एक आदमी जो गलती से एक सीरियल किलर की हत्या कर देता है और एक जासूस जो लगातार उसका पीछा करता है.एक आदमी जो गलती से एक सीरियल किलर की हत्या कर देता है और एक जासूस जो लगातार उसका पीछा करता है.एक आदमी जो गलती से एक सीरियल किलर की हत्या कर देता है और एक जासूस जो लगातार उसका पीछा करता है.
- पुरस्कार
- 3 कुल नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
A Killer Paradox starts off with a bang, but ends with a whimper. The first two episodes are really engaging, and keep you guessing to see what will happen next. The cinematography and storytelling is also top notch. The acting throughout is also very good.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
The series is unique to me because the main lead isn't even the center of the story. Most of the time, we were in the point of view of Jang Nan Gam (Son Suk Ku). At the beginning of the episode, we were in the perspective of Lee Tang (Choi Woo Shik). After being chased by the police, we were mostly in the police's point of view. After that, it became more mysterious with the introduction of Song Chon (Lee Hee Joon), who drove the series until the end. For me, that was a unique way of writing the story, and I love it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
Darkly humorous, violent, and never boring, A Killer Paradox is a morality thriller like no other. What begins as a comedy of errors and morphs into a deep detective thriller, it's one of the finest series on Netflix. But more important, it showcases actor Choi Woo-shik's talent and his ability to tackle dynamic characters. Darkly humorous, violent, and never boring, A Killer Paradox is a morality thriller like no other. What begins as a comedy of errors and morphs into a deep detective thriller, it's one of the finest series on Netflix. While A Killer Paradox rewards its audience with moments of epic comeuppance, its the way the series complicates the straightforward theme that makes it standout.
How do I explain this? It is supposed to be a crime drama but it was really funny! Seriously, brilliantly written and directed! 5 stars 💫 from me!
If you love crime shows then you will love this series. I absolutely gobbled it and binged it without a break!!!
Elite level of screenplay and edits.
There's language options so you won't be missing anything.
Woo sik's baby face is such a contradiction to his character. You won't be bored. Every scene has something important. You will get attached to the characters and simply cannot resist the episodes. I binged it and I am in awe of the writers, there better be a season 2!!!!
If you love crime shows then you will love this series. I absolutely gobbled it and binged it without a break!!!
Elite level of screenplay and edits.
There's language options so you won't be missing anything.
Woo sik's baby face is such a contradiction to his character. You won't be bored. Every scene has something important. You will get attached to the characters and simply cannot resist the episodes. I binged it and I am in awe of the writers, there better be a season 2!!!!
A Killer Paradox gets better as it gets weirder. The beginning was already humorously dark, but then the plot unfolds into an even darker bizarre hero story. I initially thought that this would be an average series. I am glad I was surprised. This series sucked me in without me even noticing. Even though the genre is in the fantasy category, the dialog is well written and feels real life and genuine. The story jumps around and covers numerous sub-stories, but they all link together as the story unfolds. Choi Woo-sik gives a fantastic performance. The series is not too scary, but the viewer will definitely be drawn into the intense scenes.
क्या आपको पता है
- ट्रिवियाBased on webcomic "Salinja Nangam" written by Ggomabi & illustrated by Nomabi (published from July 8, 2010 to June 3, 2011 via Naver).
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Murder DIEary
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें