Highest 2 Lowest

I've got to say, I was pretty disappointed with "Highest 2 Lowest." I came in with high hopes, but the plot just felt all over the place. It's like the film tried to juggle too many stories at once without giving any of them the attention they deserved. As a result, none of the individual character arcs felt complete, and it was hard to get invested in what was happening.

The editing, which is usually a strength for Spike Lee, felt jarring this time around, jumping from one thread to another before you could really settle in.

As for whether it's worth watching, I'd say probably not. For me, the film's biggest issue is its narrative cohesion. It felt like a collection of interesting scenes that never quite came together to form a meaningful whole. While the performances were solid, the lack of a clear, focused story made it a bit of a tough watch.

I guess the name of the movie Highest 2 Lowest is a pun on how "good" the movie is, a little high (Denzel and Jeffery's dramatic acting) and A LOT of LOWS (the entire script and poor acting from most of the cast). After watching the original movie High and Low by Akira Kurosawa I was intrigued to check out this remake by Spike Lee but gotta say I'm very disappointed in how far this movie falls short of Kurosawa's classic. In all honesty I don't believe Spike was the right person to even direct such a remake and instead I believe this movie should've been directed by someone like Scorsese who would've made the film the action thriller it should've been instead of this confusing mess that Spike Lee made. I'll rate this movie a 5 out of 10 due to the simple fact that the script is horrible despite Denzel Washington and Jeffery Wright carrying the movie, everyone else seemed like rookie actors who made the movie feel like a made for BET or Lifetime movie. I also have no idea why this movie went over 2 hours, lol I felt compelled to walk out the theater from being so underwhelmed for how cringeworthy the last 10 - 20 minutes of this movie became. I actually would've been more favorable towards this movie had it been shorter, like probably giving this a 6/10 but it just went on for far too long and quickly became a trainwreck to watch, it seemed as if Spike didn't even know how he wanted to end the movie so instead he prolonged it with unnecessary scenes. I believe this movie should've been released directly on Apple TV instead of having a short theatrical run.

Spike Lee movies are always a hit or miss with me. Loved his first, She's gotta have it, Malcolm X (too long), Do the Right Thing (too long), but I never got past the few other movies I saw. IMO the scoring of his movies is atrocious. And he seems to stretch out the scenes filled with dialog too long to the point you want to say "cut" or edit. And that's what I felt watching this "Apple Studio" movie. Spike in an interview said Apple was the only studio that would finance it. It's going straight to stream in about two weeks.

The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.

The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?

Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.

If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.

Worth a watch especially if you're African American. A lot of the jokes and writing are geared towards our specific culture and will be more relatable/relevant to us. I appreciated the message at the end of the film about modern day rap music and rap culture. Mostly very strong cast except for Pam, if I'm being honest she was the only weak link and the editing didn't do her any favors. Speaking of editing the editing could have been much better, the writing could have been way better he needed a team of people to review his script, star directors like spike lee get way too much creative freedom and aren't held accountable enough for subpar work in my opinion. ASAP Rocky did a beautiful job he had a very complex and real character that could have easily fallen into a stereotypical cliched performance but he brought a lot of humanity to it. Cinematography was okay. Production design looked very VFX even the view from the penthouse looked like a iPad screen. Denzel did what he was supposed to do. He's a always a joy to watch but he deserved a better script and production quality. Overall not bad. But I wouldn't recommend paying money for it in theatres. Wait till it streams.

Denzell Washington is a very successful music producer with, as he calls it, "The best ears in the business". He sold off a piece of his corporation a few years back and lives an opulent lifestyle. But the changed economics of the music business, a company sniffing around to buy the company from under him, and a desire to be more of a producer than a businessman have worn on him. He arranges for a loan to buy a block of shares that will give him control. And then his son is kidnapped.

Many of you will recognize this as a remake of Kurosawa's Tengoku to jigoku aka High and Low. As a result, the first big plot twist did not surprise me. What did surprise me was Spike Lee's expansion, not only of the divide between the highest and lowest wealth in the movie -- although that was by making Washington so very rich -- as the expansion of the ending. Several of Kurosawa's movies seem to end abruptly to me, pointlessly so: an ending that shocks rather than concludes. That is, undoubtedly, a cultural difference. But Lee comes down on my side, and with equally stern cultural self-criticism. In doing so, he demonstrates this is a sturdy story, both in terms of its thriller/kidnapping plot and in terms of how societies view art, money, and privilege.