अपनी भाषा में प्लॉट जोड़ेंExplores Jerry Lewis' unreleased 1972 film "The Day The Clown Cried", its mysterious disappearance, and the search for footage. Includes interviews with Lewis' associates and previously unse... सभी पढ़ेंExplores Jerry Lewis' unreleased 1972 film "The Day The Clown Cried", its mysterious disappearance, and the search for footage. Includes interviews with Lewis' associates and previously unseen production content.Explores Jerry Lewis' unreleased 1972 film "The Day The Clown Cried", its mysterious disappearance, and the search for footage. Includes interviews with Lewis' associates and previously unseen production content.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
FROM DARKNESS TO LIGHT (2024) Well done documentary on the history of Jerry Lewis' legendary uncompleted THE DAY THE CLOWN CRIED (circa 1972). Over the decades, much of the speculation has focused on why Lewis never finished the film and why he didn't "allow" it to be shown. A couple of years before his passing in 2017, Lewis' materials were donated to the Library of Congress with the proviso that they not be shown until this year (some scholars have seen the half hour incomplete assemblage - as well as, Harry Shearer).
What Directors Michael Lurie and Eric Friedler do so well in this documentary is to trace the film's ill-fated progress which led to Lewis abandoning the project - or, did the project abandon him? It's generously illustrated with both behind the scenes footage of the film being made as well as raw footage of CLOWN itself (presented mostly chronologically, one can put together a shortened rough cut of what the final film might have been like).
Still, the real coup here was their ability to get Jerry Lewis himself to sit down and talk at length about the trials and tribulations of making the film - and its aftermath that haunted him to the grave. Lewis had long grown weary of discussing his "failure", but here, shortly before his death, he opens up. Of course, being Lewis, one must always be leery of how truthful he is at all points. Still, he seems refreshingly frank for the most part. His deep self-criticism of himself as a writer, director and actor rings true. Honestly, much of the CLOWN footage backs up his hesitance about what he made.
The behind the scenes machinations about getting the film produced are astonishing themselves, with the shocking reveal that the underlying rights were never properly secured - nor was the footage! Just as disturbing is just how far the screenplay of CLOWN itself goes. OMG. OMG! OMG!! Give Lewis credit for following the story to its horrifying conclusion.
THE DAY THE CLOWN CRIED is such a holy grail (or is it "Unholy"?) that it's best that it was never completed nor released. No single film could ever match one's expectations of it - for good or for ill. The surviving footage is sufficient to approximate what Lewis and the unfinished film would have been like. Make no mistake here - THE DAY THE CLOWN CRIED does not exist as a full motion picture. There is missing footage. Scenes never filmed. Even the edited sequences are very rough. Most importantly, Lewis isn't here to edit nor complete whatever exists into his vision. An extraordinary amount of digital work would have to be done just to make it presentable even as an extended short subject.
Let it be.
For now, FROM DARKNESS TO LIGHT (and a German documentary, DER CLOWN) is sufficient evidence of the production. Some things are best left to fate.
FROM DARKNESS TO LIGHT had it's U. S. premiere on TCM. So far no further screenings have been publically announced.
What Directors Michael Lurie and Eric Friedler do so well in this documentary is to trace the film's ill-fated progress which led to Lewis abandoning the project - or, did the project abandon him? It's generously illustrated with both behind the scenes footage of the film being made as well as raw footage of CLOWN itself (presented mostly chronologically, one can put together a shortened rough cut of what the final film might have been like).
Still, the real coup here was their ability to get Jerry Lewis himself to sit down and talk at length about the trials and tribulations of making the film - and its aftermath that haunted him to the grave. Lewis had long grown weary of discussing his "failure", but here, shortly before his death, he opens up. Of course, being Lewis, one must always be leery of how truthful he is at all points. Still, he seems refreshingly frank for the most part. His deep self-criticism of himself as a writer, director and actor rings true. Honestly, much of the CLOWN footage backs up his hesitance about what he made.
The behind the scenes machinations about getting the film produced are astonishing themselves, with the shocking reveal that the underlying rights were never properly secured - nor was the footage! Just as disturbing is just how far the screenplay of CLOWN itself goes. OMG. OMG! OMG!! Give Lewis credit for following the story to its horrifying conclusion.
THE DAY THE CLOWN CRIED is such a holy grail (or is it "Unholy"?) that it's best that it was never completed nor released. No single film could ever match one's expectations of it - for good or for ill. The surviving footage is sufficient to approximate what Lewis and the unfinished film would have been like. Make no mistake here - THE DAY THE CLOWN CRIED does not exist as a full motion picture. There is missing footage. Scenes never filmed. Even the edited sequences are very rough. Most importantly, Lewis isn't here to edit nor complete whatever exists into his vision. An extraordinary amount of digital work would have to be done just to make it presentable even as an extended short subject.
Let it be.
For now, FROM DARKNESS TO LIGHT (and a German documentary, DER CLOWN) is sufficient evidence of the production. Some things are best left to fate.
FROM DARKNESS TO LIGHT had it's U. S. premiere on TCM. So far no further screenings have been publically announced.
An interesting and watchable documentary that I cannot help but feel is taken way too seriously by the film makers. It appears, to me at least, that they regard Lewis' not being able to finish his holocaust comedy/drama as a tragedy almost commensurate with that of Welles not having the final cut on "Magnificent Ambersons" and that the film's producer, Nat Wachsberger, to whom they assign the blame for this iniquity, is such an odious philistine that his face must be blocked from our view. I mean, talk about comedy! The fact is that, based on Lewis' own, unusually honest assessment and the out takes that are shown, Wachsberger did Lewis' reputation a favor by pulling the plug on the bathetic, pretentious embarrassment that is "The Day The Clown Cried". B minus.
Like its subject, From Darkness to Light is not entirely complete, but it doesn't cut the viewer short on some jaw-dropping revelations. The Day the Clown Cried has always been an odd fascination with me, as is the case with a lot of lost or rare media, and this is as close as we'll ever probably get to seeing the film in its entirety. The documentary stems from a place of affection and respect, Lurie and Friedler giving us a compelling account of how this beloved entertainer tackled the darkest subjects. The duo trace the film's ill-fated progress which led to Lewis abandoning the project, or, did the project abandon him? It's generously illustrated with both behind-the-scenes footage of the film being made as well as raw footage from the film itself, presented mostly chronologically. The real coup here was their ability to get Jerry Lewis himself to sit down and talk at length about the trials and tribulations of making the film and its aftermath that haunted him to the grave. Painting a picture of a compelling story of Hollywood hubris that's by turns moving, shocking and blackly funny, whether or not The Day the Clown Cried will ever receive a release remains to be seen, but we can always hope.
Bottom line, Jerry Lewis made a good movie. With all the doubt that the idea behind the movie that was created, none of it adds up to the fact that Jerry Lewis made a movie worth watching and worth talking about. My previous review covered why the movie was shelved and had given multiple reasons why due to endless speculations that have come from the mystery on the movie. Now, with this amazing documentary, the mystery has less speculation and more promises behind the reason why it was made. I was not expecting the amount of empathy that Jerry Lewis accepted in his struggles to make this movie. That alone showed his devotion to not only his craft as an Artist but his strong devotion to telling an important story with an equal message.
"From Darkness to Light" shows us as much of Jerry Lewis' "The Day the Clown Cried" as we are likely to ever see. I'm sure Jerry's movie would be a hard one to sit through but I would like to give it a try. The scenes that directors Eric Friedler and Michael Lurie show are interesting but they also give the impression that "The Day the Clown Cried" would be a pretty hard movie to get through. But then again, maybe not. I didn't grow up watching a lot of Jerry Lewis movies. My parents didn't like him. As I got older, I started watching his movies and I became a fan. Jerry Lewis was a genius when it came to filmmaking. He might have actually been able to pull that movie off. Sadly, we'll never really know.
क्या आपको पता है
- ट्रिवियाFilmmakers Eric Friedler and Michael Lurie piece the story together of the production of The Day the Clown Cried (1972) from archive interviews of talking heads, including Jerry Lewis's late assistant Jean-Jacques Beineix, Pierre Étaix, a current-day Martin Scorsese and one of Lewis's last interviews before he himself died in 2017. They join actors and key crew from the set, a man who saved/stole film footage which was being held ransom for payment by the processing lab, and, finally, shots from the film itself.
- कनेक्शनFeatures The Great Dictator (1940)
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