[on Doug Street, the inspiration for
Il camaleonte (1989)] I interviewed Doug Street on video and audiotape, and through letters and phone conversations for essentially three years, repeatedly. That's the whole point of "Chameleon Street." I didn't talk to his mother, I didn't talk to his kindergarten teacher, or his first girlfriend, or father. I only talked extensively to Doug Street. It's Doug's take on what he has done, is doing, why he did it. Whatever is in that film, I did not extrapolate anything. (...) Right before Sundance, Doug saw the final edit and he sent my mother, the executive producer, a letter which essentially said that he was extremely appalled and disappointed with the quality of filmmaking and that his only consolation was that the film was so bad he knew nobody would ever see it. Six or seven months later, whenever that Warner Bros. deal came through, he stopped by my mother's house in Flint to meet with her to get his check [from the remake sales deal] and, at that time, I don't know if he apologized, but he was extremely appreciative that it netted him this check. [2021]
