Saaree

Welcome back, RGV. Saree is a reminder that when you write with fire, the screen burns with brilliance. A must-watch for fans of bold cinema.

Ram Gopal Varma (RGV) touches on a relevant point that today's youth should take seriously - blindly trusting or befriending someone on social media can lead to dangerous consequences. This core idea is clear and important.

Aaradhya delivers an okay performance in a few scenes, though she isn't given much depth to work with. The real highlight is Satya Yadu, who fits well into his role. While his actions are irritating and disturbing, that's exactly what the character demands. From the pre-climax to the climax, he fully immerses himself in the role and succeeds in making the audience hate him - a job well done.

Saaree" is a painful reminder that not every story needs to be told. With a weak script, cringeworthy dialogues, and direction that lacks vision, it struggles to hold attention from start to end. One of the most forgettable cinematic experiences in the past decade.

Watching Saaree feels like sitting through a painfully long lecture delivered by someone who doesn't know the subject. You keep checking your watch, hoping it'll end soon. And when it finally does, you're left wondering why you didn't just walk out halfway.

In conclusion, Saaree is a colossal misfire in every department. Poorly written, badly directed, lazily acted, and technically weak-it's the kind of film that makes you question the choices of everyone involved. Avoid it unless you're compiling a list of the worst films ever made. And even then, proceed with caution.

Kittu evoked the haunting intensity of SRK's character from *Darr*, embodying that same allure that grips you with its obsessive charm. I couldn't help but ponder how Ramu might have elevated the film by investing more time in the casting of the perfect actress for the pivotal role. Despite her passionate dedication and the raw depth she infused into her performance, there was an irony in how her fervent efforts seemed to work against her, rendering the portrayal somewhat less compelling. However, I still found the overall experience to be a delightful journey, whisking me back to the golden era of RGV's mesmerizing storytelling, where every frame felt alive with intrigue and dramatic flair.

If there is an oscar for trash....called movies .....this one takes the cake. Thriller about a mental guy obsessed with a young girl.....stocks her abd goes to any length in gis own weird way. He is a photographer. Girls also need to understand to what lebgth they can go with fuys and especially random guys that just appear from nowhere. There are a lot of sickos our there these days. RGV - please retire and save us. I recently watched Shiva and loved it again aftee all these years. You lost your mojo. Watch it if you like movies where weird guys stock youbg girls abd obsess over tgem, if they are even a bit friendly thinking they are in love.

I liked cinematography.

Especially the projector scenes.

Key points.... Intense acting of actors.

Saaree stands out for its cinematography and DOP work, capturing raw emotions and obsession through visually striking frames. The lighting, close-ups, and composition elevate the mood, making even slow moments visually engaging. Though the story lacks depth and the pacing falters, the visual storytelling adds tension and atmosphere. While not perfect, it's a treat for those who appreciate technical finesse in framing and camera movement. If you love good visuals, Saaree offers something to admire despite its weak plot.