Sebastian

Well, I've never used a sex worker in London so had no idea about the huge sums of money to be earned. £300 an hour! That's serious money. No wonder the impoverished students who formed the basis of Max's initial research got into the trade.

Max's odyssey through the world of escorts engendered tensions. He was earning huge sums while using the clients for his novel but also beginning to form relationships with some of them.

Max developed personally too in a different way. His initial reluctance to be known disappeared as we saw in the very last line of dialogue in the film.

I found the characters in the film to have been well rounded and believable. The script was well written and captured the world Max was living in extremely well.

I'm glad I saw this.

A queer writer and sex worker finds his own story and voice, hands-on.

"Sebastian" addresses issues such as shame, authenticity in fiction, consent and work-life balance with a gentle touch. The power asymmetry in sex work is shown with a simple plot device which is effective without being crude. The right of sex workers to tell their own story is stressed by the narrative structure itself until the climax in the very last scene which wraps it all up nicely.

Seen at HIFF, where it was very well received by the audience. The director told us his original inspiration from the London queer community while he studied there.

A young writer explores sex workers circle for write a novel. But this adventure is not easy or cheep and, in profound manner, transforms him .

A not original theme , well reminded , well acted- especially Jonathan Hyde contribution represents a serious good point , realistic - the trace of a Julien Sorel in new version - and a good work of Ruaridh Mollica as Max.

In essence , a clash between editorial world and sex workers one , the reactions , the dialogue, the inspired last scene reminding, in cold - precise manner the laws of a confrontation who gives to young writer chance of significant transformation.

Great part - the relation with mother as oasis in the circle of chain of tensions.

"Max" (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of "Sebastian" but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don't quite add up; timelines don't quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn't care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson's "Daniel" seemed just to Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man's increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it's all too bitty. Worth a watch, but not what it could have been.

Max is a young aspiring writer in London, who does freelance work for a literary magazine, has had some short stories published, and is working on his 1st novel. He is inspired by some interviews with graduate students about being gay sex workers for money, but he is too conscious about possibly appropriating their voices, so he decides to go into the business himself, ignoring the irony of most 1st novels being autobiographical.

This he does under the name Sebastian, posting pictures online of his bare torso, but with his face obscured by his cellphone. He gets customers, and some call him back for more encounters. But his sex work starts interfering with his job at the magazine, while his publisher / editor is trying to shape the novel into a "marketable" story.

I do have a couple of minor quibbles about the script. While there are multiple sex scenes (with no cast members' members showing), they seem to be all straight-up penetration, No oral, no hand jobs, no spanking with a magazine or other kink. The other is the sequence where Sebastian is on an overnight assignment, has drunk too much, but still manages to sneak out of bed to immediately write down his activities, given that his research is for a work of "fiction", and inaccuracies / omissions / embellishments are fair game.