मोज़ार्ट इन द जंगल

This show has sparked my love of classical music again. I hated to see it end and I really want to see more of these characters journeys. Please Amazon, give us another season!

I started watching Mozart in the Jungle with a little trepidation. I love Mozart's music, and was a bit worried that his name has been used in the title in vain. My expectations were very low, the kind a true classical musician has when listening to someone non-musician analyzing their performance. My thoughts were: oh , here we go, someone again is going to humiliate the classical music and it's followers, and mix it up with shallow observations and cheap talk. I expected pop, rap, rock, house, bebop, and even disco, glorifications and total dismissal of all classical. How luckily wrong I was!! These series are probably one of the best and closest presentations of classical musicians' struggles to make it, to get known, to survive, to bare their soul for food, to do anything and everything and to forgo any pain and any doubt for the privilege to play music, to agree to any music job so they can live, and to serve and worship at the alter of music without any commercialism. It is a true presentation of the big egos of those who have made it, and the incredible beauty of the great big musicians' art. It is a true presentation of the little minds and the little talents whose only care is the union rules. It is a true presentation of how anything and everything in life can become music, how one can hear music even in the noise of a tire crossing bridge rims. And it is a very enjoyable, very funny, very well observed and cry well acted piece of TV! Congratulations to all the thinkers behind the scenes, all the makers of the series, all who acted brilliantly, all who performed the music brilliantly, and produced and brought this marvellous, surprising, unique series's to the general public! Can't wait for series 2!!

This review is based on the first six episodes of the first season. I like this series so much that it's hard to see it objectively. I like it so much that I'm not bingeing but rather rationing myself to a meagre 25 or so minutes each day. So, what makes it quite so enjoyable? Firstly, it's genuinely good - a perfect cast delivering tonally perfect performances with a script that delivers reality plus a few extra percentage points. Occasionally, it's laugh out loud funny but mostly it's genuinely affecting. This is no guilty pleasure in which you know you're being manipulated but you're going along for the (very fun) ride. This always feels real, grounded. There are a few stereotypes amongst the smaller roles but the big ones, the roles that anchor this series, are well written and perfectly cast. Lola Kirke is a wonderful lightning rod, if gaining weight by the episode; Saffron Burrows is fine, if somewhat less interesting than in her pre plastic surgery roles; Bernadette Peters is terrific; Malcolm McDowell is the perfect exiting Maestro. And then there's Gael Garcia Bernal. As an outsider, I have no idea how much of his character was on the page and how much was his own invention but the results are spectacular. He makes this series. His portrayal of Rodrigo, the infant terrible of the conducting world, is nothing short of brilliant and creates, most appropriately, the bright star around which everything revolves. Mozart in the Jungle is not highbrow entertainment. It doesn't challenge or confront. It works its magic more subtly, and sometimes more effectively. It's a feel good show in the best possible way. Real, not fake. It likes its characters, for all their flaws. You could do worse.

ADDENDUM I've now watched the final four episodes, during which I mentally knocked off a point (episode 8) and put it back on for episode 10. Episode 8 is by far the weakest. It's not that it's bad, it's just that its sensibilities suddenly resembled humdrum American TV and thus became deeply unnerving. It's as though the writers had forgotten, or worse had never understood what made this series so wonderful. Episode 8 was an attempt to broaden the humor at the expense of the humanity. As though someone had pointed out that this was meant to be a comedy. For the record, episode 7 had been a delight and 9, if not special in its own right, at least an improvement on 8. And then there were, or rather was, 10. The finale. The performance towards which everything had led. It's a masterpiece. The perfect summation of and climax to everything that's come before. It's heartstoppingly brave, rolling the emotional dice again and again. It left me breathless, quite literally. Compromises? Not really but we must prepare for a second series and so are denied absolute closure. That final episode was so close to perfection that I hesitate to anticipate a second series. But of course I will. I do. With trepidation.

Hurry. I need season 5. This wonderful show makes me smile and laugh out loud. It's smart, artistic. Cast is absolutely perfect.

I blew through this show in two days, and no just because of the quick, witty writing and 30-minute episodes. Seriously, though, a show that can be captivating and under an hour scores it at least 8/10 points.

You don't need to love classical music to enjoy this show (although it certainly doesn't hurt). There are many interesting themes of art and its patronage and the every-day people who have committed themselves to a purpose not often understood.

The acting is superb all around. I personally loved Lola Kirke, and thought she was a fresh take on an often boring trope as far as female leads go in comedy shows. While slightly naive, her character still possessed a great amount of self-awareness, perseverance, and depth to set her apart from so many other female characters. Gael Garcia Bernal was fantastic throughout. I have to disagree with others who thought him to be over the top. I felt that his character was very genuine, and a great contrast to his wife, who showed a slice of his previous self. The supporting cast are also fantastic, without a weak leak in the bunch. Even the "quirky roommate" (which is an exhausted character) is played with new layers and a refreshing depth by actress Hannah Dunne.

I will admit some of the writing comes across as clichéd. Some story arcs I could see coming from miles away, and a few I couldn't help but cringe slightly when they happened. But those few times were absolutely eclipsed by the incredible moments. Jason Schwartzman shines as a creator here. It definitely has his touch, and I look forward to seeing much more of his work. The dialogue was always quick, relatable, and always witty.

I really cannot say enough good things about this show. The one last thing I'll point out is that this show leaves you wanting more. Perhaps because of the intriguing characters and plot twists, the tantalizing dialogues, the incredible compositions, the chemistry between so many characters (platonic and non), and the on-point comedic commentary...or perhaps because each episode is a perfunctory 30 minutes and the season is 10 episodes long. Either way, so much gets accomplished, but so much is yet to be done.

GREATLY looking forward to season 2.