इटालियन स्पोर्ट्स कार उद्यमी, एंज़ो फेरारी की जीवन कहानी को दर्शाया गया हैं.इटालियन स्पोर्ट्स कार उद्यमी, एंज़ो फेरारी की जीवन कहानी को दर्शाया गया हैं.इटालियन स्पोर्ट्स कार उद्यमी, एंज़ो फेरारी की जीवन कहानी को दर्शाया गया हैं.
- 1 BAFTA अवार्ड के लिए नामांकित
- 6 जीत और कुल 39 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाBoth Ferrari and Maserati cars are painted red. Though confusing for the viewer, this is historically accurate. At the time the film is set, cars were coloured according to nationality. Italian cars were red, French ones Blue, German ones White and British ones dark green.
- गूफ़There are two occasions where characters watch live TV coverage of events, something that wouldn't happen in 1957 as such sporting events would be covered by newsreel not live TV.
In the first scene Enzo watches his cars racing live in a Grand Prix, and in the second his wife Laura watches live coverage of the post Mille Miglia press conference.
- भाव
Enzo Ferrari: How'd she handle?
Alfonso de Portago: Good.
Enzo Ferrari: This is not, "How was lunch?" "Good." I want to know brake wear. I want steering, suspension, gear ratios, final drive. If it's going to run in the Mille Miglia, it's got to be one hundred percent.
- कनेक्शनFeatured in OWV Updates: OWV Cinema Poster Update (16/01/2024) (2024)
- साउंडट्रैकFebbre Della Jungla
Written by Howard Dietz, Walter Donaldson, and Giuseppe Gramitto Ricci
Performed by Orchestra Jazz Dino Olivieri
फीचर्ड रिव्यू
This felt sadly dreadful to me, for the most part. Ferrari is a film where it feels like very few people involved cared about what they were making. On paper, the idea to focus on one brief period of time was a good one, rather than trying to capture a single figure's life story. Adam Driver is probably my favorite actor who's risen to prominence since 2010, and Michael Mann's a filmmaker whose work I generally enjoy. The idea of them teaming up to make a movie sounded promising, but the execution here was just lifeless and strangely amateur.
Much of the film's shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann's going for here, or if he's simply lost his touch as a filmmaker.
Actors look either confused or bored - sometimes both - for the entire film. I have no idea what I'm supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don't know why they made a film about him. There's no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.
The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It's a surprising mess of a film.
Much of the film's shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann's going for here, or if he's simply lost his touch as a filmmaker.
Actors look either confused or bored - sometimes both - for the entire film. I have no idea what I'm supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don't know why they made a film about him. There's no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.
The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It's a surprising mess of a film.
- Jeremy_Urquhart
- 6 जन॰ 2024
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ferrari?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Enzo Ferrari
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $11,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,85,50,028
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $39,21,773
- 31 दिस॰ 2023
- दुनिया भर में सकल
- $4,33,32,974
- चलने की अवधि2 घंटे 10 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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