Vermiglio

Vermiglio (2024), directed by Maura Delpero, presents a quiet and reflective look at life in a remote mountain village in the Italian Alps during the final days of World War II. The story follows the arrival of Pietro, a deserter, into the family of the local teacher. As he becomes entangled in their lives, particularly falling in love with the teacher's eldest daughter, the village's delicate balance is disrupted, leading to a series of emotional upheavals.

The film's strength lies in its meticulous attention to historical detail and its authentic depiction of the time period. Delpero's anthropological approach to storytelling highlights the customs, traditions, and harsh realities of life in rural Italy during the war, with the seasons unfolding as a metaphor for the passing of time and the trials faced by the villagers. The cinematography, which captures the rugged beauty of the Trentino Alps, enhances the atmosphere, grounding the story in the physical and emotional isolation of the characters.

The performances are solid, with Tommaso Ragno and Roberta Rovelli providing strong portrayals of characters who, while deeply affected by the events around them, must endure their personal dramas in silence, shaped by the social and cultural constraints of the era. The theme of resignation permeates the narrative, as characters quietly endure their fates - from the young, pregnant widow to the daughter who feels "forced" into religious life. This pervasive sense of acceptance, however, diminishes the emotional connection one might feel with the characters. The lack of agency among the individuals, who silently bear their burdens without protest, creates an emotional distance that, at times, undercuts the film's impact.

While Vermiglio succeeds in painting a vivid picture of life in the post-war years, its slower pace and emotionally restrained characters may leave some viewers feeling disconnected. The weight of historical accuracy and social constraints, while authentic, can sometimes stifle the emotional depth that might have made the story more compelling.

Rating: 7/10. A reflective and historically rich film that captures the struggles of post-war life but is ultimately hindered by its emotional detachment.

"Vermiglio" portrays a year in the life of the Graziadei family in a small mountain village at the end of World War II. The film is shot in a strikingly realistic style, devoid of dramatization, embellishments, or background music. What makes it even more compelling is that the stories depicted are, in fact, drawn from the family memories of the director, Maura Delpero. We are transported into our past, which unfolds before our eyes with raw authenticity, beautifully captured through the film's stunning cinematography. Every frame feels like a timeless painting, rich in atmosphere and detail.

During the COVID period, I conducted some research on my family and came across stories that closely resemble those depicted in the film. It prompts deep reflection on the essence of our lives.

If we strip away the illusion of well-being we have built over the past hundred years-erasing the distractions and illusions we've created, dismantling the image we carefully craft on social media-we are left with the fundamental aspects of life: births, deaths, opportunities, regrets, and the few real choices we make in our fragile existence on this earth.

However, it must be noted that Vermiglio is not an easy film for everyone. Its necessarily slow pace and the near absence of dialogue demand patience and a willingness to fully immerse oneself in its quiet, contemplative storytelling.

"Vermiglio" powerfully reminds us of where we come from and, once we remove the layers of artifice, reveals who we truly are and where we are headed.

To say this was a beautiful film is an understatement. Maura Delpero does such an incredible job of taking us back to the 1940s when WW II was ending to a quiet, village nestled in the Italian Alps as we become a part of the Graziadei family. We watch as their joy, sadness, and secrets unfold. The Cinematography work by Mikhail Krichman was spectacular! The cast was quite strong especially that of Tommaso Ragno, Martina Scrinzi, and Carlotta Gamba. I do not speak Italian but following the story with subtitles was a breeze and didn't detract from this film. All you have to do is watch the actors eyes and mannerisms and you feel what they are going through. The sign of a great film.

As a fan of historical films, Vermiglio really stood out to me with its immersive take on the past. The movie does a remarkable job of transporting you to a different time, blending historical accuracy with an intriguing mystery. The setting and costumes feel authentic, adding a layer of depth that makes the world come alive in a way that's both captivating and thought-provoking.

The plot unfolds at a steady pace, revealing its secrets bit by bit, and while it may be a bit slow at times, the performances keep you invested. The lead actor does an excellent job portraying a character caught between the weight of history and personal turmoil, and I found myself connecting with them on a deeper level.

The film offers a unique lens on history, not just as a backdrop but as a force that shapes the characters' actions and decisions. It's this combination of historical context and personal drama that makes Vermiglio an engaging watch for anyone who enjoys films that offer both a captivating story and a rich historical setting. Although it's not flawless, it's definitely a worthwhile experience that lingers long after the credits roll.

I found "Vermiglio" a very beautiful, unusual and yet highly relevant movie. This is cinema at its best. The acting is excellent and the narrative is very well constructed, highly touching and superbly conducted. This is one of the best movies I saw in recent years. I found the language extremely beautiful and the photography just amazing. The story of the family is highly plausible and the references to the social reality of the Trentino during and after the Great War appear truthful and deserves to be looked at as an experiment in social analysis. The respect with which the religious dimension is treated deserves my highest praise. In other words, besides being poetic and truly beautiful, «Vermiglio» brings us back to a world that is about to disappear in Europe. As non-Italian, I am now ready to visit the real Vermiglio and once being there reflect on the effects of this wonderful movie. It deserves to be seen by anyone that loves real cinema, that searches for the understanding of the human condition and, most importantly, does not abdicate of the aesthetic dimension of life in the world of today. The music is excellent and the sound of the «Miserere» sounded in a moment of deep sorrow in the family was deeply touching for me. I congratulate all those who participated and contributed to this beautiful work of art.