Reeta Sanyal

If there's one thing Adah Sharma does exceptionally well, it's keeping audiences hooked with her natural charm and impeccable comedic instincts. In Reeta Sanyal, she brings an electrifying energy that makes the film a joy to watch. Her expressions are on point, her timing is flawless, and her presence alone makes even the simplest scenes memorable. She has a rare ability to make quirky roles feel relatable, blending humor with authenticity. What sets Adah apart is how effortlessly she switches between moods-she's not just delivering a comedy performance; she's creating a character that feels alive. This film is yet another reminder of her undeniable versatility and why she's one of the most engaging actresses in the industry today.

Akdom bakwas series hai...too lengthy and impractical. The court scenes, the investigations, crime scene areas, every single thing is so childish. Such a waste of time and internet. I don't understand why is hotstar allowing such productions. They used to maintain some class earlier now every other day there are some new hotstar specials and everything is full of rubbish. There was a time when series like special ops released, and now all this rubbish. The police is shown to have some supernatural powers to provide evidence and the court scenes are mockery in the name of law. And multiple episodes just stretching the show for nothing.

Reeta Sanyal is a film that thrives on fun, quirkiness, and energy, and at the center of it all is Adah Sharma's electrifying presence. She's not just playing a character-she's living it, making every moment on screen feel spontaneous and engaging. Comedy is not an easy genre, but Adah makes it look effortless, whether it's through her impeccable expressions, her sharp timing, or the little quirks she adds to her role. What's even more impressive is how she manages to keep the audience invested, no matter how lighthearted the scene may be. She's one of those rare actors who can switch between moods without missing a beat, proving that she's not just a pretty face but a powerhouse of talent. Adah's performance is the kind that makes you want to hit the replay button-because every time you watch her, you notice something new to admire.

It's a new format to release a 20-episode daily drop series, so I wanted to give it a shot. This approach is clearly designed to bring audiences back to their respective apps daily, and I'm sure it's working for the platforms.

The series is inspired by Amit Khan's series of novels Reeta Sanyal Ke Mukaddamein. It follows the story of a young lawyer who takes on cases against an established legal giant. She doesn't just fight in court but also plays detective, gathering evidence to solve her cases.

While the premise is intriguing, the execution falls short. The concept of dressing up in various avatars to solve cases and then battling it out in court had the potential to be an engaging drama. However, illogical proceedings and childish plot developments make it hard to take seriously. The protagonist, a lawyer, seems to do everything herself-from fighting goons to infiltrating forbidden areas with unreal ease, only to come out unscathed. Her lack of focus on proper investigative processes or scientific evidence in favor of gimmicks makes the series feel silly.

Adah Sharma, unfortunately, is not convincing in the lead role. While she shines in a few scenes, she struggles to carry a character that demands depth and versatility. Insider news, this role was supposedly be played by Hina Khan and she got dropped maybe because of her health reasons. It's fair to assume that Hina might have elevated the series with her performance.

The saving grace is Manik Papneja, who plays Adah's assistant. He delivers a commendable performance, although his screen time is disappointingly limited. Rahul Dev does well as the opposing counsel, but Ankur Rathee, who plays a police officer, is underwhelming. His character is poorly written, functioning more like Adah's assistant than a competent law enforcement officer.

The catchphrase of Reeta Sanyal is funny yet catchy: "Crime ka kaisa bhi ho jaal, solve kar leti hai Reeta Sanyal." The first ten episodes focus on one case and the next ten on another. While the suspense in the first case is decent, Reeta's methods of solving it are juvenile. The second case is even more unrealistic, making the events feel like they're happening in a utopian world.

The title song is a highlight and is effectively used as background music throughout the series. However, Reeta Sanyal's character seems heavily inspired by Vidya Balan's Bobby Jasoos -albeit a far less polished and cheaper version.

Overall, this series is best avoided, even if you're a fan of the genre or the actress.

#PranuReviews #ReetaSanyal #ReetaSanyalReview.

This show is a new low for TV, and it's painfully obvious that it was never made with any ambition to achieve anything. It's just garbage content thrown together to grab eyeballs. I certainly didn't plan to watch it, but I ended up catching a solid 40 minutes (like 2 episodes, way more than I could stomach) while my mom was watching it on TV. And trust me - that was enough.

I don't even know where to begin with this mess. It feels like every department just phoned it in - like they didn't care at all. The entire production lacks originality; it's a sloppy mashup of poorly copied ideas that just don't work together.

The costume and makeup? Absolutely horrendous. It looks like they picked stuff up from a bargain bin and threw it on without a second thought. And the cast - it's like they specifically chose people who can't act. Half the time, they seem just as lost as the audience, like they were never told what the scene was about or where the story was going.

The cinematography was almost laughable, with Tiktok-like transitions that belong in a 15-second clip, not a feature-length show. Scenes would jump so abruptly that it was genuinely jarring, completely destroying any potential for a cohesive storyline.

This is the worst thing I've seen in a while - just a lazy excuse of a show, pumping out content without care or creativity.