Friendship

Making a name for himself with his particular brand of awkward humour that has served him well on various stand-up specials and Netflix backed series I Think You Should Leave, American comedian Tim Robinson makes the leap to leading man duties in Andrew DeYoung's feature debut that is one of the years most unique propositions.

Working alongside seasoned audience favourite Paul Rudd, Robinson here plays everyday office worker Craig, a softly spoken and floating middle-aged man who has recently been supporting his wife Tami's (a typically strong Kate Mara) cancer journey and see's huge potential with a friendship he has been striving for with his new neighbour Austin (Rudd).

It's a simplistic set-up in principle and one that's been a tried and true narrative starter in a multitude of purely comical or more dramedy centred affairs across the years but with Robinson in the lead and DuYoung committing to making sure his debut is not a cookie-cutter affair, Friendship provides an odd, unexpected, sometimes hilarious sometimes sad journey that is sure to win as many fans as it loses.

Early on in the building block stages of the film and Craig and Austin's budding relationship, Friendship provides a healthy ratio of hearty laughs and awkwardly hilarious hijinks but as we move forward from the initial half hour set-up Friendship enters into darker territory and it's likely that many willing viewers will begin to wilt as Craig's venture into the depths of desperation and poor decision making takes hold over him and the story itself.

It's undeniable that Robinson has a particular range as a performer and you can't see him ever escaping a typecast scenario he has created for himself and is likely content in but for what Friendship required he is a great choice and his back and forwards with Rudd are a real winner for the film with Rudd becoming the perfect foil for Robinson's mannerisms and antics that won't be for everyone but work for what is required here.

The film's fantastic early stretch is sadly never formed into the potential classic genre entry it might have been as things progress and narratively there's some significant gaps in pay-offs and exploration but in a climate where a lot of films of this ilk play it safe or do the bare minimum, its refreshing to watch something like Friendship that's so content being something a little bit different and non-concerned with the towing the line of expectation.

Final Say -

A must-see for any Tim Robinson fans and for anyone willing to take a strange and off-kilter journey into one man's crumbling life, Friendship isn't always an easy film to digest and is as much a drama as it is a comedic trip but it's an intriguing watch throughout and proves there's a place for Robinson in the feature film landscape.

3 1/2 fast moving pigs out of 5.

I, admittedly, cringe very easily. I can't watch reality shows because the awkward conflict makes me uncomfortable. I like Tim Robinson sometimes when his outrageousness is so over the top that it's just separate from reality. In this film, he is great, as is Paul Rudd, and frankly everyone. The cringe is low key enough in most scenes to make you truly squirm. I found myself squirming far more than laughing in this movie. It was weird, wild, and unique. I liked it and it stuck with me. I am sure that the discomfort I felt watching it was the point. If you like that cringey feeling, you will really like this movie.

It's easy to describe this movie to someone who has watched "I THINK YOU SHOULD LEAVE" tv show(with Tim Robinson). FRIENDSHIP is like a 100 minutes episode of this show, less insane/provocative than an average episode,also a bit more entertaining addressing to larger audiences.

However, it's very difficult to describe this to someone who hasn't watched Robinson's tv shows. One might think that it's something like a dark comedy(like THE CABLE GUY) and a satire about male friendship. Or a deconstruction of movies regarding male friendship.

Truth is, even this description doesn't even begin to portray the sheer insanity of this movie. The male friendship is just a pretext, an excuse for all this surrealistic spectacle. This is more Luis Buñuel and Salvador Dalí than "Cable guy". But even Bunuel's movies had a second layer and they had a meaning. FRIENDSHIP has zero meaning or moral lessons or an underlying purpose. This is not about about society, there are no messages here, nothing.

There is a reviewer here named "aciessi" and i think his review is absolutely to the point : "I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't.".

This.

I liked it a lot, there were many hilarious scenes, for real i would like to watch a 4 hour movie of Robinson. However, this is definitely not for everyone. Many people will call it a bad movie, and i won't even argue. It's not about right and wrong, good taste in movies and bad taste. Tim Robinson's cinematic value " lies in the eyes of the beholder".

Story ~ ⭐ 5.5/10

The writer forgot to close some story lines, and when you do that, you leave the audience wanting. The movie is a negative character arc for both Robinson and Rudd, and that's depressing, especially without meaning or something else to grab onto. Yes, it was funny, at times, but it was drowned out by a sea of not enough audience payoff. Clever ending, not really.

Acting ~ ⭐ 7.0/10

Robinson is doing Robinson and Rudd is doing Rudd. Expanding on Rudd, it seems he has some acting tic he can't shake that's turned him into a cliché; it's something in his face, like an invisible string keeps him from doing something different. At times, Robinson's slapstick, especially the scene with the Vietnam hat-wearing overactor, degenerated into a yelling match that should have been left with the editor. My 7 for acting is generous, thanks to Kate Mara, who delivered the most talent and nuance by far.

Cinematography ~ ⭐ 7.5/10

Nothing special here, but not bad either. Sorry, I can't offer more.

Recommendation: This is uncomfortable, awkward humor. If you like that, rent it, but pass on the theater run.

The obvious comparison is "I love you man," because of Rudd and some of the other narrative parallels, but I like to think of this as the origin story of the "dangerous nights I used to be a piece of $h!t" guy from I think you should leave.

Robinson strikes just the right balance between doing the things he's known for from ITYSL and Detroiters, and the kind of dark sadness that could only be depicted by someone who had a prior career in advertising (I say this as someone with a current career in advertising).

There's a real undercurrent of existential dread running from start to finish and in the end, they stick the landing on never really knowing what was reality vs fantasy.

It's a strong recommend from me, especially for those who enjoyed Robinson's previous projects, because make no mistake - while the supporting cast (primarily Mara and Rudd) anchors the reality - it's Robinson who sells the surreality required to tie it all together. 8/10.