Pamyo

Disturbing, eerie, and tense, the first half of Exhuma is an explosive mixture of south korean folklore and mythicism. It effectively evokes the universal dread and mystery regarding the afterlife, and what we, people still living and walking on this earth, can and should do with regards to that. The spiritual and supernatural bridge dangling between the two worlds. It works excellently as a paranormal occult horror film. Great atmosphere, never looses the steam, with fairly memorable moments.

But then it reaches the mid point of the film, something happens that made me not exactly sure about how I feel about this film as whole. To be clear: I still did like it a lot and it is nonetheless a strong film, but the aforementioned uneasiness and tension quickly goes away, and never quite reaches the same high as the previous half. It is a reveal/decision that I do appreciate: it is ambitious, creative, and is a big swing that we do not often see in a south Korean film. Also helps that practical effects accompanying it are simply amazing. However, the tonal shift/jarring nature of it kinda turned me off. I do recommend going into the film completely blind!

Kinda torn between 3.5 and 4 stars. It the film carried the strengths of the first two acts to the third act, and kept the film more consistent, it easily would've been4 stars and maybe 4.5. Again, still a great film and I highly recommend this to anyone interested in horror films with uniquely korean/asian DNA embedded to it.

"Kim" (Choi Min-sik) is what they call a geomancer. He advises people on the best places for them to bury their loved ones. It's all about feng shui. Woebetide anyone who gets it wrong for a disgruntled ancestor can come back and visit retribution on anyone who mucks that process up - just ask the grandchild who though he would retain grandma's false teeth as as souvenir! Anyway, the wealthy "Park" (Kim Jae-cheol) and his family appear to have a secret that he and the more spiritual pairing of "Hwarim" (Kim Go-eun) and "Bong Gil" (Lee Do-hyun) might be able to help with. Even as far away as in the United States, his family are being tormented by a spirit. They are all led to a remote grave atop a hill that is marked simply by a plain gravestone with no name, just some seemingly random numbers. The buried man was of some importance so the fact that his grave was not ideally placed (only 65/100 on the best plot to have scale) arouses suspicion. They proceed to exhume the uniquely carved juniper coffin and decide to cremate it, but it's considered unlucky to do this in wet weather so leaving it respectfully dressed, plan to complete the process in the morning. This is their first mistake for overnight it falls prey to an inquisitive member of their team who releases an even more menacing entity bent on revenge on all those who left him at 65%! That is just the start of their woes, though. Returning to the grave for a ritual, they discover an even larger, chain-wrapped, box buried vertically - and one with no name, neither! It's now we head straight into "Mummy" mode and the adventure really does pick up. Can they identify this leviathan of menace and terror and thwart it's centuries-old battle plan? I did quite enjoy this. It taps into a fascinating mix of mysticism and legend whilst adding a dose of modern day cynical exploitation (they get paid over $500,000 for their relocation "fee") and as the story moves along you wouldn't want to be a chicken - or a pig, either! The largely dark and wet scenarios work well with the sparing usual of visual effects and a strong ensemble performance that keeps the story of dreams and nightmares moving along well for 2¼ hours of well made and at times quite scary ancient horror.

"Exhuma" emerges as a bold tapestry of horror, weaving together an array of tropes that challenge the boundaries of the genre. Its narrative is a complex interplay of classic horror elements, grave digging, psychological twists, demon hunting, and unexpected comedy, creating a cinematic experience that is as unsettling as it is innovative. The overlay of the history of the Japanese occupation adds a layer of moral complexity. While some cultural symbolism may be lost on international audiences, the film's deliberate pacing cultivates a tension that transcends cultural barriers, culminating in a climax that is both disorienting and impactful. "Exhuma" may not prioritize narrative clarity, but it compensates with a visceral journey through the macabre, leaving viewers with a lingering sense of unease and contemplation long after the credits roll. The film's commitment to a slow-burn approach rewards patient viewers with a thought-provoking exploration of horror that refuses to be confined by conventional expectations.

Shamanistic rituals, curses, folklore, history, feng shui, omens, grave digging, ghosts, demonic beings and a built in sequel to the original story. This film has it all.

The initial plot of this film revolves around a group of spiritualists trying to save a baby from a curse that is plaguing the first born sons of a prosperous bloodline. This could be a stand alone storyline but just when you think the story has come full circle, we are introduced to a follow-up storyline that delves deeper into causation. It is quite a ride.

The film was a bit muddled for me as a lay person simply because I lack knowledge regarding some of it's Korean cultural and spiritualistic aspects. I would've liked things to have been slowed down a bit and better explained but the film is already a bit long. I would've liked it to been two movies so that would've been ample time to dive deeper and provide better insight for me.

That being said, the atmosphere is well constructed, dark and really compliments the story. It felt really foreboding at times. The actors were all well seasoned and the effects were immersive and captivating.

I really enjoyed it so if you like Asian horror, you should definitely check it out.

Exhuma was a movie I was looking forward to seeing and had avoided learning anything about before I saw it.

I was mainly hopeful because of the cast.

It starts pretty strongly with a feeling of class from the acting to the production values.

The story wasn't clear at first but then I got my hopes up as the first grave is dug up.

However this part of the story seems to be wrapped up quite quickly with the cremation scene and it then delves into Korean and Japanese history with strong anti Japanese feeling.

Now I'm not familiar with the history of these countries to a great extent so maybe a bit of this stuff wasn't for me as an Englishman.

But I completely understood it, It was just an unexpected turn of the story and then the film devolves into some weird thriller full of special effects (admittedly well done) that would fit into more of a comic book style horror.

It's incredibly disjointed.

If anyone compares this film favourably with The Wailing, ignore them. The wailing is far far superior.

This film is worth a watch but don't expect a classic horror movie.