Sherlock & Daughter

As a big Sherlock Holmes fan, I've always loved how smart he is and how he keeps his distance. To me, the original stories are great because he's all about logic, not feelings or family. So, when this new series introduces a daughter, it feels a bit off. It just doesn't seem like the Sherlock I know, the one who cares most about solving a good mystery.

It feels wrong because the original Holmes was so focused on his work, with no wife or kids. Adding a daughter brings in a lot of emotion, which I think changes what makes him unique. It might make him seem more like any other detective with family problems, instead of the special character he is. For me, the old stories are important, and big changes to the main character can be tough to accept.

But, I also see why the series creators did it. Giving Holmes a daughter adds something new. The idea of a "lonely genius" can feel old-fashioned now. A daughter pushes him to deal with feelings and relationships, which makes him seem more human. This can open up new kinds of stories, not just about solving crimes, but about family and what kind of parent Holmes would be. It helps keep the character fresh and interesting for today's audiences.

So, while my first thought is often "that's not the real Sherlock," I understand that a daughter can enliven and modernize him, making him more relatable and giving creators new ways to tell his story. It's a different take, but it does bring him to life for a new generation.

One of the endless iterations of Sherlock Holmes, this one comes with a young woman who may be his daughter. The story begins with Holmes mid-drama, trying to save persons at risk while feeling that greater risk may come from his efforts. Meanwhile, a young woman makes her way from New York City to London, hoping to meet Holmes, whom she regards as a personal hero.

The atmosphere of London, 1896, is convincing, so the viewer can relax into the story, which wastes no time developing. Holmes (David Thewlis) and the young woman, Amelia Rojas (Blu Hunt), begin the series as fully-developed characters. Their back stories and personality traits are quickly established. Holmes is self-important and surly, though considerations might be made due to his current situation. Amelia is bright, cordial, and eager to learn. When she makes her way to 221B Baker Street, her hopes are briefly dashed, but she finds a place in Holmes' situation.

Before long, the two are working together to solve a case, but not as equals. And the disparate duo competes with Scotland Yard and the Pinkertons.

The production is filled with graphics, which some viewers may like; others may find them distracting.

But the first two episodes are enjoyable, and there is potential for much more enjoyment if the script allows the main characters to grow into a relationship of depth and warmth, if only grudgingly.

Sherlock & Daughter is a CW series created and written by Brandon Foley. The story begins with a young American girl named Amelia Rojas (Blu Hunt) who leaves her home in California after her mother's murder. Amelia makes her way across the pond to England to find her father Sherlock Holmes (David Twelis) who plays quite a convincing role as Doyle's fictional character. In all of the books, comics, movies and any other shows there was never any mention of Sherlock ever having a family or an affair with anyone to convince us that he would be a father. The series tries to solve a conspiracy that stretches to the highest government level and to solve Amelia's mother's murder. The fortunate part of the script was the smart use of clues, the maps, the costumes for the time period. The one thing I didn't like was the idea of American character being the daughter of the famous detective and they couldn't come up with a better title. We also learn Professor Moriarty (Dougray Scott) is spending time in prison and his son Michael Wylie (Joe Klocek) has become the leader of the red ribbon gang. Michael and Amelia do have a connection but doesn't pan out. The series is ok, nothing great, doesn't really compare to the movies but for CW I guess it fits. I would continue to watch it if there are going to future seasons.

I was expecting to be mildly amused but I ended up enjoying quite a bit. I used to to dislike Thewlis a while back but I've learned to appreciate some of the characters he's played though his Holmes here is a bit smug and annoying. Of course he's dealing with some loss and personal issues so he gets a pass for now. The daughter which could have been a waste of character is actually charming and interesting. I've seen untold movies and shows featuring Holmes as well as read dozens of novels and this is quite refreshing though somewhat reminiscent of Miss Scarlett and the Duke ( another good show ). This could have had dumb, unfunny jokes but while not overly dramatic it's mercifully not whimsical or campy ( two things I abhor ). Anyway give it a shot and you too might be surprisingly entertained.

I think most books, movies and some TV shows could be improved with maps. This one uses maps to illustrate old London and even a carriage chase. Well done.

I'm very forgiving with Sherlock stories. I was able to enjoy Sherlock and Elementary at the same time, but I can't stomach the Will Ferrell abomination. I suggest "Smarter Brother" and "Without a Clue" for a humorous Holmes. And I still miss Houdini and Doyle, but I digress.

This Holmes is older but still rude, egocentric and logical. I like that he does not accept the young American as his daughter ('You are not the first to make this claim") but finds her useful to investigate his case. Also we work with the same clues as Holmes. The main problem is extending the mystery across 8 episodes. The middle does bog down a bit. It would be better to have 2 four episode arcs. This is still an entertaining effort that I can recommend to a Holmes fan.