एक आदर्श एफ बी आई एजेंट को एक सरकारी टास्क फोर्स द्वारा अमेरिका और मैक्सिको के बीच सीमा क्षेत्र में ड्रग्स के खिलाफ युद्ध में मदद करने के लिए भर्ती किया जाता है.एक आदर्श एफ बी आई एजेंट को एक सरकारी टास्क फोर्स द्वारा अमेरिका और मैक्सिको के बीच सीमा क्षेत्र में ड्रग्स के खिलाफ युद्ध में मदद करने के लिए भर्ती किया जाता है.एक आदर्श एफ बी आई एजेंट को एक सरकारी टास्क फोर्स द्वारा अमेरिका और मैक्सिको के बीच सीमा क्षेत्र में ड्रग्स के खिलाफ युद्ध में मदद करने के लिए भर्ती किया जाता है.
- 3 ऑस्कर के लिए नामांकित
- 15 जीत और कुल 157 नामांकन
Raoul Max Trujillo
- Rafael
- (as Raoul Trujillo)
Maximiliano Hernández
- Silvio
- (as Maximiliano Hernandez)
सारांश
Reviewers say 'Sicario' is a gripping thriller exploring drug cartels with standout performances by Benicio del Toro and Josh Brolin. Praised for Roger Deakins' atmospheric cinematography and Denis Villeneuve's direction, it delves into moral ambiguity and justice. Themes of ethical compromises and the human cost of the drug war are central. The score by Jóhann Jóhannsson enhances tension. However, some find Emily Blunt's character less impactful and criticize narrative and character development. Overall, it's visually stunning and thought-provoking, though not without flaws.
फ़ीचर्ड समीक्षाएं
Feverishly satisfying with pulse-pounding energy that's sure to give your heart its full day's work, Denis Villenueve's masterful "Sicario" with Emily Blunt, Benicio del Toro, and Josh Brolin is an edge of your seat thriller that exemplifies the finest parts of the action genre. Filled with mystery, suspense, and outstanding performances, Villenueve's direction, along a tight script by Taylor Sheridan, brings a much needed sense of technique and art that's been sorely missing from the 2015 movie year.
"Sicario" tells the story of an idealistic FBI agent names Kate (Blunt), who is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico. With the "guidance" of a mysterious agent Alejandro (Del Toro) and her superior Matt (Brolin), and influx of intrigue and morals will shake Kate to her very core.
First and foremost, "Sicario" breathes new life into contemporary cinematography, as produced by no less than the great Roger Deakins. A vessel for God's eye on the world, Deakins ignites the fire of his vision, capturing some of the finest shots seen this decade. His use of shadows, CGI, and choices in which to convey and portray emotions is downright genius. Becoming essentially another character in the story, Deakins gives a master's class on cinematography for future craftsmen and women to behold. It's a work that will surely land him his thirteenth Oscar nomination.
Above that, we are treated to fantastic and awards worthy performances. Emily Blunt, as seen in nearly everything she touches, shows herself as one of the most interesting and endearing actresses working today. Her courage and vulnerability for Kate is personified by Blunt's ability to connect with the character's soul. She lays into Kate calmly, echoing great performances like Jessica Chastain in "Zero Dark Thirty" but with more reserve.
Benicio Del Toro is downright magnificent. As Alejandro, he delivers his best performance since "21 Grams." A dedicated sensation that calls back to all types of performances such as Javier Bardem in "No Country for Old Men" or Gene Hackman in "The French Connection." You won't be able to take your eyes off him. Josh Brolin utilizes every ounce of his charm that has made him one of the most sought after actor's in the business. A memorable, though understated and undervalued character that you do want more clarity about. Other cast members like Jon Bernthal, Jeffrey Donovan, Victor Garber, and especially Daniel Kaluuya are given their fair share of opportunity, which all take well.
As a technical endeavor, "Sicario" also succeeds in its vibrantly living sound design, and illustrious score by Academy Award nominee Jóhann Jóhannsson. The two are married in a blistering union of tension and heart palpitations. Editor Joe Walker is a shining star behind the scenes as well, thanks to his precision and patience in bringing a scene right to the edge, and knowing when and where to take it next. It's his most innovative work yet, even surpassing his nominated work on "12 Years a Slave."
Goes without saying that "Sicario" is Denis Villenueve's best work to date. Coming from someone that thoroughly enjoyed "Prisoners" and tolerated "Enemy," this is his most accessible and compelling piece. If anything, he's just so damn exciting to watch these days, as he locates strange vehicles for actor's and craftsmen to come together. He takes on a genre that may feel familiar, like the drug cartel, but makes it feel new and smart.
"Sicario" is hands down one of the year's best films.
"Sicario" tells the story of an idealistic FBI agent names Kate (Blunt), who is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico. With the "guidance" of a mysterious agent Alejandro (Del Toro) and her superior Matt (Brolin), and influx of intrigue and morals will shake Kate to her very core.
First and foremost, "Sicario" breathes new life into contemporary cinematography, as produced by no less than the great Roger Deakins. A vessel for God's eye on the world, Deakins ignites the fire of his vision, capturing some of the finest shots seen this decade. His use of shadows, CGI, and choices in which to convey and portray emotions is downright genius. Becoming essentially another character in the story, Deakins gives a master's class on cinematography for future craftsmen and women to behold. It's a work that will surely land him his thirteenth Oscar nomination.
Above that, we are treated to fantastic and awards worthy performances. Emily Blunt, as seen in nearly everything she touches, shows herself as one of the most interesting and endearing actresses working today. Her courage and vulnerability for Kate is personified by Blunt's ability to connect with the character's soul. She lays into Kate calmly, echoing great performances like Jessica Chastain in "Zero Dark Thirty" but with more reserve.
Benicio Del Toro is downright magnificent. As Alejandro, he delivers his best performance since "21 Grams." A dedicated sensation that calls back to all types of performances such as Javier Bardem in "No Country for Old Men" or Gene Hackman in "The French Connection." You won't be able to take your eyes off him. Josh Brolin utilizes every ounce of his charm that has made him one of the most sought after actor's in the business. A memorable, though understated and undervalued character that you do want more clarity about. Other cast members like Jon Bernthal, Jeffrey Donovan, Victor Garber, and especially Daniel Kaluuya are given their fair share of opportunity, which all take well.
As a technical endeavor, "Sicario" also succeeds in its vibrantly living sound design, and illustrious score by Academy Award nominee Jóhann Jóhannsson. The two are married in a blistering union of tension and heart palpitations. Editor Joe Walker is a shining star behind the scenes as well, thanks to his precision and patience in bringing a scene right to the edge, and knowing when and where to take it next. It's his most innovative work yet, even surpassing his nominated work on "12 Years a Slave."
Goes without saying that "Sicario" is Denis Villenueve's best work to date. Coming from someone that thoroughly enjoyed "Prisoners" and tolerated "Enemy," this is his most accessible and compelling piece. If anything, he's just so damn exciting to watch these days, as he locates strange vehicles for actor's and craftsmen to come together. He takes on a genre that may feel familiar, like the drug cartel, but makes it feel new and smart.
"Sicario" is hands down one of the year's best films.
The badlands of the US - Mexico border and the viciousness of the drug trade running across it sets the background and the tone for this movie. It's grim. Human life is very cheap and the movie doesn't flinch from showing consequences. There are definitely some scenes that are not for the faint hearted, but there is nothing gratuitous here. If anything - despite the subject matter - the film goes out of its way to avoid Hollywood heroics.
Emily Blunt does an amazing job portraying Kate Macy, a career policewoman heading a SWAT team. Her accent slips slightly a couple of times, but otherwise she's utterly believable as born and raised in the deep south of the US. Kate is a fundamentally decent, honorable human being, trying to the right thing in a world where the rule book doesn't seem to work any more. She's smart, tough, and experienced - but right from the start of the movie, it's clear that she's in over her head.
The tension never lets up. An attack could come at any moment, from any direction. Anything could be a trap. All of it, no matter how extreme something is, plays as real. The director manages scenes expertly to avoid any clean and easy action movie clichés, and it pays off enormously as the movie goes on.
It's also a highly intelligent movie, made for an intelligent audience. It doesn't lay things out on a plate. Instead you have to pay attention and you have to think, just as Kate has to - because her first mistake could be her last.
Staging, costuming, sets, cinematography, and lighting are all perfect. Some airborne shots in particular stand out as both daring and stunningly original, clearly showing just how harsh the landscape is, while managing to propel the story forward - without showing anyone, no less. This part of the movie is in the "As good as it gets" category. The only part that I didn't like (and the reason that this doesn't get a 10 from me) was the music. It's used deliberately to heighten tension during some scenes which would otherwise break the feel of the movie, and generally it's done well, but some scenes are spoiled with a There Will Be Blood styled screech. It's really not needed, especially since Sicario's own score manages to build or maintain tension quite successfully in other parts of the movie while remaining low-key.
To my mind, this is much more of a drama than it is a thriller. It's certainly not an action movie. The acting from the support cast is exactly what it needs to be - good in general, and great when a minor character is the focal point - but look closely at how much Benicio del Toro manages to do with no dialogue and not even all that much movement. Simply amazing.
This is a great movie to see if you want to be challenged.
Emily Blunt does an amazing job portraying Kate Macy, a career policewoman heading a SWAT team. Her accent slips slightly a couple of times, but otherwise she's utterly believable as born and raised in the deep south of the US. Kate is a fundamentally decent, honorable human being, trying to the right thing in a world where the rule book doesn't seem to work any more. She's smart, tough, and experienced - but right from the start of the movie, it's clear that she's in over her head.
The tension never lets up. An attack could come at any moment, from any direction. Anything could be a trap. All of it, no matter how extreme something is, plays as real. The director manages scenes expertly to avoid any clean and easy action movie clichés, and it pays off enormously as the movie goes on.
It's also a highly intelligent movie, made for an intelligent audience. It doesn't lay things out on a plate. Instead you have to pay attention and you have to think, just as Kate has to - because her first mistake could be her last.
Staging, costuming, sets, cinematography, and lighting are all perfect. Some airborne shots in particular stand out as both daring and stunningly original, clearly showing just how harsh the landscape is, while managing to propel the story forward - without showing anyone, no less. This part of the movie is in the "As good as it gets" category. The only part that I didn't like (and the reason that this doesn't get a 10 from me) was the music. It's used deliberately to heighten tension during some scenes which would otherwise break the feel of the movie, and generally it's done well, but some scenes are spoiled with a There Will Be Blood styled screech. It's really not needed, especially since Sicario's own score manages to build or maintain tension quite successfully in other parts of the movie while remaining low-key.
To my mind, this is much more of a drama than it is a thriller. It's certainly not an action movie. The acting from the support cast is exactly what it needs to be - good in general, and great when a minor character is the focal point - but look closely at how much Benicio del Toro manages to do with no dialogue and not even all that much movement. Simply amazing.
This is a great movie to see if you want to be challenged.
NO ONE does the "strong and silent type" like Benicio, and Josh Brolin was the cherry on the top, absolutely superb in the role. The only actor that I thought was miscast was Emily Blunt. Although she tried her best, she looks more like a Sunday school teacher than a professional killer in body armor and combat boots. I think she is more disposed to more "ladylike" roles as opposed to parts like this. I also thought that her dialogue was also woefully unbelievable. Coldblooded, paramilitary killers are supposed to simply keep their mouth shut and follow orders, not to question the motives of their superiors. From her very first moments on screen, she begins to question her orders, something no black op that I know of would ever do. The very nature of the job requires both unerring duty and silence, not unending doubts regarding the wisdom of their actions, which is why it is called, "chain of command." These were the characteristics of a tenderfoot, not an experienced foot soldier, and for me, the only weakness of the film.
This is like the stuff you see on hour long serialized Television like Netflix's Narcos, but instead this police like drama is done in a two hour movie instead of thirteenth episodes.
Emily Blunt was amazing in her character, a good FBI agent who feels she's not doing enough on the streets and allows herself to get used by someone with more power, played by Josh Brolin brilliantly as a man who seems uncharismatic about his job in order to hide the covert nature of his mission to find the big man responsible for all the street crime.
Brolin played a necessary evil, that comes off brilliantly in the narrative that plays out. Loved how they go from the bottom and get to the very top. It's very surgical.
But the actor who stole the show in Sicario is Benicio del Toro whose character Alejandro, is a cloud of mystery that unravels slowly through the film, done both subtle and dramatic by Del Toro. Every time he was on the screen even when he did nothing he was doing something and you he demanded your attention.
Plus the music and sound combo of the movie added to the tension. it was powerful.
Incredible action-thriller.
Emily Blunt was amazing in her character, a good FBI agent who feels she's not doing enough on the streets and allows herself to get used by someone with more power, played by Josh Brolin brilliantly as a man who seems uncharismatic about his job in order to hide the covert nature of his mission to find the big man responsible for all the street crime.
Brolin played a necessary evil, that comes off brilliantly in the narrative that plays out. Loved how they go from the bottom and get to the very top. It's very surgical.
But the actor who stole the show in Sicario is Benicio del Toro whose character Alejandro, is a cloud of mystery that unravels slowly through the film, done both subtle and dramatic by Del Toro. Every time he was on the screen even when he did nothing he was doing something and you he demanded your attention.
Plus the music and sound combo of the movie added to the tension. it was powerful.
Incredible action-thriller.
Hard to find a thriller like Sicario these days , watch it! My thought is that a good Thriller title is the hardest case you can go for as a movie maker .A good thriller has to keep you hooked and in tense for the whole movie ,worst case for most of the movie.Sicario manages to provide the right amount of thrill and action in a way it keeps you interested through all of the time.Sure it had its flaws and sometimes i was a little disappointed with the decision the writers made with this one but when i look at the whole picture its coming up as a very good film , i honestly couldn't stop watching and was a little sad when it was over. I must say though that this movie has a political opinions in it that you cant overlook and it can be a little con for some viewers. Overall , this movie is truly a gem to Hollywood industry right now , very well written and directed plus it has outstanding cast.
क्या आपको पता है
- ट्रिवियाWhile Benicio Del Toro's character is frequently silent in the movie, he initially had more lines. "In the original script, the character explained his background several times to Kate," Del Toro said. "And that gave me information about who this guy was, but it felt a little stiff to have someone you just met fifteen minutes ago suddenly telling you what happened to him and who he is." Working with director Denis Villeneuve, Del Toro began cutting some of his dialogue to preserve the mystery of who his character is; Villeneuve estimated they cut 90% of what Del Toro was originally intended to say by screenwriter Taylor Sheridan. Like Del Toro, Villeneuve saw power in stripping the character down to a brooding silence, stating that dialogue belongs to plays and "movies are about movement, character, and presence, and Benicio had all that."
- गूफ़When the team first goes to Mexico, some of their Mexican police escorts have the word "Policia" misspelled on their vests, with the acute accent on the first "i" instead of the second. On the cars the word is spelled correctly.
- साउंडट्रैकHalf Empty
Written by Wyatt Earp and Keith Gattis
Performed by Keith Gattis
Courtesy of Pioneertown Productions
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Tierra de Nadie: Sicario
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,68,89,293
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,01,288
- 20 सित॰ 2015
- दुनिया भर में सकल
- $8,49,97,446
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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