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I went into Continuum with modest expectations, expecting a standard sci-fi procedural with a time-travel gimmick. What I found instead was a series that completely blew me away. This show is a brilliant blend of intelligence, tension, and emotional depth, and it reminded me why classic science fiction is so enduring.

The story is carefully constructed, weaving together time travel, technology, and moral dilemmas in a way that feels both thrilling and meaningful. Every episode has stakes that matter, not just for the characters but for the larger narrative about society, control, and personal responsibility. Unlike many modern shows, Continuum trusts its audience, it doesn't oversimplify or rely on spectacle alone. Each twist lands because the writing and character development earn it.

The characters themselves are exceptional. Kiera, Alec, Carlos, and the rest are more than archetypes, they're people with real struggles, conflicting motivations, and choices that genuinely matter. Watching them navigate impossible situations makes every victory feel earned and every setback hit hard.

What I appreciate most about Continuum is how it balances its sci-fi concepts with humanity. It's not just about futuristic tech or clever twists, it's about how people respond to change, power, and the consequences of their actions. That kind of storytelling is rare in today's television landscape, which often prioritizes spectacle over substance.

Overall, Continuum is a shining example of what thoughtful, character-driven science fiction can achieve. It's tense, smart, emotional, and incredibly satisfying to watch. In an era of increasingly forgettable sci-fi, this series stands out as a reminder of how good the genre can be.

If you love science fiction that challenges your mind, engages your emotions, and respects your intelligence, do yourself a favor and watch Continuum. It's far better than most modern shows, and truly deserving of the "classic" label.

Strange New Worlds began like a love letter to classic Trek, episodic structure, a charismatic Pike, and just enough retro charm to make us believe the franchise had found its soul again. For a few glorious episodes, it felt like Starfleet was back on course.

But then came the drift. The tonal chaos. The genre-hopping. The canon crimes. And suddenly, we weren't watching Star Trek anymore, we were watching Kurtzman Trek, where emotional depth is replaced by trauma flashbacks, and legacy characters are rewritten like fanfic with a studio budget.

Episodes like Four-and-a-Half Vulcans and Wedding Bell Blues don't just miss the mark, they vaporise it. Spock becomes a rom-com lead, La'an dreams of ballet, and Chapel's arc feels like it was lifted from a CW drama. The Enterprise crew spends more time navigating their feelings than the galaxy, and the Prime Directive is treated like a vague suggestion.

This isn't exploration. It's exposition. It's Star Trek: Feelings Edition, where every character has a tragic backstory and every plot twist is designed to trend on social media for 24 hours before being forgotten

The production values are stellar. The cast is game. But the writing? It's a transporter accident of tone, pacing, and philosophy. Trek used to challenge us. Now it coddles us. It used to ask "What does it mean to be human?" Now it asks "Did Spock text back?"

Strange New Worlds started with promise, but somewhere along the way, it warped into Kurtzman Trek, a franchise boldly going... away from everything that made Star Trek matter.