Athhoi

I really wonder how can someone be so bad with a bulletproof story like Omkara (leave alone Othello). Scene by scene copy, and still go so wrong? This was so bad, it made me write my first review on IMDB.

Below average acting, bad production, arguably the worst possible writing ever. I am writing this here coz I put Omkara as one of the pinnacles of Indian Cinema, and to be this cruel to it needed to be told. I have seen some fair share of Bengali movies, and many had Anirban too, but this is not just his worst, but also the worst Bengali cinema ever.

Even if you have a lifetime subscription of Hoichoi, don't. Just don't.

Must watch 👌!!

Outstanding acting by all characters, specially by Anirban and actor/director Arna Mukherjee .

I would count this as one of all time best acting by Anirban Bhattacharya. Other actors also significantly did well in their account .

The direction ,cinematography, storytelling are very well done which successfully captures viewers attentions right from the beginning.

Use of BGM ,colours and lights are also commendable.

Well there are very few negative opinions also I have on the movie.

In a few scenes the transition was little fast which did not gave enough focus and empathy to some other parallel events which were happening, It showed an anomaly with respect to the whole cinema.

Some parts of this movie were added only for commercial interests,which is fine but on the same thing a little more logical approach would have been better planning some scenes.

While this movie is not for everyone but still this is excellently well done and an good adaptation of the famous Shakespearean play "Othello" .True cinema lovers will love this one.

In comparison to Shakespeare's other renowned works, "Othello" has traditionally been my lesser favorite.

This sentiment arises from the adaptations I have experienced thus far, including Bharadwaj's acclaimed "Omkara," which did not resonate with me as deeply as his Haider (Hamlet) or even Maqbool (Macbeth) did.

However, after viewing "Athhoi," a contemporary Bengali retelling infused with modern style and flair, my perspective has shifted.

Anirban's character's frequent breaking of the fourth wall can become somewhat tiresome, and some may contend an argument to which I concede that the persistent oscillation between the drama and dark comedy tonalities may deter certain segment of audiences, I firmly believe that the technical excellence and the substantial depth in character development more than compensate for the script's shortcomings.

Screenplay is brilliant, despite its occasional tendency to prolong scenes, and the performances are truly engaging, showcasing literary and technical fluency at their peaks.

Athhoi is a dustbin. It is full of wastes, both degradable and non degradable. The film is a trip through the wastebin, and how the waste materials try to destroy themselves like sleeper cells when human beings are no where visible.

I'm humble towards their miserable condition so I've given 2 stars, one definitely for the actor Arpan Ghoshal who did a great job out there to create a character which was terribly understated by the director himself. None of the characters are established within this huge time span of some 2hr 30mins... And what the hell were those amature camera handlings? Tbh ig the acting and storyline is engaging, no one gives a damn about cinematography and camera movements and stuff, but this movie is nowhere good. I would praise Paglu 2 instead for being honest to its roots and story, just not produced to state the name of the director beside William Shakespeare.

Anirban Bhattacharya's performance in this film is nothing short of exceptional. Every time he appears on screen, it's impossible to look away. His portrayal of these psychopathic narcissist characters has reached a level where it is genuinely unsettling.

Arna Mukhopadhyay, Sohini Sarkar and the rest of the cast also delivers truly brilliant performances.

The direction and choice of screenplay were exceptional. However, what truly stood out was the cinematography. The lighting in each scene is particularly noteworthy. The use of colour, shadows and lighting to create mood and tension is masterful.

The camera work introduces a fresh perspective to Bengali cinema. Anirban breaking the fourth wall is innovative and adds an intriguing layer to the storytelling. This approach, combined with the overall narrative style, offers a unique viewing experience that stands out in the realm of Bengali cinema. It is a bold move that pays off.

Despite the many positive aspects, there are a few criticisms. The most significant issue is the lack of clarity regarding Gogo's motive. This ambiguity leaves a somewhat sour taste. Although there was some hint, a more explicit exploration of his motivations would have added depth to his character and provided a more satisfying conclusion to the story. And at times, the dialogues sound cringe.

But overall, Anirban Bhattacharya's stellar performance, great acting of the supporting cast, excellent direction, and innovative cinematography all makes it a must-watch.