Khauf

A very fresh take in a horror genre, It has it all,eerie locations, characters build up and story unfolding in a subtle way.

The direction was thoughtful and dialogue delivery by all the actors was on point, special mentions to actor monika panwar(who plays madhu, she is a NSD passout), chum darang(lana) and last but obviously not the least Rajat Kapoor.

Finally its good to see how "real" actors can make the story telling almost equal to a live action, Sad truth is that the girl like lead will have to work really hard to get their first movie, whereas nepokids will keep on getting even after lackluster and expressionless acting.

Story's backdrop is the bustling city of Delhi, yet it creates a sense of fear in you through its secluded locations, old structures and bang on BGM.

Overall it comes as a breath of fresh air for someone who really admires the horror thriller genre, but was bored of watching the cliched movies in a past decade, satisfying ending will definitely give you goosebumps and a thought to ponder. Great work AMAZON PRIME.

After sometime I watch something good in horror where there is no shortage sharaba and sound effects to make others feel horror. It is not that much horror but story is good and engaging till the last episode and there is one suspense in the last episode which I really like and appreciate the writings capabilities of writers. Very decent story and you can't get bored. You can watch it if you love to watch something new in horror story. I feel this one is better than comedy horror movies like stree2 and munjya. But during 3-4 episode I fell little bored but at last they just fulfilled the dose of entertainment.

Khauf is a bold and refreshing entry into the Indian horror scene. Set in a Delhi women's hostel, the series masterfully blends psychological suspense with social commentary. Monika Panwar is brilliant in the lead role, portraying Madhuri with raw intensity, and the overall atmosphere is eerie without relying on overused jump scares.

The writing deserves praise for tackling themes like trauma, patriarchy, and repressed memories within a horror framework. The pacing is slow but deliberate, which works for the most part, although some episodes could've been tighter.

The only downside-and it's a big one for some-is the ambiguous ending. The creators chose to leave a lot to the viewer's imagination, which can be intriguing for some and unsatisfying for others. Personally, I appreciated the risk, but I wish there had been just a bit more closure.

Overall, Khauf is a well-crafted, thought-provoking horror series that stands out in the Indian streaming landscape. Definitely worth a watch if you're looking for horror with substance.

The writer of the show Smita Singh said "I moved to Delhi...(When you're a woman and an outsider) the city crushes down on you. Working women's hostel is a strange beast... I wanted to tell a story of what women feel through the lens of horror, horror is something we can't confront... Fear is something that follows you home."

Khauf, when you look at it through that lens, is an amazing show. If you like the horror genre but would like to see something that's just surface level horror with jump scares, this is a show unlike the ones that we've seen before in Hindi. Can't necessarily explain the details but Smita's comments should give you an idea.

Monika Panwar as Madhu was awesome, just like she was in almost all her previous works. Sadly, the industry would never let her become a big name because she's not from a film family. The support cast was great along with her.

The "horror" parts of the show were....decent. The "lore" was confusing, so many unanswered questions around it but if you choose to look past these shortcomings, it's a refreshingly different show; an 8hr show that could have been a great 2.5 hr movie.

Khauf is a well-made horror show and a welcome change from the cringe algorithm-driven stuff that passes for web series in today's times. The show is created by a woman and she tells the story from a female gaze. I mention this because every male character here is problematic, lecherous, creepy, condescending, misogynistic and whatnot. If this were the case for a show from a male director, it would be considered problematic. But that's a minor aside. The show is engaging, has good actors and is technically quite well made. You could find it a bit long-drawn towards the end and predictable at times, but it is written and performed with a lot of heart. The most interesting storyline is that of Monika Panwar who is sexual assault survivor who believes she has finally identified her masked assaulter. This forms the most thoughtful and well sketched out storyline of the show. Two other strands play out - one involving a hakim with black magic abilities and another involving the scared hostel girls who cannot leave the premises. This bit too is interesting but loses steam after a while. The bit involving the mother/constable searching for her lost son forms the connecting tissue for the stories and seems at times like a unwanted diversion. Of course it all comes together at the end, and the finale might leave you both thrilled and perplexed. Why only one of the dead from the hostel turned into a vengeful ghost while another person from the hostel who also died didn't is a question you don't want to ask. Why did all the people killed by the hakim not turn into vengeful ghosts? Again, don't ask. The finale is apparently about ghost wanting control over the woman and she fighting back. Why that desire specifically? And by the end, when the revenge is completed, is she now controlling the frightening ghost? Such questions can spoil the engagement so its best not to ask them.