हाई स्कूल के किशोरों और उनके माता पिता का एक समूह, इंटरनेट के कारण आए उनके रिश्तों, उनके संचार, उनकी आत्मछवियों और उनके प्रेम जीवन में होने वाले बदलावों को दर्शाया गया है.हाई स्कूल के किशोरों और उनके माता पिता का एक समूह, इंटरनेट के कारण आए उनके रिश्तों, उनके संचार, उनकी आत्मछवियों और उनके प्रेम जीवन में होने वाले बदलावों को दर्शाया गया है.हाई स्कूल के किशोरों और उनके माता पिता का एक समूह, इंटरनेट के कारण आए उनके रिश्तों, उनके संचार, उनकी आत्मछवियों और उनके प्रेम जीवन में होने वाले बदलावों को दर्शाया गया है.
- निर्देशक
- लेखक
- स्टार
- Narrator
- (वॉइस)
- Brooke Benton
- (as Katherine C. Hughes)
फ़ीचर्ड समीक्षाएं
The main characters including high school students and their parents are followed throughout the movie which focuses on how the Internet impacts their relationships, communication, self-image, and love lives.
Several societal social issues are explored including, video games behavioral impact on teenage boys, the emotional impact of spreading rumors, per-marital sex, teen pregnancy, eating disorders, drug use, divorce, infidelity, Internet safety, fame-hunting, and pornography.
Each character/relationship is tested throughout the movie; which shows us, the audience, a variety of roads people choose in their lives; some negative, some positive; but no matter the road taken, the one thing that is very noticeably clear; immunity to the significant societal social change through the use of our smartphones, tablets, and computers in our society is unavoidable.
I found the film somewhat difficult to follow, but the narration by Emma Thompson did make that easier to do. Not the most entertaining film, but most definitely one that comes with many life lesson messages. Not a must see, but if you are looking for a different kind of film which delves in to societal social issues, go see it. My cinema score 7/10. #maverickradio
The film is an ensemble drama, about the effect the internet and technology has had on relationships, intimate or otherwise. They're no groundbreaking original story lines. There is a Romeo (Ansel Elgort) and his Juliet (Kaitlyn Dever). A marriage is on the rocks (Adam Sandler and Rosemarie Dewitt). An overbearing mother trying to control her daughter (Jennifer Garner). An unwitting parent trying to live through her child (Judy Greer and Olivia Crocicchia). A newly single parent trying to connect with his video game addicted son (Dean Norris and Ansel Elgort). An impressionable teenage girl dealing with severe body image issues.
All of the actors did a proficient job. Adam Sandler was excellent, in his first straight drama role since Reign Over Me (or Funny People, if you'd count that). Ansel Elgort and Kaitlyn Dever had both breakout performances. Each of their characters plights will your break your heart, and leave you rooting for them. And most of all, Jennifer Garner was as good as I've seen her in years. She did such an incredible job to make me hate her character as much as I did.
It's a linear story from a big studio with an independent feel. Emotional fireworks are few in this movie. Some of the quieter moments feel the loudest.
This story is timeless. Nobody understands technology in this world. Not the teenagers who superficially know how to use it, and not the parents who are mostly right to be afraid of it. No one understands it. Every character in this story believes the internet can solve their problems. They are searching for a way to mask their wounds. It's ironic that the internet provides anonymity, but those who search for it most crave human connection.
It is through the Men, Women & Children's characters, specifically high school teens and their parents, that writer/director Jason Reitman explores human communication and interaction and the changes caused by the internet.
It is through these relationships that Reitman then puts a mirror to the impact of the internet on communication, self-image, parenting, love and sexuality and other topics.
From this description, the film could sound like the audience might be in for a PBS special or history channel episode on the digital age. Men, Women & Children is a thought provoking film with interesting but increasingly faulted but well-developed characters. The well conceived plot and dynamic characters are thanks in part to author of synonymously titled novel in which the film is based, Chad Kultgen.
The subject matter of the film is quite heavy for a feature film of this magnitude and yet, it feels ultimately successful at being an accurate but dramatized portrait of modern American life. Though some archetypes are exaggerated slightly, such as the overprotective mom who has a support group that hands out pamphlets titled "The Dangers of Selfies", there is substantial justifiable honesty to this reality. It helps that Reitman chose to make the film more scathingly honest and therefore indie than superficial box office behemoth.
Since Men, Women & Children is an ensemble piece, the film was able to be stacked with notable actors and promising young actors: Adam Sandler, Rosemarie Dewitt, Jennifer Garner, Dean Norris, Judy Greer, Ansel Elgort, Kaitlyn Dever, Olivia Crocicchia, and Elena Kampouris. There is no weak performance from any actor or actress in the film, all are strong and believable. Men, Women & Children should have a character that resonates with you, either because you are that person, have been in that situation or know someone who has.
To top it all off, the movie has a complementary soundtrack that is appropriately disassociated and hauntingly airy. Ideally this film should be watched by parents and children simultaneously but preferably they should watch the film on their own for the ultimate message to hit home.
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I do have a few complaints, starting with some parts of the plot seem like they would be hard to follow if you haven't read the book. There were segments of the story that would have benefited from a little more time spent on them for clarity. I am a fan of long movies, and understand that a lot of people are not, but I think an extra 15 minutes could have made a big difference.
The narration seems to be a sore subject among the other reviews I've read, and I have to say I have mixed feelings. I like the idea of narration in a book-turned-movie. There's a certain amount of context and motive behind characters' actions that can get glossed over in a movie if there's no narration, but it was too inconsistent in this case. It either needed more narration, or it needed to be limited to just the intro and outro.
I think the major issue with the movie is that people are focusing on the wrong parts of it. Everyone wants to talk about the blunt sexual content, and the excessive use of technology in the movie. To me, those are the things that make it a realistic story. Perhaps that's just because I'm in my twenties, and blunt sexual content and excessive technology use are a large percentage of my life. People call this a movie about how technology is ruining and/or changing relationships. I disagree. This movie is about growing up, relationships, and miscommunication. Affairs aren't new. Questionable parenting isn't new. Body image issues aren't new. Sexual frustration isn't new. Depression isn't new. The movie shows technology not as a cause or effect of any of these things, but as being intertwined with them the exact way technology is intertwined with modern life. People are looking to MWC as a comment on technology in modern life, and finding it wishy- washy. But that's because it's not taking any sides, it's just showing how things are.
If you go in to this movie expecting an interesting story, rather than an editorial about technology, you'll probably enjoy it. Just don't bring your kids or your parents.
क्या आपको पता है
- ट्रिवियाThis movie premiered in U.S. theaters on October 1, 2014. It was removed from all U.S. theaters by October 30, and made less than one million dollars domestically.
- गूफ़Guild Wars does not have a monthly subscription fee, so Tim's dad couldn't cancel anything by calling his credit card company.
- भाव
[Last lines]
Narrator: [recites extract from Carl Sagan's Pale Blue Dot, A Vision of the Human Future in Space] That's home. That's us. On it, everyone you love, everyone you know, everyone you ever heard of, every human being who ever was lived out their lives. Every young couple in love, every mother and father, hopeful child, every saint and sinner in the history of our species lived there on the mote of dust suspended in a sunbeam. How frequent their misunderstandings, how fervent their hatreds. Our imagined self-importance, the delusions that we have some privileged position in the Universe are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. Like it or not, for the moment, the earth is where we make our stand.There is perhaps no better demonstration of the folly of human conceits, than this distant image of our tiny world. It underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we've ever known.
- कनेक्शनFeatured in The Nostalgia Critic: Does "American Beauty" Still Hold Up? (2014)
- साउंडट्रैकBrandenburg Concerto No. 2 In F BWV 1047
Written by Johann Sebastian Bach
Performed by Hedwig Bilgram, Manfred Clement, Hans-Martin Linde, Münchener Bach-Orchester, Karl Richter, Hansheinz Schneeberger and Pierre Thibaud
Courtesy of Deutsche Grammophon GmbH under license from Universal Music Enterprises
टॉप पसंद
- How long is Men, Women & Children?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Hombres, mujeres y niños
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,05,908
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $48,024
- 5 अक्टू॰ 2014
- दुनिया भर में सकल
- $17,05,908
- चलने की अवधि1 घंटा 59 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1