Pater Noster and the Mission of Light

As a vinyl collector who also has more than a passing interest in cults, this indie horror flick sounded tailor made for me. I was not disappointed. It was obviously written by someone who is well versed in both obsessive music collection and religious cults. While it does suffer a little from some of the typical issues present in many low budget efforts (some of the acting and dialog could be a little stronger), it more than makes up for it with its ambitious scope and the gonzo nature of the final act. Gorehounds will not be disappointed, the practical effects are well done and plentiful. The catchy and authentic sounding cult tunes didn't hurt either. I liked it so much after watching it streaming online that I bought the Blu Ray.

I had no involvement in the making of this film and did not even contribute to the crowdfunding campaign. I just read some other good reviews of it online and gave it a chance.

Honestly, for general audiences this movie would probably rate a 4-5. However, for those who like low budget gorefests, I'd rate it a solid 8.

TLDR: An interesting homage to old school cult cinema with a soundtrack that is strangely addictive. While an enjoyable watch, the film suffers from the normal issues with lower budget indie cinema in that that production value is lower and the script may have benefited from one more pass.

Christopher Bickel does a solid job with his throw back cult film about a nefarious hippie commune who uses music to lure in an unsuspecting record store clerk into a situation straight out of 60's/70's psychedelic cinema. The cast here is fairly good with the standouts being Adara Starr as the main protagonist, Max, and I was thoroughly entertained by Mike Amason as Pater Noster. The rest of the cast rounds it out well enough considering the budgetary restraints. The gore, surprisingly, was ample and utilized a style befitting of the timeframe. Some cliches and tropes had me rolling my eyes at times, but with any homage to a classic style of cinema that is to be expected. I don't foresee that many audience members will capture anything new in this film, but it's use of music both as an inciting event and as a frame for the story was well done and not something that I see very often. The idea of a film having it's own score/soundtrack is a lost art in modern cinema and I really wish it would make a comeback. Short story long, this is an entertaining, throwback piece of low-budget cinema that deserves a watch by anyone who is a) a fan of folk music, b) a fan of cult cinema, and c) someone looking for something new to see but is tired of the bloated studio fare that is normally served up.

Probably my favorite horror movie of the year. Low budget, but that doesn't detract from the effectiveness of the FX. In fact, the sticky quality of the blood is a nice throwback to the 70s and 80s genre flicks we all love. Predictable on occasion, but surprising where it counts. I mean, young people going to a remote location in the woods to meet with a cult leader? I wonder what will happen? Still, the specifics are fresh and the vinyl record take on the necronomicon trope is kind of inspired. Only reason it's not a 10 is that at times it tries to be gratuitous for the sake of being gratuitous and I didn't find that those couple scenes stuck the landing. Overall, a spectacularly fun movie!

I discovered my favorite movie of 2024 streaming on Night Flight. I love how record store culture is portrayed, with complete strangers bonding over obscure music and ending up sharing overnight listening parties. And the gradual descent into a bugfuggen crazy horror movie is masterful, especially given the microbudget and unknown cast. My jaw dropped open so often from watching this movie, I got cottonmouth!

Cult director Christopher Bickel also tosses in a mushroom-soaked soundtrack that tries as hard to make you trip as some of the movie characters, who seem to think nothing of dosing unsuspecting visitors with psychedelics. Highly recommended to fans of Master Of Horror and the original Evil Dead trilogy --

The role I was born to play; a sloppy, chocoholic, who's soft spoken, and loves incredibly common records. I've thought Chris Bickel was a mad genius since I saw The Theta Girl and I've since gotten to work with him on this and Bad Girls. I have a slight bias because I like these people but I think that even without that I'd love this absolutely insane piece of art that an old punker made for the amount of money it would take to buy a certified pre-owned vehicle from a reputable dealership. Extremley proud to be part of this and hopefully the next one as well. Check this movie out if you like gross body horror, weird religious cult horror, cool cars, underground music, and collecting records.