- Data di nascita
- Nome alla nascitaYusen Wu
- Altezza1,64 m
- John Woo è nato il 22 settembre 1946. Luogo di nascita: Cina. È conosciuto come regista e produttore. È celebre per aver partecipato a A Better Tomorrow (1986), La battaglia dei tre regni - Parte 1 (2008) e Hard Boiled (1992). È sposato con Anne Woo dal 1976. Hanno tre figli/e.
- ConiugeAnne Woo(1976 - presente) (3 bambini)
- Bambini
- Uses pleasant music that heavily contrasts with some of the more violent action on screen.
- Frequently works with Chow Yun-Fat
- Scenes of hyperkinetic, chereographed action
- Since making films in the U.S., Woo has started to use doves as a symbol for peace in his films. They are often pictured flying away as the shooting begins.
- Slow motion or freeze-frame sequences
- Woo's many American admirers include the likes of Martin Scorsese, Sam Raimi (who compared his mastery of action to Alfred Hitchcock's mastery of suspense) and Quentin Tarantino (who, replying to a studio executive saying "I suppose Woo can direct action scenes" said "Sure, and Michelangelo can paint ceilings!").
- When trying to convince Universal to get him to direct Senza tregua (1993), Jean-Claude Van Damme championed Woo as "the Martin Scorsese of Asia".
- He is the first Asian director ever to make a mainstream Hollywood film (Senza tregua (1993)).
- He has never owned a car.
- He uses doves as a symbolic device. They represent the character's soul as being saved.
- I'm not a master; I'm just a hard-working filmmaker. I would like everyone to see me as a friend rather than a master.
- I like doves. They look so beautiful, like a woman. For me they represent peace and love and purity. And sometimes they're seen as the messengers of God, so they're important to me because I'm a Christian.
- [on Tom Cruise] When he talks, he has so much energy it's almost like he's dancing. So I used that to choreograph his action scenes.
- [on working in Hollywood] Even though I enjoyed the opportunity to work in Hollywood, I never got used to their system. I didn't like much of the studio people. Well, there are too much politics and so much going on, and a lot of them have nothing to do with the movie. It's all about power, it's all about egos.
- [on his childhood living in a Hong Kong slum] I had to fight to survive. Whenever I got beat up, I got upset, I also ran into the theater to watch a movie. But I have a very strong character, I never surrender, I [am] never afraid, no matter how big they are, how cruel they are, they never beat me down. I didn't have money. I just sneaked in or watched the movie from the peephole. I have found my heaven in musicals. When I watch a musical, it makes me believe life is still beautiful. There are still a lot of beautiful people in the world. So I like the costumes, I love the song, I love all those smiles, I love those dance. In theater I found my heaven.
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