जब उसके सपनों की लड़की का अपहरण हो जाता है, तो शारीरिक दर्द महसूस करने में असमर्थ एक व्यक्ति अपनी दुर्लभ स्थिति को उसे बचाने की लड़ाई में अप्रत्याशित लाभ में बदल देता है.जब उसके सपनों की लड़की का अपहरण हो जाता है, तो शारीरिक दर्द महसूस करने में असमर्थ एक व्यक्ति अपनी दुर्लभ स्थिति को उसे बचाने की लड़ाई में अप्रत्याशित लाभ में बदल देता है.जब उसके सपनों की लड़की का अपहरण हो जाता है, तो शारीरिक दर्द महसूस करने में असमर्थ एक व्यक्ति अपनी दुर्लभ स्थिति को उसे बचाने की लड़ाई में अप्रत्याशित लाभ में बदल देता है.
- पुरस्कार
- कुल 1 नामांकन
Matt Walsh
- Coltraine
- (as Matthew Walsh)
Jessica Leigh Stanley
- Waitress
- (as Jessica Stanley)
Chioma Antoinette Umeala
- Bartender
- (as Chioma Umeala)
फ़ीचर्ड समीक्षाएं
Greetings again from the darkness. In decades past, we wouldn't have been surprised in the least to see a movie starring Jack Nicholson and Dennis Quaid. In fact, in 1973 Jack co-starred with Dennis' brother Randy in one of my favorite films, THE LAST DETAIL. Well, here we are more than fifty years later, and Dennis' (and Meg Ryan's) son Jack Quaid is co-starring with Jack's son Ray Nicholson in what is sure to be one of this year's most outlandish action-comedies. The screenplay is by Lars Jacobson and the film is co-directed by Dan Berk and Robert Olsen, who also collaborated on BODY (2015).
REM's "Everybody Hurts" plays over the opening credits and sequence which provide hints to the measures Nathan Caine (Jack Quaid, COMPANION, 2025) has taken around his house. With tennis balls shielding sharp corners and a stop to prevent scalding water in the shower, Nathan appears to be quite accident-prone. We learn he's a good-guy Assistant Manager at a local San Diego bank, and profiles as nebbish in his looks and skittish mannerisms ... especially around new bank teller Sherry (Amber Midthunder, THE ICE ROAD, 2021). Sensing his awkwardness and attraction, Sherry takes charge and asks Nathan to lunch. A bite of cherry pie leads Nathan to disclose his rare genetic disorder - he simply cannot feel pain (thus explaining the earlier tennis balls).
One personal disclosure leads to another, which leads to an art gallery, which leads to romantic intimacy and what easily could spin off into a familiar quirky rom-com with these two. Instead, while Nathan is riding an emotional high, three men dressed as Santa Claus violently rob the bank on Christmas Eve and take Nathan's new squeeze Sherry as hostage. This sends our wimpy superhero Nathan (nicknamed Novocaine by junior high bullies) on a rescue mission. His previous fighting experience has been limited to online video game sessions with Roscoe (Jacob Batalon, Ned from Marvel movies), although the two have never actually met.
The fight sequences are quite violent and absurdly comical in how they take advantage of Nathan's blend of physical disorder, nice guy tendencies, and commitment to rescuing his first love. Creativity is at maximum volume as Nathan takes on a red-hot frying pan and boiling oil in a restaurant kitchen skirmish, replete with bodily poundings that would leave anyone else shattered. Things really pick up in a wickedly booby-trapped house that sets up a HOME ALONE joke. Mostly, however, the body horror serves as punchline after punchline ... some surely to tweak even the most squeamish movie goers.
Ray Nicholson (I LOVE YOU FOREVER, 2024) provides a jolt of adrenaline and psychotic violent behavior to ensure no one watching still believes this is a rom-com in the making. His Simon thrives not so much on the money from the robberies as the power and control he displays and the torture he doles out. The finale battles between Simon and Nathan are extreme and creatively unique. While the entertainment value is present, there are still some minor issues with the story and proceedings. The detectives on the case are played by Betty Gabriel (GET OUT, 2017) and Matt Walsh ("Veep"). These two talented actors are given very little to do and it's a shame their roles weren't beefed up a bit. Additionally, there is a key twist that will surprise almost no one. Is it even a twist if they tell you it's coming?
The action scenes are purposefully absurd, and although some bits are over-the-top, others are pure comedy-action brilliance. Jack Quaid is fitting right in to his lead character roles, and Ray Nicholson is mastering the wild-eyed psycho dude. Amber Midthunder shows yet again how immensely talented she is, and it's likely her future roles will take advantage of what she brings on screen. My personal biggest hope is that the filmmakers avoid a sequel ... one which would likely leave us viewers disappointingly numb (had to work in one pun).
Opens in theaters on March 14, 2025.
REM's "Everybody Hurts" plays over the opening credits and sequence which provide hints to the measures Nathan Caine (Jack Quaid, COMPANION, 2025) has taken around his house. With tennis balls shielding sharp corners and a stop to prevent scalding water in the shower, Nathan appears to be quite accident-prone. We learn he's a good-guy Assistant Manager at a local San Diego bank, and profiles as nebbish in his looks and skittish mannerisms ... especially around new bank teller Sherry (Amber Midthunder, THE ICE ROAD, 2021). Sensing his awkwardness and attraction, Sherry takes charge and asks Nathan to lunch. A bite of cherry pie leads Nathan to disclose his rare genetic disorder - he simply cannot feel pain (thus explaining the earlier tennis balls).
One personal disclosure leads to another, which leads to an art gallery, which leads to romantic intimacy and what easily could spin off into a familiar quirky rom-com with these two. Instead, while Nathan is riding an emotional high, three men dressed as Santa Claus violently rob the bank on Christmas Eve and take Nathan's new squeeze Sherry as hostage. This sends our wimpy superhero Nathan (nicknamed Novocaine by junior high bullies) on a rescue mission. His previous fighting experience has been limited to online video game sessions with Roscoe (Jacob Batalon, Ned from Marvel movies), although the two have never actually met.
The fight sequences are quite violent and absurdly comical in how they take advantage of Nathan's blend of physical disorder, nice guy tendencies, and commitment to rescuing his first love. Creativity is at maximum volume as Nathan takes on a red-hot frying pan and boiling oil in a restaurant kitchen skirmish, replete with bodily poundings that would leave anyone else shattered. Things really pick up in a wickedly booby-trapped house that sets up a HOME ALONE joke. Mostly, however, the body horror serves as punchline after punchline ... some surely to tweak even the most squeamish movie goers.
Ray Nicholson (I LOVE YOU FOREVER, 2024) provides a jolt of adrenaline and psychotic violent behavior to ensure no one watching still believes this is a rom-com in the making. His Simon thrives not so much on the money from the robberies as the power and control he displays and the torture he doles out. The finale battles between Simon and Nathan are extreme and creatively unique. While the entertainment value is present, there are still some minor issues with the story and proceedings. The detectives on the case are played by Betty Gabriel (GET OUT, 2017) and Matt Walsh ("Veep"). These two talented actors are given very little to do and it's a shame their roles weren't beefed up a bit. Additionally, there is a key twist that will surprise almost no one. Is it even a twist if they tell you it's coming?
The action scenes are purposefully absurd, and although some bits are over-the-top, others are pure comedy-action brilliance. Jack Quaid is fitting right in to his lead character roles, and Ray Nicholson is mastering the wild-eyed psycho dude. Amber Midthunder shows yet again how immensely talented she is, and it's likely her future roles will take advantage of what she brings on screen. My personal biggest hope is that the filmmakers avoid a sequel ... one which would likely leave us viewers disappointingly numb (had to work in one pun).
Opens in theaters on March 14, 2025.
I saw Novocaine early as this week's selection for Marcus's Mystery Movie. I had already planned on watching it so I was happy with the choice. And while I enjoyed the experience, it feels like most of the other 2025 releases I've seen: good but not great.
The premise is interesting and is used somewhat well. The action scenes are solid. The comedic attempts are hit or miss. I laughed at some but others fell flat. And my investment/engagement was... medium?
I can't fully explain why it didn't work better. Maybe it's because none of the aspects excel. Maybe it's because the entire cast outside of the lead is weak (most of them are TV actors, not movie actors).
I just didn't feel that spark. I definitely didn't mind watching it. But it's not something memorable that I see myself revisiting.
Hopefully 2025 can turn itself around because this is the worst start to the year I can remember.
P. S. Someone brought a noisy baby to my screening so my experience was a bit tainted. Some people are so inconsiderate.
(1 viewing, early screening Marcus Mystery Movie 3/3/2025)
The premise is interesting and is used somewhat well. The action scenes are solid. The comedic attempts are hit or miss. I laughed at some but others fell flat. And my investment/engagement was... medium?
I can't fully explain why it didn't work better. Maybe it's because none of the aspects excel. Maybe it's because the entire cast outside of the lead is weak (most of them are TV actors, not movie actors).
I just didn't feel that spark. I definitely didn't mind watching it. But it's not something memorable that I see myself revisiting.
Hopefully 2025 can turn itself around because this is the worst start to the year I can remember.
P. S. Someone brought a noisy baby to my screening so my experience was a bit tainted. Some people are so inconsiderate.
(1 viewing, early screening Marcus Mystery Movie 3/3/2025)
Nate (Jack Quaid) is a mild-mannered bank employee with a genetic disorder. He can feel no pain. It sounds like a superpower, but the problem is that he can seriously injure himself without realising the fact. As a result he leads an extremely risk-averse life. All sharp edges in his home are padded, he avoids solid food for fear of biting his tongue in half, and he sets an alarm on his watch to remind him to go to the bathroom, because his bladder might burst if he forgets.
As a result, he lives a rather lonely life, playing video games with a friend he's never met face to face. That's until he falls for fellow employee Sherry (Amber Midthunder). Maybe things are looking up?
Then the bank is held up by three armed raiders, who get away with a lot of money plus a hostage - Sherry. Nate gives chase - leading him into a series of perils and adventures. He's not helped by the fact that the police aren't sure which side he's on.
The result is stupid (in a good way) but great fun, as Nate receives a series of increasingly-bizarre injuries without them slowing him down at all. There are enough twists to make things interesting, and enough comedy to make this film an enjoyable watch.
As a result, he lives a rather lonely life, playing video games with a friend he's never met face to face. That's until he falls for fellow employee Sherry (Amber Midthunder). Maybe things are looking up?
Then the bank is held up by three armed raiders, who get away with a lot of money plus a hostage - Sherry. Nate gives chase - leading him into a series of perils and adventures. He's not helped by the fact that the police aren't sure which side he's on.
The result is stupid (in a good way) but great fun, as Nate receives a series of increasingly-bizarre injuries without them slowing him down at all. There are enough twists to make things interesting, and enough comedy to make this film an enjoyable watch.
Novocaine meaningfully shows the extent you would go to save who you care about. It's filled with hopes, amid lots of action that could easily annihilate the underdog at any moment. There's some romance, more violence, and much more audience concern for the wellbeing of the intended rescuer. As part of displaying heartless crime, be forewarned that Novacaine lacks positive humor. The twists and reveals are nicely unpredictable, though.
Best seen with others for how many challenges and opportunities are dramatized. It's less about guessing what's next, and more about relating and somehow surviving, with the main character's hopes and standards intact.
Best seen with others for how many challenges and opportunities are dramatized. It's less about guessing what's next, and more about relating and somehow surviving, with the main character's hopes and standards intact.
The concept is great, but it gets old quickly. It's what happens when you have a good concept but poor execution, bad story, and boring action sequences. They could've done so much with it, but it just doesn't really deliver both from the comedic standpoint and action standpoint.
Compare to movies of similar genre of action comedy like Nobody, this film just seems very generic, cliche, and incoherent. It gets worse as it goes, the beginning was actually quite good. By the ending it was just a mess, multiple fake endings making you wish each time it would just end already.
The characters and story inconsistency makes it really hard to follow or believe.
4/10.
Compare to movies of similar genre of action comedy like Nobody, this film just seems very generic, cliche, and incoherent. It gets worse as it goes, the beginning was actually quite good. By the ending it was just a mess, multiple fake endings making you wish each time it would just end already.
The characters and story inconsistency makes it really hard to follow or believe.
4/10.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
क्या आपको पता है
- ट्रिवियाDirectors Dan Berk and Robert Olsen visualized Jack Quaid as the perfect lead for this movie. After watching his performance on the subversive superhero series The Boys (2019), Berk and Olsen saw an energy in his everyman comedic performances that inspired them to dub him his generation's Tom Hanks. Yet to perfect this role took an unconventional skill set. "Jack had to rewire his brain so that he could get punched and not flinch," Olsen says. "Your whole life as an actor, you're told to sell the hit, and when you get punched, you flinch, you wince, you sell the pain. He had to work with our stunt coordinator, Stanimir Stamatov, to untrain himself from that."
- गूफ़The film is set in San Diego, yet much of it was clearly shot in South Africa. This is especially evident in the police cars and taxis, which appear to be models from twenty years ago. In reality, San Diego police primarily use modern Ford Police Interceptor SUVs (Explorer-based) and sedans (Taurus-based). The older, generic non-Ford vehicles - combined with the distinctly different roads and scenery - make the setting feel noticeably inconsistent.
- कनेक्शनFeatured in The 7PM Project: 4 अप्रैल 2025 को प्रसारित एपिसोड (2025)
- साउंडट्रैकEverybody Hurts
Written by Bill Berry (as William Thomas Berry), Peter Buck (as Peter Lawrence Buck), Mike Mills (as Michael E. Mills) and Michael Stipe (as John Michael Stipe)
Performed by R.E.M.
Courtesy of Craft Recordings, a division of Concord
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Novocaine sin dolor
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,98,61,854
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $88,09,436
- 16 मार्च 2025
- दुनिया भर में सकल
- $3,45,36,061
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें