Sherlock & Daughter

One of the endless iterations of Sherlock Holmes, this one comes with a young woman who may be his daughter. The story begins with Holmes mid-drama, trying to save persons at risk while feeling that greater risk may come from his efforts. Meanwhile, a young woman makes her way from New York City to London, hoping to meet Holmes, whom she regards as a personal hero.

The atmosphere of London, 1896, is convincing, so the viewer can relax into the story, which wastes no time developing. Holmes (David Thewlis) and the young woman, Amelia Rojas (Blu Hunt), begin the series as fully-developed characters. Their back stories and personality traits are quickly established. Holmes is self-important and surly, though considerations might be made due to his current situation. Amelia is bright, cordial, and eager to learn. When she makes her way to 221B Baker Street, her hopes are briefly dashed, but she finds a place in Holmes' situation.

Before long, the two are working together to solve a case, but not as equals. And the disparate duo competes with Scotland Yard and the Pinkertons.

The production is filled with graphics, which some viewers may like; others may find them distracting.

But the first two episodes are enjoyable, and there is potential for much more enjoyment if the script allows the main characters to grow into a relationship of depth and warmth, if only grudgingly.

This a complete miss. The Holmes character is so unlikeable and disrespectful that its hard to give him any credit.

The young actress playing his daughter is not a good representation of an indigenous woman from that era from the west coast of the US. She's more like a college student from the 90's-- the 1990's.

I had high hopes for this edition, but the casting of Holmes, the daughter, and some of the rest-- with the exception of some of the street characters, don't make sense.

The story involves an international crime syndicate, but its far-fetched and contrived. Its not really a mystery that it relates to Holmes somehow. Its simply not an enjoyable experience watching this Holmes bluster about.

I'll admit my expectations for a CW production are somewhat reduced compared to HBO, but Sherlock & Daughter is definitely a decent show worth watching.

There are a lot of little things done properly that show care and attention to detail. The little animation showing when characters move about London is simple and effective.

The sets and scenes in London and environs are top notch, particularly when I compare them to Miss Scarlett. The set designers performed excellent work here.

Where there is a bit of a letdown is the reliance on coincidence to further the plot. Amelia is definitely too much of a Mary Sue but I've seen far worse. The acting, other than Thewlis, is average at best. The actors read their lines rather than saying them, but, again, for a CW production this is not unexpected.

All in all, I'm enjoying this and I'd recommend it. Must see television, perhaps not, but if you're a Sherlock Holmes fan, this is worth giving a shot.

David Thewliss is a fantastic Sherlock, Surly, moody, cerebral and is generally true to the character we all know and love but without some of his (as yet) more destructive traits and quirks. Blue Hunt promises to be a match for his intelect, albeit more positive personality, the role is hers to mould and this first outing suggests she is doing just that.

The first episode promises good things, it grabs your attention, the costumes and settings are more than appropriate for the time period and the initial plot promises a longer running story with the opportunity to have episodal stories.

While some opinions are very negative, i fail to see why. Simply put there is nothing not likeable about this drama.

Sherlock & Daughter (Season 1, 2025, 7.3/10) is an attempt to reinterpret the Sherlock Holmes universe through the lens of family drama - an idea that sounds intriguing on paper but ultimately leaves mixed feelings. Introducing a sudden "daughter" into Holmes's life is a risky move, and while the series tries to balance classic elements with new themes, the execution doesn't always withstand the tension between them.

The show's main strength lies in its acting. David Thewlis is perfectly cast as Holmes: his portrayal of the detective is more weathered by time, more human, yet still retains the familiar cold sharpness. Blu Hunt as Amelia brings a refreshing energy: her character is independent, determined, and provides a good contrast to Sherlock's detached nature. Their dynamic is one of the main reasons the series manages to hold the viewer's interest.

Visually, the production is solid: London is depicted with atmosphere - without excessive gloss, tinged with a slight grayness and an attentive eye for period details. In terms of staging, the series looks robust and at times even impressive.

However, the main weakness lies in the script. Storylines often feel simplified: the mysteries are not particularly complex, some plot twists can be guessed long before the reveal, and themes that could have added emotional weight (such as generational conflict, trust, redemption) remain superficial hints rather than fully developed arcs. The pacing is also uneven: there are lively moments, but also noticeable lulls, especially in the middle of the season.

Conclusion: Sherlock & Daughter is a project with a good concept, solid performances, and a pleasant atmosphere, but it lacks depth in storytelling. It's more of an interesting side note in the world of Sherlock rather than a new pinnacle of the genre. As an easy evening watch, it works well enough. But if you're looking for the wit and complexity of the original Holmes, they are noticeably scarcer here.