Bring Her Back

Bring Her Back is a visual horror masterpiece that left me feeling a bit hollow.

I did have an emotional connection with the characters and each actor was on point. However the ending left me wanting way more. I understand visual story telling, and some things are better left unsaid but with this film I needed more exposition.

This movie could have really built some cool lore with the cult elements and the ancient demonic entity, but instead it was pretty much brushed over. I did enjoy the videotapes when we got to see them but I wanted to see how Laura acquired them. That would have been really cool.

The character of Oliver was by far my favorite and every scene he was in he stole the show.

Brother and sister Andy and Piper were great leads and you could really tell they loved each through all of this grief they experienced.

Laura was a wicked person who had her own motives and she definitely had me sympathetic for her at times.

Overall I'd recommend, it's not for the faint of heart. It's dark, bleak and depressing with a beautiful visual paint brush over the lens. The Philippou brothers are technically brilliant and I'm looking forward to any piece of art they decide to put out in the future.

Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.

First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.

Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.

This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.

This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.

I'm not one to usually write reviews, but after catching an advanced screening of the Philippou brothers new entry into the horror genre, I just had to praise what I witnessed.

First off, this film is definitely not for the faint hearted, nor is it a horror film to particularly get enjoyment out of. It's bleak, extremely visceral, unrelenting and really emotionally devastating ... but in the best ways horror can be!

As soon as the movie starts revealing its evil side, it takes hold of you and doesn't let go.

All the actors portrayed their characters with emotional and realistic excellence, but Sally Hawkins was just unmatched. It's hard to really describe her performance without getting into spoiler territory, but she couldn't have done a better job at being so unnerving & emotionally powerful, both at the same time.

The cinematography was incredible, with heaps of little foreshadowing details sprinkled throughout the film. So many of the shots were precisely made to convey & ooze that feeling of uneasiness/dread, which just adds that extra layer to the film's atmosphere.

Speaking of the atmosphere, the Philippou brothers sure know how to pack a punch with their direction. While there is still a deeply emotional and brutal story at play here, the brothers don't mind having loose ends here and there & instead, they are more after that gut-wrenching, stomach-churning horror experience as a whole.

That brings me to the practical effects... Somehow, this film got a classification of only MA15+ in Australia, and that just baffles me in the best way possible.

After 'Talk To Me', I was expecting some pretty skin-crawling gore & practical effects, but boy oh boy, I wasn't expecting this.

This film just ramps up the violence on every level and is done so in a way that will have even the hardcore horror fans wincing, incredible stuff!

In all, this movie makes their debut film 'Talk To Me' come across as a fun horror movie to watch after 'Bring Her Back', just to wind down.

It's a slow burn descent into hell & by the end of the film, actually ends up being one of the more depressingly sad/emotional horror films I've seen in some time.

It will make you feel sick, sad & terrified, all at the same time.

Well done RackaRacka !

Bring Her Back dives into darkness, but not for cheap scares. It's a layered, slow-burning descent into grief, guilt, and obsession, where horror is a byproduct of emotional unraveling.

The possession element is handled with restraint. The young boy's performance is deeply unsettling, not because of jump scares, but because it feels believable. The mother's arc is the true backbone. Her desperation, unraveling, and gradual revelation give the film its emotional weight.

The horror sequences are disturbing, yes, but they're never the point. What drives the film is a mother's raw need to retrieve what was lost, no matter the cost.

It's not just a horror film. It's a psychological excavation, with more to unpack than it first lets on. A strong, thoughtful entry in the genre.