Bring Her Back

I'm not one to usually write reviews, but after catching an advanced screening of the Philippou brothers new entry into the horror genre, I just had to praise what I witnessed.

First off, this film is definitely not for the faint hearted, nor is it a horror film to particularly get enjoyment out of. It's bleak, extremely visceral, unrelenting and really emotionally devastating ... but in the best ways horror can be!

As soon as the movie starts revealing its evil side, it takes hold of you and doesn't let go.

All the actors portrayed their characters with emotional and realistic excellence, but Sally Hawkins was just unmatched. It's hard to really describe her performance without getting into spoiler territory, but she couldn't have done a better job at being so unnerving & emotionally powerful, both at the same time.

The cinematography was incredible, with heaps of little foreshadowing details sprinkled throughout the film. So many of the shots were precisely made to convey & ooze that feeling of uneasiness/dread, which just adds that extra layer to the film's atmosphere.

Speaking of the atmosphere, the Philippou brothers sure know how to pack a punch with their direction. While there is still a deeply emotional and brutal story at play here, the brothers don't mind having loose ends here and there & instead, they are more after that gut-wrenching, stomach-churning horror experience as a whole.

That brings me to the practical effects... Somehow, this film got a classification of only MA15+ in Australia, and that just baffles me in the best way possible.

After 'Talk To Me', I was expecting some pretty skin-crawling gore & practical effects, but boy oh boy, I wasn't expecting this.

This film just ramps up the violence on every level and is done so in a way that will have even the hardcore horror fans wincing, incredible stuff!

In all, this movie makes their debut film 'Talk To Me' come across as a fun horror movie to watch after 'Bring Her Back', just to wind down.

It's a slow burn descent into hell & by the end of the film, actually ends up being one of the more depressingly sad/emotional horror films I've seen in some time.

It will make you feel sick, sad & terrified, all at the same time.

Well done RackaRacka !

I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.

The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.

The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.

And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.

The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.

Definitely not disappointed.

A movie to disturb the comfortable and also disturb the disturbed, Bring Her Back is the kind of thing I'll probably never watch again, but I'm glad to have seen it the one time. Not sure if it says anything good about me, but horror is the one genre that's able to get to me and reliably make me feel things, so bring on the gnarly stuff. I like it if a movie makes me feel something, even if those feelings aren't pleasant emotions.

There are some familiar horror things here, but I think the Philippou brothers push things far enough to ensure it doesn't really feel derivative while the movie is playing out. Looking back on it, it's kind of like, "Oh yeah, maybe it's not really all that original," but in the moment, Bring Her Back is visceral and intense. There's a very brutal scene that goes for the jugular a bit before the halfway mark, and from there, things do take off... but I think I felt more dread before that point. The knowing that things will go there might've been a stronger feeling than seeing things actually going there. That being said, when things go there, it was still impactful. It's just maybe this would've messed with me more, somehow, if it had never gone full throttle. Though then it would probably just feel like a Michael Haneke film, for better or worse.

I don't really want to say too much about the plot. It's a movie with a fairly limited setting and not many characters, and so saying anything about where those characters go and what they do has the effect of kind of giving away most of the film, potentially undermining the limited (but not non-existent) surprises on offer here in the process. That ties into that whole notion of the experience in the moment being much more striking than thinking back on the movie and trying to break it down. It's a rollercoaster; I was thrilled while it was happening, a bit nauseous right after it finished, and kind of moving on with my life an hour or two later (while not at all regretting going on the ride itself).

BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.

I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.

Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.

Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.

This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.