Ick

ICK is honestly one of the most electric and inventive films I've seen in a while. It's a 2000s-infused creature feature with incredible performances by some of the best/most iconic names of the 2000s as well as a bunch who got to grow up watching these people. It had to have hit Malina Weissman at least once her teacher/father figure in the film was Superman.

Anyways, the script was super fun and extremely self-aware. It wasn't eye-rolly either. It actually had something to say and said it in a way that was exciting while also getting the message across. It was also a breath of fresh air to see a film that was actually directed and not shot on telephoto lenses at several points throughout the room. Each shot was meticulously crafted, blocked and executed. I mentioned Routh and Weissman before, but they were the heartbeat and soul of this film. Weissman specifically though has the chops that could definitely blow some A-listers out of the water. I know she came from A Series of Unfortunate Events working with Neil Patrick Harris, but her charm and charisma flows through the theater. Her chemistry with Routh too was so dynamic, and their banter literally made the movie that much more fun. The ick itself as an allegory for COVID was very fun to digest and allowed for the film to look upward towards a brighter future if we were to take a step against the societal woes that locked is inside the pandemic for so long. This movie just proves that you can use the medium of movies and storytelling to inspire instead of just depicting pure cynicism on screen for two hours. I can't believe I've gotten this far too without mentioning the soundtrack, and it was absolutely beautiful to be able to hear the soundtrack of my childhood to destroying monsters and fighting for what you believe in. It just reinvigorated my love for the medium, and I IMPLORE that EVERYONE go out and see this over the next couple days. You won't regret just having a blast at the movies!

IT'S WHAT WE GO TO THE MOVIES FOR!!!

Context: I am 60+ now, degreed and experienced in cinema, with three Generation "Z" boys. So this movie is not for me, it's for them. I only give it 6-stars because it misfits my own entertainment needs. I expect teenagers and young adults who were tweens and teens in 2000-2010 will connect with this much better.

That being said, I would describe this as being a hyper-paced satire that pretends to be about horror but is really about our modern culture, especially that which Gen-Z must suffer through.

The Ick, being a familiar but mostly ignored and unexplained creature that suddenly becomes destructive, is a METAPHOR.

It represents cultural rot, something that grows everywhere and we complacently ignore it until it becomes antagonizing, and many of us continue to try ignoring it, or minimizing it, to our demise.

Once you watch this movie with those lenses it begins to make more sense. Listen carefully to the dialog and you'll hear the indoctrination of critical theory (identity politics and oppression narratives), postmodernism (nihilism), postcolonialism (anti-settler narratives), and capitalism vs socialism debates. All of it is not to preach any of these, but to make fun of it. The Ick not one of these things or the other, it's the ignorance, the complacency, the intolerance, and the polarization of these variant invasive philosophies.

You could even frame the Ick as poststructuralism - which is best imagined as a culture-bomb - wherein all of these other ostentatious disciplines are its components.

In effect, the movie is a lot smarter than it appears, but if you are older than Gen-Z and you are not aware of its goals, then it's look completely dumb and a waste of your time. As I say, if that describes you, it wasn't made for you. It was made for the kids who grew up in our mess.

I cannot say its humor made me laugh a lot, but it delivered some chuckles - it's wit is dry and fast so you have to keep up.

I do think that the editing is very choppy though, and doesn't do it service. Had this been smoothed out a little it would have been more palatable.

An icky vine-like alien growth is a nuisance that spreads throughout the world, but in time people merely shrug their shoulders and get used to it. In small-town America the "ick" is regarded suspiciously by some including Hank, a science teacher and former football player, and Grace, one of his students. Their distrust is soon validated as the ick springs violently into a new phase of its growth.

The premise of people grown accustomed, careless, and capricious to a demon in their presence, is tantalizing. A monster is seen and ignored. However, beyond this alluring theme, there is little depth to the story, dialogue, characters, acting, and scenes. It is good for some laughs but there is not a lot of thought or creativity on display at this world premiere screening at the Toronto International Film Festival.

If you're the kind of genre fan who can't get enough of Cooties, Night of the Creeps, or Jack Brooks: Monster Slayer, then Joseph Kahn's ICK is your next late-night obsession. Equal parts slime soaked satire, throwback creature feature, and goofball gorefest, ICK is a B-movie with A-level confidence, a film that knows exactly what it is and owns it every gloriously gooey step of the way.

Brandon Routh delivers another enjoyable performances as Hank Wallace, a washed-up high school football star turned reluctant science teacher with a personal grudge against mediocrity, and now, apparently, aliens (I think). When a parasitic lifeform begins infecting his sleepy hometown, he's forced to team up with sharp witted student Grace (Malina Weissman, absolutely owning every line) to save the world or at least their zip code.

The script balances absurdity and affection with surprising finesse. While the satire could have easily veered into "try-hard" territory, it never does. Instead, it feels right, organic, self-aware, and just grounded enough to work. Think They Live, but with alien goo and gym class trauma.

Let's talk about that goo. The CGI? Well... it's fine. Serviceable. Some of the larger-scale creature shots look like they were rendered on a monster energy drink budget, but honestly, it just adds to the film's low-fi charm. Would practical effects have elevated it? Absolutely. But in fairness, some of the creature sequences are too bonkers to pull off practically without quadrupling the budget. Thankfully, the film leans into its own ridiculousness, never pretending to be more polished than it is.

Where ICK really surprises is in its heart. Beneath the eye-rolling puns, exploding heads, and sarcastic monologues, there's a genuine emotional throughline. Hank's journey from burnout to unlikely hero has weight.

ICK is exactly what the horror-comedy genre needs more of bold, messy fun with a sharp bite. It's not trying to win awards. It's trying to make you laugh, scream, cheer, and say, "What the hell did I just watch?" and in that, it completely succeeds.

I swear, there is not a camera shot longer than 12 seconds in this entire movie. It is liking watching some random one and a half hour flashback montage scene, it was like the flashback opening of the film just never stopped! Kills the movie. The acting is good, the idea behind the film is okay but I think the director/writer threw too much thought into the ick metaphor and ultimately made it null and void. This should have never got a big screen release. The soundtrack is cancelled out because using tons of different songs for 20 seconds each just gets old however whoever scored the film did an excellent job, shame their talent was wasted on this mess. I definitely know Ick is not the type of film you pay money to watch.