The Dead Lands

Finally we have the Maori action movie we have all been begging for! If you have ever seen the Haka performed by the All Blacks, and wondered what these guys would do to their enemies without the limitations of Rugby rules, then all your questions will be answered. The plot is a Kung Fu style revenge tale. A young chief's son vows revenge for some tribal treachery, and hooks up with a mystical, wiser warrior, to take out a small army of baddies. Action movie aficionados will be pleased to see some authentic Maori weapons and fighting choreography, instead of the typical blade weapons and the Asian martial arts we see in countless movies these days. The acting is fascinating because you are basically watching actors represent their own culture from an earlier era, unlike let's say, having a Scottish man portray an ancient Greek warrior in a film. The authentic locations add to the overall realistic effect as well. I'm sure there are artistic liberties taken with the historical accuracy, but nothing as crazy as the 300 franchise. The directing is a bit frantic, with quick cuts and lots of camera movements during fight scenes, but that seems to be the visual style for action movies these days. Overall, this film is a fascinating look at a culture that is completely exotic to the rest of the world because of vast geographical distance and centuries of colonial influence.

Fine little action movie settled in pre-colonial New Zealand (Maori tribes) - reminds me a little of Mel Gibson's Apocalyptico (with a far smaller production of course - but not a cheap looking one) or Rapa Nui (1994).

A fine revenge trip into long gone times - the actors are also very good, very believable in their roles. Just good.

Pre European Maori built their culture on slavery, cannibalism, genocide and violence while living in the constant fear of war with each others iwi.

This film doesn't hide these facts and is the closest thing to the honest past released from New Zealand.

Many previous films portray Maori as victims of white people when white sailors were often killed and eaten too.

I applaud that finally there's near correct depiction and well worth watching twice.

Rollestons performance as hongi opened many doors for the lad, sadly his career was shortened somewhat by a automobile accident later in his life.

The excellent casting of many unknown actors gives this New Zealand film a refreshing look by avoiding the many over used talent in the small country.

The movie's plot moves along predictable lines i.e a tribe is wiped out by a ruthless clan of another tribe with only the chief's young son who is able to escape. How he takes revenge with the help of a flesh eating giant tribal man living in the Deadlands, forms the story.

What slightly separates the movie from other movies is - it is completely set in the jungles, shows how the tribals fight and and some of the fight sequences are staged well.

What was required was a tight script, bit of mystery and fear and more depth in the characters to make it interesting. In the absence of this, the film becomes sluggish to watch.

Give it a miss.

In brief, this is an entertaining movie with lots of impressive fighting, a bit of supernatural colour, authentic period setting in pre-European New Zealand, and believable characters. The plot is simple: a chiefs son must avenge the dishonourable slaying of his father and his tribe, and with the support of his deceased grandmother (an effectively spooky Rena Owen) he seeks the help of a reclusive warrior with a dark past. The film deserves extra credit for the authentic portrayal of Maori fighting tradition and weapons, and the accuracy of the central role of honour, revenge, and supernatural beliefs in the warrior culture. I appreciated the decision to have Maori dialogue, I find the sound of the language itself expresses the warrior spirit.

The theme of honour and revenge was also central to the plot of Utu, meaning "blood for blood" a 1984 film directed by Geoff Murphy and set during the early European colonial era in NZ. Worth watching if you enjoyed the Dead Lands and want to see more of the warrior culture of the Maori, although a much more philosophical and slow paced film than this one.

Perhaps to add a little to the appreciation of both of these films, the depiction of Maori as extremely tough and fearless warriors is in no way exaggerated. These people lived very hard lives in a land with very few resources for humans. With no native animals to speak of, and few edible plants, Maori survived on little more than fish, a few birds, and a few berries and roots. The average life expectancy was early 30's. Despite this, they were tall, powerfully built people. There was fierce competition between tribes for resources, and they constantly fought each other over any pretext, usually ascribed to matters of honour and leading to endless blood feuds, but in at least some cases the real motive was hunger. Cannibalism was common, especially after the ostrich-like moa was hunted to extinction and the climate became colder.

Despite these desperate circumstances, Maori retained a rich mythological heritage and believed their land was populated by spirits, good and evil, and it was imperative that their ancestors be honoured and remembered, just as depicted in the film. To this day some Maori can trace their lineage, literally naming their ancestors, back 1000 years to the first tough, brave warriors that crossed the vast pacific to find and colonise NZ.

The only negative for me was that the film dragged a little in the middle.