McVeigh

If a movie could actually be beyond boring, this would be it. Timothy McVeigh had to be more interesting than he is portrayed here because in this movie he barely exists. Alfie Allen was an extremely poor choice to play McVeigh because while he is given nothing at all to do on screen, he is too old to play McVeigh and looks nothing like him. The film is just a montage of trailers, dated wood paneling , seedy bars and diners. We learn nothing about McVeigh or anyone else. The entire movie is the lead up to the bombing but virtually nothing happens. For some reason a romance is thrown in that I don't think happened and Allen as McVeigh just seems to wander from place to place looking miserable, disturbed and suspicious. The movie is so poorly made I had no idea who the characters were suppose to be in real life. There is very little dialogue, and it seems as if they decided recreating a time period was enough. An awful film with zero redeeming qualities.

Appropriately bleak & cold true-tale "McVeigh" chronicles the months prior to domestic terrorist Timothy McVeigh (Alfie Allen) killing 167 folk (inc 19 children) in the cowardly 1995 truck-bombing of an Oklahoma Federal Govt building. Co-writer (with first-timer Alex Gioulakis) / director Mike Ott evokes decent foreboding as McVeigh & accomplice Terry Nichols (Brett Gelman) build their bomb with no apparent direct support or direction from the wider neo-nazi community represented by Tracy Letts & Anthony Carrigan - tho Ott does ambiguously hint at that possibility. Well performed & well made, it still leaves the feeling that this awful story has more layers to it that are yet to be told.

Very predictable. I knew how it would end before the title card.

OK, jokes aside, this movie was super flat. It left everything very 2 dimensional. Nothing felt really explored.

I remember these incidents, and honestly, I feel I could have written a better movie, with more insight into the events based solely off of my recollection of the news from the event when it happened.

It didn't really answer anything, and felt like it didn't even know what to ask. It was honestly boring, slow, and uninspired.

I didn't go into it with high expectations, but DID know there was a rich bit of storytelling to be had here. Instead, it was barely paint by numbers regurgitation of the story.

This movie seems to weave a lot of fake into it's story-line... I can not find where McVeigh visited some Richard Snell in prison at all. That seems to be fabricated just like Tim's girlfriend "Cindy" in the story. Far as I can find, he didn't have a girlfriend (past High School days) and claimed to not know how to talk to them. Who was the Fredrick person ?

The dialog/script in the movie is wonky, like any gun person (especially a decorated top shooter in the army) would ever call a handgun magazine a "clip". Only Hollywood does that, certainly not a gun enthusiast that travels in gun circles and cherishes the 2nd Amendment.

How about the scene where the movie protrays Tim as upset over an encounter with a black fellow, and plots to shoot him... I can't find that in any fashion, the film seems to make up stuff as it goes along...

What we do know is Tim was a person that kept to himself for the most part and was laconic with others. This is portrayed excellently in the film and that he bombed a Federal building... that is about all this flick got right... We don't get to see him at Waco being part of the upset folks.

This movie is as much fiction as it is non-fiction, thus why I rate is so low... If you wanted to paint a picture, at least use crayons from the correct box to paint that picture.

Was really hoping this was cut from the same script-pages as Tony Stone's exceptional "Ted K" (2021), but make no mistake, this is the Lifetime Channel Presents or Edward James Olmos (á la AMERICAN ME) version of the Oklahoma City Bombing and its principal architect. Totally controversy-free, favoring theatrics and creator's liberties (w source material) with the goal of producing conventional, feature-length bio-pic. DNF.

Found out the guy who directed this is seemingly a DailyWire MAGA type which checks out because it's hard to see what actually drew this guy to this story given how little he has to say about it. Weirdly Brett Gelman probably the most compelling presence here which is crazy because he's an unbearable POS (unanimously).