Road Kill

A prosecutor describes to his friend a terrible accident. To home, in night, in neatention moent, he hits with car a presumed homeless on an isolated way. He presumes the guy is dead and he seems convinced than the good name of him is more important than the explanations to police about accident.

No prooves, no other people. The things are clear.

But the overworked prosecutor makes a huge mistake looking for the advise of his buddy. And this error revenges against him.

The virtues of film are many, from acting to atmosphere and the air of Gothic stories. The end is inspired , in same measure. But the essential good point is represented by interogation of viewer - in simillar situation, your decision were different ? For me, this is the real point of Road Kill.