IMDb रेटिंग
7.9/10
13 हज़ार
आपकी रेटिंग
आँखों देखी, संजय मिश्रा द्वारा अभिनीत राजे बाउजी पर केंद्रित है, जो एक नाटकीय घटना के बाद, फैसला करता है कि वह केवल वही विश्वास करेगा जो वह अपनी आँखों से देखता है.आँखों देखी, संजय मिश्रा द्वारा अभिनीत राजे बाउजी पर केंद्रित है, जो एक नाटकीय घटना के बाद, फैसला करता है कि वह केवल वही विश्वास करेगा जो वह अपनी आँखों से देखता है.आँखों देखी, संजय मिश्रा द्वारा अभिनीत राजे बाउजी पर केंद्रित है, जो एक नाटकीय घटना के बाद, फैसला करता है कि वह केवल वही विश्वास करेगा जो वह अपनी आँखों से देखता है.
- पुरस्कार
- 9 जीत और कुल 11 नामांकन
Alka Chatwal
- Sarup Bua
- (as Alka Chawla)
Manu Rishi Chadha
- Sharma Ji
- (as Manu Rishi Chaddha)
Dhruv Uday Singh
- Dhruv
- (as Dhruv Singh)
Danish Husain
- Gopi
- (as Danish Hussain)
Yogendra Tikku
- Pandit
- (as Yogendra Tiku)
फ़ीचर्ड समीक्षाएं
This is one of the most interesting movie i have seen in a very long time and trust me, i watch a lot of movies. I have always been a big fan of 'Sanjay Mishra' and he has proved it once again that he is one of the finest artists in Indian film industry.
Based on 'Life' as an experience, brilliantly portrayed, a fitting cast and amazing performances by the whole team. One can argue on the objective of the movie, perhaps there isn't any and this is the objective.
This is not a typical run of the mill Bollywood movie. Please watch it and decide for yourself. This may be a 'either you love or you hate it' type of movie. This has set a new standard in my book. A complete gem.
Based on 'Life' as an experience, brilliantly portrayed, a fitting cast and amazing performances by the whole team. One can argue on the objective of the movie, perhaps there isn't any and this is the objective.
This is not a typical run of the mill Bollywood movie. Please watch it and decide for yourself. This may be a 'either you love or you hate it' type of movie. This has set a new standard in my book. A complete gem.
(Probably) Simplicity can never be a passé. A whole generation still connects to the "Ta Na Na Ta Na Na" of Malgudi Days. R.K Narayan Ki duniya talked about the real India, some simple people, their life & its ordeal.
Rajat Kapoor's refreshingly eccentric yet gimmick-less (even hype-less) "Ankho Dekhi" is kind of a dejavu of Malgudi Days. The film revolves around Bauji who lives in his own ideological world & believes in inherent goodness of people. But he isn't gullible person & believes only in "Ankho Dekhi". And in a moment of realization he literary sets on to a journey whereby he decides that he will only believe what he can see for himself. From religion to education to even science - Bauji seeks for his own truth, an experienced one. He will come across as a visionary to someone while others might outright reject him as a nitwit. Kapoor webs an authentic image of a regular middle-class household in the surrounding areas of urban India, the still-prevailing joint family & the ego dynamics. His execution is gentle traversing at its own pace much like the ways of Bauji.
Kapoor's narrative talks about many issues in subtle way & he webs in some brilliant situations to express his points. Like the scene where the priest gives "Prasad" (Godly offering) to Bauji, he takes it, have it & then says that the sweet is good totally unaware of the anger of the priest who kept on insisting that it's not a mere sweet, it is godly offering. Then in another accomplished sequence bauji kept on saying that he won't believe in gods until one of them comes & have tea with him which angers the religious fanatic ones. Going away from religion, he even pokes on the education system whereby he establishes the importance of knowledge beyond books. The debate with the maths teacher on how could one assume that two parallel lines would meet at infinity deserves mention. Then the sequence of visiting a zoo to check whether a tiger roars or meows was superlative.
Kapoor got able support from cinematography, editing & music department bringing out the essence of the narrative deftly. And as the masterstroke climax happened I almost jumped from my seat to applaud & that's when the end credit began with the following note – "Thanking my teachers Mani Kaul & Kumar Shahani" (two of the finest film makers of Indian parallel cinema); what a way to give back to his masters! This is indeed one of the finest films from Rajat Kapoor.
Otherwise typecast & wasted in loud comical characters Sanjay Mishra didn't let slip this opportunity & gave his career best performance as bauji. Hopefully his acting potential will be frequently utilized from now on. The supporting cast were tremendous comprising of Rajat Kapoor himself, Manu Rishi, Pahwa, Miya Sarao (who made a striking debut as the daughter of Bauji), Namit das, even stalwart Saurabh Shukla in a cameo.
Without being preachy the premise makes you (makes us) introspect – all of us, lost in the jungle of consumerism are losing our own thought prowess; the power of self experience. As bauji would have said which goes in English somewhat this - Whatever I am saying is my truth, my experience. Don't go by it only as your's experience & truth can be different.(For some reason IMDb is not allowing me to out the Hindi sentence thus have to give the translated version). In this way the film hits the consumerist (And media dominated) culture whereby people are losing their self identity.
Give this movie a try, you will probably come with a thoughtful grin & might set for your very own 'flight of fancy" (as Masand said).
(Sadly this witty original film got overpowered by ghostly baby dolls & their gang of marketing terrorists..)
Rajat Kapoor's refreshingly eccentric yet gimmick-less (even hype-less) "Ankho Dekhi" is kind of a dejavu of Malgudi Days. The film revolves around Bauji who lives in his own ideological world & believes in inherent goodness of people. But he isn't gullible person & believes only in "Ankho Dekhi". And in a moment of realization he literary sets on to a journey whereby he decides that he will only believe what he can see for himself. From religion to education to even science - Bauji seeks for his own truth, an experienced one. He will come across as a visionary to someone while others might outright reject him as a nitwit. Kapoor webs an authentic image of a regular middle-class household in the surrounding areas of urban India, the still-prevailing joint family & the ego dynamics. His execution is gentle traversing at its own pace much like the ways of Bauji.
Kapoor's narrative talks about many issues in subtle way & he webs in some brilliant situations to express his points. Like the scene where the priest gives "Prasad" (Godly offering) to Bauji, he takes it, have it & then says that the sweet is good totally unaware of the anger of the priest who kept on insisting that it's not a mere sweet, it is godly offering. Then in another accomplished sequence bauji kept on saying that he won't believe in gods until one of them comes & have tea with him which angers the religious fanatic ones. Going away from religion, he even pokes on the education system whereby he establishes the importance of knowledge beyond books. The debate with the maths teacher on how could one assume that two parallel lines would meet at infinity deserves mention. Then the sequence of visiting a zoo to check whether a tiger roars or meows was superlative.
Kapoor got able support from cinematography, editing & music department bringing out the essence of the narrative deftly. And as the masterstroke climax happened I almost jumped from my seat to applaud & that's when the end credit began with the following note – "Thanking my teachers Mani Kaul & Kumar Shahani" (two of the finest film makers of Indian parallel cinema); what a way to give back to his masters! This is indeed one of the finest films from Rajat Kapoor.
Otherwise typecast & wasted in loud comical characters Sanjay Mishra didn't let slip this opportunity & gave his career best performance as bauji. Hopefully his acting potential will be frequently utilized from now on. The supporting cast were tremendous comprising of Rajat Kapoor himself, Manu Rishi, Pahwa, Miya Sarao (who made a striking debut as the daughter of Bauji), Namit das, even stalwart Saurabh Shukla in a cameo.
Without being preachy the premise makes you (makes us) introspect – all of us, lost in the jungle of consumerism are losing our own thought prowess; the power of self experience. As bauji would have said which goes in English somewhat this - Whatever I am saying is my truth, my experience. Don't go by it only as your's experience & truth can be different.(For some reason IMDb is not allowing me to out the Hindi sentence thus have to give the translated version). In this way the film hits the consumerist (And media dominated) culture whereby people are losing their self identity.
Give this movie a try, you will probably come with a thoughtful grin & might set for your very own 'flight of fancy" (as Masand said).
(Sadly this witty original film got overpowered by ghostly baby dolls & their gang of marketing terrorists..)
Bauji, a man in his fifties decides to only believe the facts which he sees by his own eyes or feels them and then starts a beautiful yet surprising journey to discover the real meaning of life or to discover himself. There are so many scenes where you literally feel the art of cinema. Without showing any unnecessary dance sequences and cheap dialogues, the film quickly dissolves you in its cinematic mood. It's a gem which will attain cult status after so many years. Rajat Kapoor, the man behind this masterpiece should be appreciated for his devotion towards cinema. Every scene has its details and a meaning which is too deep. Every dialogue is witty as well as thought provoking. Music sets the real mood and cinematography is mind-blowing. "Sab Kuch Yahi Hai, Aankhe Khol Kar Dekho"
Never seen such a perfect and accurate cinematography in any Indian film. The humorous instances during the movie give us an open chance to think what we are doing and what we should do. They play with our thoughts and beliefs. Sanjay Mishra has given a performance which can not be explained in words, along with Rajat Kapoor and the rest of the cast.
For me, this film scores in every field of cinema. Direction, art design, music, cinematography, screenplay and performances and i know i can watch it a million times. It will leave you stunned and surprised in the ending. I clapped for about two minutes as the ending credits rolled. A cinematic achievement and should not be missed. Beautiful and intelligent drama.
A brilliant watch.
10 out of 10, UNDOUBTEDLY.
Never seen such a perfect and accurate cinematography in any Indian film. The humorous instances during the movie give us an open chance to think what we are doing and what we should do. They play with our thoughts and beliefs. Sanjay Mishra has given a performance which can not be explained in words, along with Rajat Kapoor and the rest of the cast.
For me, this film scores in every field of cinema. Direction, art design, music, cinematography, screenplay and performances and i know i can watch it a million times. It will leave you stunned and surprised in the ending. I clapped for about two minutes as the ending credits rolled. A cinematic achievement and should not be missed. Beautiful and intelligent drama.
A brilliant watch.
10 out of 10, UNDOUBTEDLY.
There are lot of Indian movies that make large money, and offer no content , famously called as Masala movies in India, Ankhon Dekhi is totally an opposite of that, Its filled with high quality content that is so true to its nature, that it holds your attention from beginning till the end. Its an Amazing cocktail of Comedy, Drama, Philosophy. Rajat Kapoor has proved his brilliance again, by bringing out such an amazing idea, Sanjay Mishra has always been one of the most underrated actor in Indian Cinema, Ankhon Dekhi proves to be the platform where he shows his might in Acting skills, Rajat Kapoor Smartly plays second fiddle to him,
Ankhon Dekhi is in itself a refreshing experience, a mesmerizing one, Shouldn't be missed by anyone who enjoys true cinema, Every Character is so well placed , A lot set of hidden talents are show caused in this movie,
And every moment is so beautiful, Movies such as this bring glory to Indian Cinema, and display the power of Cinema, An Easy 10/10 for a totally refreshing, out of the box movie, One that no one can afford to miss
Ankhon Dekhi is in itself a refreshing experience, a mesmerizing one, Shouldn't be missed by anyone who enjoys true cinema, Every Character is so well placed , A lot set of hidden talents are show caused in this movie,
And every moment is so beautiful, Movies such as this bring glory to Indian Cinema, and display the power of Cinema, An Easy 10/10 for a totally refreshing, out of the box movie, One that no one can afford to miss
It is an excellent flick that is on my favorite list, like Sadma, Simon Brich, Hachiko, Lawrence of Arabia, Gangoobai, Iqbal, etc. Its is kind of flick I prefer to watch. It is a logical drama masterpiece of Rajat Sir, I am big fan of your film, long ago. There are very reality based scenes in film that I can only imagine, like when the younger brother moving out the transfer of luggage from roof top to the new house is amazing, the body languages of all characters in whole movie was marvelous, the Shadi scene when all sitting in pooja and the son of pujari came back and forth telling the current events in tents happened at that real time was outstanding, even pujari's son character has a real existence in our society. It took a long and intense kind of observation and create a plot on these kind of happenings is a great achievement. Finally, hats off. Also, in the end, its an excellent recommendations from IMDb to let me know what should I deserve to watch. Thanks for this wonderful art work.
क्या आपको पता है
- ट्रिवियाSanjay Mishra wins filmfare award for best actor critics.
- कनेक्शनFeatured in 60th Britannia Filmfare Awards (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ankhon Dekhi?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Through My Own Eyes
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $1,51,226
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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