Heldin

What a ride. More importantly, what a REAL, HARD-HITTING ride. At just 90 minutes, the film not only manages to strike an emotional chord but also tells the stories of so many people suffering various illness, through the POV of Floria (Leonie Benesch). That too, while carefully placing a spotlight on the real-world crisis of nurse shortage. Floria's really committed to her job, and it's shown to us through her interactions with several patients in the ward, including sweet ones, stubborn ones, depressing / terminally ill ones, and even the "entitled" ones. Director Petra Volpe closely follows Floria as she navigates a rather hectic evening, filled with spontaneous requests, immense pressure of follow-ups, and even having to deal with personal dilemmas.

The beauty of the storytelling lies in giving us tidbits of information on Floria and her patients, making the each incidental revelation all the more impactful. Leonie Benesch puts in a fantastic performance -- one that's sure to linger in my head for a very long time for the subtleties alone. And as much as I hate being physically at a hospital, the film aggravated that feeling with its solid sound design and cinematography (characterized by long shots). This unprecedented health crisis is alarming, and I hope the world is taking notes. Late Shift, for me, is cinema mirroring life.

The movie shows the daily routine of a nurse in a Swiss hospital when there are not enough nurses. This is already and will become a huge problem in the future due to the increasing age of the population and the decreasing number of skilled workers such as nurses.

Leonie Benesch is great once again, just like in "Teachers' Lounge" and "September 5".

The movie shows a realistic scenario in a full hospital and is barely stereotypical especially compared to other hospitals movies.

The camera work of Judith Kaufmann is fantastic and displays the physical pressure excellent. It feels like we are walking with Floria through the hospital and observe her like in a documentary.

This is an excellent movie that peeks the door to the challenging and often unseen world of medical workers.

It shattered me into a thousand little pieces, because this is what really happens.

I'm not a healthcare professional, but you don't have to be one to understand the incredible work doctors do every single day. The director managed to show us a glimpse of their daily reality with honesty and care.

Thanks to every doctor who chose this difficult path to be there when we need it most.

And the original title, Heldin - meaning heroine - fits the film much better. Because real heroes don't wear capes. They wear blue scrubs and a pair of worn white sneakers...

This is one of those about the plight of frontline workers, nurses this time, very much like The Teachers' Lounge actually. And going by the data provided before the end credits it's meant as a public service announcement about the shortage of the nursing staff and the reluctance to go on in this profession. Which is understandable, I couldn't do it.

I found The Teachers' Lounge much more affecting though. Which is not to say that this is not as good, I guess going by the rave reviews I was expecting to be blown away, and I wasn't. It's a quiet little drama actually, very subdued but also resolute in what it's trying to do. I can't imagine the work that Leonie Benesch has had to put in to learn all those mannerisms, and execute all those gestures with the sure hand of a seasoned nurse. It also speaks to the dexterity that nurses in general, good nurses acquire. Or maybe it's something innate, maybe not everybody can do it, no matter how hard they tried. I know I'm very clumsy and I just could not move like that. And this is just the physicality, never mind the mental strength to sustain the pressure and the constant, daily frustration that interacting with these people and the system brings.

And I wish hospitals in my country looked like this and nurses acted like this and this passes for basic care under strained conditions but really sounds like excellent care for others less fortunate. That and the fact that we're losing thousands of doctors and nurses to Germany, Britain and so on. And they're short staffed, what about us? So maybe that's why I am less sympathetic, although on a human level Floria deserves all our sympathies.

This film hit me deeply - not just as a viewer, but as someone who has seen parts of this world up close, though never from the inside. It's a quietly devastating portrait of a healthcare system where staff are constantly overwhelmed, and patients often reduced to numbers. The film is restrained in its tone but unflinching in its realism.

For medical professionals, especially those who have worked in underfunded hospitals, this might feel less like cinema and more like déjà vu. A person close to me worked in multiple hospitals over the years and immediately recognized the emotional detachment that can become necessary when death is a regular occurrence - not because you stop caring, but because the system gives you no room to act otherwise. For them, the film was not emotional but eerily accurate - a reflection of shifts they'd rather forget.

But for viewers like me - those who've only seen the burnout and emotional toll secondhand - the film was powerful, even overwhelming at times. I found myself on the verge of tears multiple times, not only out of empathy for the patients but also out of frustration and deep respect for the caregivers who navigate this impossible environment.

The acting is superbly naturalistic, with a rawness that serves the film's themes perfectly. The sound design and score are minimal but poignant, never pushing emotion but allowing it to surface organically. This is not a feel-good film - far from it - but it's an essential one. It asks not only how we treat the sick and dying, but how we treat those who care for them.

If you're looking for comfort, look elsewhere. But if you're ready to see what "broken system" truly means, this film will stay with you.