Tekka

Srijit Mukherjee's Tekka marks a significant departure from his previous, acclaimed works. The film, featuring Dev, Rukmini, and Swastika, centers around a kidnapping incident that unfolds in a tense conference room setting. While the premise holds potential, the execution falls short in almost every aspect.

Swastika's performance is the lone bright spot, delivering a compelling and nuanced portrayal of the distraught mother. However, Dev's character, despite his efforts, lacks the depth and intensity required to make the audience empathize with the kidnapper. Rukmini's performance is particularly underwhelming, as her character seems lost and inconsistent.

The film's direction is amateurish, a far cry from the finesse displayed in Mukherjee's earlier works like Baishe Shrabon and Chotuskone. The dialogue delivery is wooden, and the characters lack the maturity and complexity expected given the high-stakes situation. The cinematography is commendable, but the music fails to add any emotional depth.

Inspired by Western films and web series, Tekka struggles to find its own identity. The characters feel one-dimensional, and the plot lacks the necessary tension and twists to keep the audience engaged. While the concept had promise, the execution is flawed, resulting in a disappointing film.

Rating: 3/10.

This is a good thriller film based on a hostage situation. The film starts with showing the self respect of Iqlakh Alam (Dev), who works as a janitor on contract basis at a corporate office in Kolkata. Suddenly his job is snatched away by the service manager of the office as Iqlakh protested on the event of passing some communal comments to him by some employess in the lift.

On the next day, Iqlakh kidnaps a kid from a nursery school makes her hostage in the same office where he used to work. The baby girl is the daughter of Ira (Swastika Mukherjee) an employee of some other office.

To rescue the babu girl, CP (Kamaleshwar Mukherjee) of Kolkata Police gives responsibility to ACP Maya Khastogir (Rukmini Maitra).

ACP Maya tries her best to rescue the child by having continuous conversation with the kidnapper. But on the other hand, Ira kidnaps Guddu (son of Iqlakh) and makes him hostage at the same building.

We see Bristi (Sreeja Dutta) & Tintin (Aryan Bhowmik), reporter-camerman duo of Sky News, recording some exclusive footage of the hostage scenario by hiding somewhere in the floor. They play a pivotal role in the later part of the story.

We also see Anubrata Adhikary (Paran Bandyopadhay) as local politician cum business tycoon in a very cunning attitude.

The climax of this film is totally unexpected. It turns the plot 180 degree suddenly.

Talking about the technical aspects of the film, Rukmini & Swastika is fantastic in their respective roles. Dev is also brilliant as lower middle class helpless person.

Sreeja Dutta & Aryan Bhowmick have shown some good bonding of their friendship throughout the film.

Sujan Mukherjee as TV channel editor-director is good in his role.

Paran Bandyopadhay is also very good with his expressions. His vast experience in acting helps him to play this role effortlessly.

Tota Roy Chowdhury is also fine in his role of Mr Sanyal (husband of ACP Maya). But his screentime is very less.

Kaushik Sen as Altaf Alam is good. His character was totally unexpected as that wasn't mentioned in the trailer. Although personally I think Kaushik Sen could be placed as elder brother of Iqlakh.

The BGM & songs support the screenplay of the story. They don't hinder the progress of the story.

Camerawork & screenplay is very good.

Throughout the film, there are subtle comedy punches.

Much more was expected out of a Srijit Mukherjee but unfortunately that was not to be and was very disappointed. Boring, slow, bland and melodramatic storyline. We expect more out of Srijit Mukherjee especially in the thriller genre. Hope we would get some great thrillers from him in future.

Acting : 5 Story and screenplay : 2 Music : 7 Action : 2

The subplots were equally poor and did not see any hope from them. We may take a leaf of movies made in other languages to get some ideas and replicate in our own way probably as they keep us guessing till the end and don't drag it in between. Please avoid if possible.

Unless the climax part. It was a hostage comedy. The climax was also somehow predictable, following a similar pattern to other movies of Srijit- "chotuskone" "baishe shrabon" etc. The pattern - 90 % of the movie will be slow, you can leave it at any point without any further interest in watching and then you would have a good climax- okay.

Rukmini never looks like a police officer, let's assume she is a "mindhunter". But the problem never seems too tough which needs a great solution.

The screenplay was inadequate in many places. For example, The security forces came out of the police van, with a great drill from outside of the building to meet inside with the police officer. SO WHY YOU NEED TO START WITH A DRILL FOR THAT?

In the first scene where dev and his child were eating together, it describe he can't afford his children's school fees. Now after the climax, this looks illogical.

Both Dev and Swastika were watching TV News during the hostage situation. I can't even imagine this unless it is a comedy.

Hostage thrillers generally thrive on palpable intensity, which can be cultivated through a compelling and sophisticated screenwriting.

Regrettably, 'Tekka' falls short in this regard.

Pacing is lethargic and the narrative is riddled with occurrences that starkly contradict logic and rationalities. Furthermore, the underlying themes; class discrimination, communal hate interfaith marriages, corrupt politicians; all, undeniably critical, yet the execution feels heavy-handed and moralistic, lacking the emotional resonance one would hope for.

While the performances, particularly that of Dev, and the end twist provide a glimmer of redemption, they are not enough to elevate the film from the pits of mediocrity.