Room

Marvelous film. Captivating plot filled with mountains of emotions. Brie Larson's performance in this film was breathtaking. Her emotions, facial expressions and tones were perfectly done, which is one of the main reasons why this was such an incredible film. Jacob Tremblay's performance was also amazing.

Based on the novel of the same name by Emma Donoghue, 'Room' is a challenging, unsettling, harrowing film, that leaves you disturbed. But that is its sheer power. The Incredible Performances only add to the film's hefty nature.

'Room' Synopsis: After five-year-old Jack and his mother escape from the enclosed surroundings that Jack has known his entire life, the boy makes a thrilling discovery: the outside world.

'Room' is a disturbing story about bad things that happen to good people. But its also about hope & fighting back. Its shocking to see the protagonist, a child, discover the world along-with his brave mother, who survived a harrowing experience. I was engrossed & often disturbed by the narrative, especially after the son & mother escape. The series of events that follow are so gut-wrenching, I almost broke down.

'Room' is masterfully penned by Emma Donoghue herself. The Writing is consistently powerful & the dialogue are realistic to the core. Lenny Abrahamson's Direction is first-class. He has handled this dramatic, unsettling tale with complete flourish. Cinematography is perfectly claustrophobic. Editing is razor-crisp. Art Design is skilfully done.

Performance-Wise: Brie Larson & Jacob Tremblay deliver incredible performances. Brie is astounding as the tormented, yet brave protagonist, while Jacob steals the show with a flawless performance. The child does wonders & makes 'Room' unforgettable. Of the supporting cast, Joan Allen & The Always Solid William H. Macy leave a solid mark.

On the whole, 'Room' is a must watch! Its certainly unsettling, but its power is undeniable.

Based on a best selling novel, "Room" chronicles the story of a lady and her son held captive by a kidnapper, who actually is his biological father, in a shed comprising merely a 10 X 10 room. For the boy, the room is the only world he has known. The only medium he can see outside is the skylight in the room. The story may sound a nerdy fiction; but the film focuses much on the psychological aspects and discovers the story of desolation and motherhood which comes vividly alive on the screen. There are few scenes in which the boy and the mother have screamed to each other which could have been avoided alas they were like the scenes demanding the Oscars. Nevertheless, the film won an Oscar for the best performance by an actress. The film avoids big star cast or sets; but still the film is rich in emotions, performances, and beauty. The film just beautifully portrays the perspective of a five year old boy who doesn't know the world for real except for what his mother has told him or what he has seen in the TV screen. The emotional attachment portrayed between the two is awesome. Brie Larson's performance doesn't yet equal the winning Oscar performances from Julia Roberts or Hilary Swank, but still she appears stunning and well portrays a petrified lady held captive for six years. Few sequences are pretty familiar, but there are certain moments in the film for which you are drawn to it.

Rating: 3 stars out of 4

That review summary may sound very oxymoronic, but to me it applies to a film such as 'Room'. A film with a difficult subject, that is the stuff of nightmares, but tells it so beautifully with an interesting approach that works better than all the potential traps that films of its genre could fall under.

What could have easily have been told in a lurid, gratuitous way (being inspired by the true-life case of Josef Fritzl) is instead told in a careful and restrained way. There is even an innocence in 'Room', due to its very fascinating decision to tell it from the viewpoint of a five year old, in this case Jack, one that comes off very movingly and gives a sense that there is a little ray of hope in a seemingly hopeless situation. The source material, equally brilliant, is to be thanked here, its author Emily Donoghue adapts it to screen here and none of its power is lost.

Really appreciated the careful and restrained approach to the storytelling in 'Room', and for me and many others it was something different considering the subject. It does though affect some of the pacing in the middle act, where a little of the tension seen in especially the first part is lost a little.

For my tastes too, though it probably did fit the film's younger and more innocent viewpoint it's told from, the music score does lay it on too thick with the treacle.

However, loved how the story was told and its approach. What 'Room' also strongly benefitted from being told this way was that the mother and son relationship was able to shine through and really resonate, which it may not have done as effectively with a heavier tone. And shine through it does, with great charm and poignancy. Also appreciated that none of the characters were painted too black and white, even Old Nick.

Production values are effectively claustrophobic and the nocturnal parts chillingly nightmarish. 'Room' is beautifully directed by someone who understood how claustrophobic thrillers worked, how mother and son bonds do in dire situations do and the ability to combine both to ensure a powerful experience. A directing job that's both unsettling and empathetic. Similarly 'Room' is written with effortless skill and deft thoughtfulness.

Can't find anything to fault the performances. The superb one of Brie Larson, that was a very worthy Oscar (Golden Globe and Bafta too) win in her category, is an obvious starting point, but one mustn't overlook the beyond-his-years turn of young Jacob Tremblay, one of the best child acting performances in recent years, and William H Macy and Joan Allen both giving some of their best work in years. Sean Bridgers also gives much more to what could have been a standard cliché role.

Overall, great powerful film but the somewhat fascinatingly unconventional (for the genre) way the story was told won't work for some. 9/10 Bethany Cox

Driven mostly by the initially intriguing concept, this film surprised me by resolving this around this mid-point of the film. Not having read the book or really heard anything specific about the film, it did catch me off guard in a small way, since I had come into the film with the specifics of the situation in mind. The first half of the film does make it more than this though, because I was drawn into a relationship which was emotionally raw and compelling. The film uses the limits of the room really well, focusing on the mother/son relationship and making us care about it while also being horrified by the specifics.

The second half of the film manages to maintain that engagement, while flipping the characters in such a way that made the drama work in a much different way, and cast a different light on the first half of the film. It is tough in terms of subject matter, but at the same time it is easy to watch because of how well the film draws you into caring about the lead two characters. A big part of this is how well both Larson and Tremblay delivery; they are organic and natural performances, and are supported equally well by the likes of Allen and Macey. The writing and the performances make it, and in the end the film is a lot of heart and works as a result of this.