villains and heroes. There's no divine retribution.

En verdad me hizo pensar que los mexicanos ya estamos muertos, solo estamos esperando a que alguien nos lo diga.

Juan Rulfo might be one of the most influencial Latin American writters of all time, and Pedro Paramo is without a doubt his masterpiece, so having to adapt it into any kind of work (a film, a tv series, a play) is a risk very few screenwriters, directors and producers can afford.

Four times Academy Award® nominee cinematographer - and now director - Rodrigo Prieto knows very well how to use all his resources and talent to create a flawless visually and technical stunning enviroment worthy of praise with the help of Academy Award® winner Eugenio Caballero in charge of the production design, and Academy Award® winner Gustavo Santaolalla in the music score.

The cast is amazing too, especially the supporting performances by Dolores Heredia, Roberto Sosa and Ilse Salas.

Goya® winner Mateo Gil does an impressive work adapting Rulfo's book, keeping in mind the narrative of the book is not lineal and might be difficult to follow, therefore this is a movie that needs to be watched while paying attention.