फँड्री

A must watch movie. I really love the climax portion. I appreciate the director for taking this type of story.

I can even say this is the only movie that I have seen till date which is so authentic in its execution. The story revolves around a young boy(Jabya)who is a victim of the social inequality due to casteism in a village. The entire film drives in a direction where the group of people in the village infuriate the boy by abusing him and his family with his caste calling them "Fandri" (Pig), but he remains calm as his family is dependent on the village. The accumulation of all this anger, fear, fury get outburst in the climax act.

Everyone in the cast has done a extraordinary performance, there is nowhere where you can see any cinematic sequence. This credit should go the director of the movie (Nagraj Manjule). The amount of ground work that is there in this movie is enormous. Every single detail on the character, or the locations and sequence is something really unbelievable. One thing that can be quoted for instance is the place where Jabya's sister asks water in one of the homes when she runs and gasps. The anonymous character from the home doesn't hands over the water to her instead keeps it down to avoid the touch of inferior caste.

In the era of highly moving camera and fast action cuts, the camera work in the movie just shows the power of still cinematography which elevated the movie to the much higher level.

The movie is just one great masterpiece from the debut director !

This is truly an exemplary piece of art depicting the disparity in the Indian caste system which has plagued the Indian society for centuries & even today our society at large haven't been able to overcome.

This is a movie about the aspirations of a village teenage boy from a very poor family of lower caste "kaikade". The family consists of ayi, appa, mulga (son Jabya) & mulgi(daughter). The family earns their livelihood by taking care of the cleanliness of the village to catching of pigs roaming around the village, so it leaves no doubt on the audience of the movie to realize the family's standard of living. Inspite of the challenge of 'hand to mouth' existence, Jabya likes going to school & is in complete disapproval of his families profession, particularly catching of pigs so that the pigs do not mess up the cleanliness of the high class people living in the village.

The movie clearly depicts the Herculean task of a Father to get his daughter married particularly when the resources are scarce. The expressions of the father is very touching particularly when one tries to put himself in the shoes of a daughter's father, particularly because of the harsh circumstances of their struggle to merely survive. On the other hand, Jabya likes a girl from his class who is from higher class family & it is his strong desire to own a pair of new jeans & top just to look good & impress his love. This thought process itself proves the innocence of a pure soul which has fallen pray to the sweetness of love.

The movie ends with the self realization of Jabya that the society in which he is a part of, has no appreciation or value for his thought process & ultimately is left disgruntled, remorse, shattered & heart broken only to bring in the darker side of a shattered soul.

This writing wasn't an easy writing at all as compared to the other movies that I have watched & jotted down my feelings about it. It took me more than a days time to just to think & join in the dots of hollowness within our caste system. Last but not the least, every effort in making such great films that brings out the hollowness within society of so called noble & social living beings, deserves a great amount of respect & accolades in portraying the darkest side hidden somewhere within us. This movie , even though released in Marathi in 2013, in the so called era of "Hi-Fi Tech Savvy India", took me back to the era of 1960's the first ever Indian Academy Award winner Mr. Satyajit Ray who has made History in Indian Cinema for his epic titles "Pather Pachali, Aporajita & Apur Sansar" popularly known as "The Apu Trilogy". With existence of like minded filmmakers, it makes me believe beyond any doubt that the art of filmaking will stay alive for some more time for us to appreciate the hues of life.

The movie is so simple would like to compare this with Iranian movies. If you love watching Iranian movies then fandry is must watch keeping in mind the simplicity of the acting yet successful in delivering the strong message of living in poverty & suffering from caste discrimination. The film is focused on a young boy who lives below poverty in a village and how he gets caught into superstition to get hold of his love who belongs from an upper caste society...Unlike other Indian movies where scenes are sometimes more emotionally biased, this movie will not make you cry but still will make you think against the three sensitized subjects of poverty, caste discrimination and superstition to some extent..

" Done with be quite "

Film : Fandry Director : @nagraj_manjule Dop : @vikram_amladi Music : @alokanandadasgupta @ajayatulofficial Cast : Kishore kadam Somamth Avghade

Probably I was dumb I was Speechless After watching this Gut wrenching an eye opener Surrealistic gem !

#nagarajmanjule Sir Ji Beautifully Crafted and Executed (SOUND and lighting Played a Major role) Bit closer to Mr Ray Style of making

I thought #Sairat was yours best work But Fandry is the classic one

A film whose simple charm hardly prepares the viewer for the edge-of-street tension of its last fifteen minutes,

There is a scene towards the end of the film when Kachru's family catches a pig and is carrying it out of the village. On their way, they pass the paintings of revolutionaries who championed the cause of eradication of the caste system and this scene sums up the irony of the society that we live in today. Somnath and Suraj have performed extremely well considering it is their debut performance. Kishore has mastered the art of slipping into any role he does and is brilliant as usual. Nagraj does a great job behind and in front of the camera as the eccentric Chankya. Acting of the whole cast is top-notch to say the least...it's hard to believe that all of them except Kishor Kadam are amateur actors...Somnath Awaghade as Jabya is brilliant !

Without doubting or without going for a second chance I could say probably the best " Ending shot of the decade "

breathless as the characters.

#fandry #marathifilm