Ferry 2

Ferry 1 and the series around this character, actually are really fun to watch. This movie is like a scenario written by one 10 year old guy who saw the the other. Pointless scenario with many blanks and nothing good to see.

Frank Lammers in my opinion suits for this role and I don't think he could do something more for this movie.

Sometimes, some Netflix's films seem to be made only to see a female protagonist instead of a male. You could do so many clever things to this movie but the only thing they did is to show us how "stubborn" and "capable" his niece was. They didn't even make us really understand what was going with her life. They just added a co protagonist who was selfish, dumb and impulsive and she had nothing to like her as a character. To sum up, Ferry deserved a better ending.

There are films that are good or bad, but this is a film that I wish I hadn't seen.

A sequel we probably didn't need but somehow got anyway. Ferry Bouman, the charismatic anti-hero who muscled his way out of the Undercover series and into his own spin-off, is back to grace us with another jaunt through Belgium's underworld. The man who stole the spotlight from the painfully dull policeman "Bob", proving once and for all that crime does, in fact, pay - until it doesn't. We watched Ferry's rise and inevitable fall, losing everything, including his so-called "kingdom." And by "kingdom," I mean a scrappy camping ground with his equally scrappy wife Danielle. But credit where it's due - Frank Lammers lends Ferry a tragic, almost Shakespearean credibility, even when surrounded by beer cans and bad decisions.

This time around, our likeable loser has retired to sunny Spain, the go-to destination for washed-up European criminals to live once more in the unglamourous confines of a caravan, until it gets trashed by his niece Jezebel. (And no, I didn't make that name up - apparently, the Dutch did.) Jezebel, who is technically the daughter of Ferry's late niece drags her boyfriend along for the ride and demands Uncle Ferry's help with a little "business issue." Just your everyday problem of delivering ecstasy pills to a psychopathic drug dealer. Because nothing says "family bonding" like a high-stakes drug deal.

In today's cinematic era of girl bosses, Jezebel is barely tolerable, being believable as white trash and moderately annoying. But the plot plays out like a greatest hits compilation of crime thriller clichés. The order for pills is miraculously ready (of course), only to be derailed by predictable backstabbing and double-crossing. And just for kicks, there's the looming family secret: Jezebel doesn't know what happened between Ferry and her father, which is sure to rear its melodramatic head at the worst possible moment.

Is Ferry 2 as bad as some reviewers here claimed? Not quite. Lammers brings his A-game, portraying Ferry as a broken, sardonic has-been who still manages to be oddly sympathetic. The bleak Flemish landscape adds its usual dose of gloom and general despair. It's not brilliant cinema, but it's not a total trainwreck either. It's a dark, messy, slightly depressing crime movie that coasts on Lammers' charm and Ferry's razor-thin likability. Not great, but at least it's better than camping with Bob.

PS and if they plan to make yet another spin-off with Jez as main character I'll definitely bail out.

I must say i had high hopes but Ferry 2 is an uninspired, poorly executed sequel that tarnishes the legacy of its predecessor. The plot is shallow and aimless, riddled with clichés and devoid of emotional impact. Even Frank Lammers can't save the lifeless script or bring depth to the hollow characters.

The action lacks energy, the pacing drags, and the once-gritty tone feels sanitized and generic. This sequel offers nothing new, only recycling tired tropes in a half-hearted attempt to cash in on the original's success.

A lazy, forgettable mess - Ferry 2 is a sequel that should never have been made.

The script of "Ferry 2" is quite basic. There's really no element of surprise; everything is very conventional, but as it's presented with such authenticity and seriousness, I didn't mind watching these characters quickly run through all the clichés associated with gangster movies.

The action design, cinematography, stunts, acting, and editing in these scenes are genuinely realistic and have enough dynamism to keep you on the edge of your seat. Each action sequence feels authentic and contributes to the film's narrative tension.

Frank Lammers is excellent, as always. He's been playing this character for the last 6 years, and it's truly incredible that he continues to find so many interesting facets of this gangster. His performance brings depth and humanity to a character that could easily be stereotyped.

The moment Jezabel comes back into his life, Ferry abandons any hint of normality he had achieved and reverts to his old ways. In a way, this probably suits Ferry's character well: unpredictable and irresponsible, with a streak of madness, adding an interesting twist to his development.

We follow the same path, but this time with a group of kids who don't know what they're doing, making Ferry the most mature one. It's odd and quirky, but it moves at breakneck speeds and has an innocence that feels fresh. This change in dynamic offers a new and entertaining perspective on the character and his world.

In conclusion, "Ferry 2" doesn't redefine the genre of gangster films, but its authenticity and the commitment of its cast, particularly Frank Lammers, make it worth watching. The movie manages to hold interest despite its predictable script, thanks to the energy of its sequences and the exploration of new aspects of Ferry's character.

After the success of the original series and the first spin-off movie, Ferry 2 feels like a bad trip-or worse, an overdose-in multiple ways. What could have been a worthy continuation of an intriguing storyline instead devolves into a poorly executed cash grab that leaves me (and apparently other fans) disillusioned.

The casting of the co-lead characters is, quite frankly, appalling. There's little chemistry or believability in their performances, which only serves to magnify the shallowness of the three main supporting roles. These one-dimensional characters are unconvincing at best, cartoonishly unrealistic at worst. Their lack of depth makes it nearly impossible to connect, care or remember about their presence in the story.

The film's scenario, scenery and events (cooking meth and firing a gun unnoticed in a Police/Fire-station) are riddled with flaws and inconsistencies-many of which have been pointed out in other reviews as well. From plot holes to poorly thought-out sequences, the narrative fails to hold up under even minimal scrutiny. It's clear that neither the writers nor the directors invested the necessary effort to craft a compelling or cohesive story.

And then there's Ferry himself, portrayed by Frank Lammers. While his performance remains solid, his omnipresence in commercials airing hundreds of times a day during this holiday season in the Netherlands creates an overexposure that detracts from the character's impact. It's a shame that Netflix and the director's team opted for this money-driven -Christmas-time release-shortcut rather than focusing on the quality and originality that made the franchise successful in the first place.

In the end, Ferry2 feels like an unnecessary addition that tarnishes what could have been a strong legacy. For me, they should have left Ferry where he was and redirected their efforts toward creating a fresh, compelling narrative. This sequel is a another glaring reminder that not every story needs to be stretched to its limits-and beyond.