'The Rat Catcher (2023)' is probably the weakest of Wes Anderson's four short Roald Dahl adaptations, primarily because it kind of feels as though it's lacking a point. In a way, it's a quirky character study of its eponymous rodent trapper, who becomes creepier and creepier as the piece progresses, as seen through the bemused eyes of the people who hire him. Making use of similar stage play techniques to 'The Wonderful Story Of Henry Sugar (2023)' but being far less elaborate, the picture unfolds in the same hyper-concentrated from of its director's style as the other entries in its pseudo series. The narration comes quickly and without pause, the characters often look dead down the barrel of the lens and, save for a brief stop-motion segment, the effects and props are all entirely imaginary. It's a distinct aesthetic, for sure, and it does work to catch your eye. Just under twenty minutes also feels like a more suitable runtime for this type of affair, so the flick manages to hold your attention throughout while never feeling too overwhelming. Ralph Fiennes' performance as the rat-like rat catcher is really enjoyable, as is Rupert Friend's brief stint as a rat. Like I said before, though, there just doesn't seem to be all that much to the story. It ends on an entertaining punchline but is far more about its vibes than its narrative. Still, it's a solid effort overall that's definitely distinct.
