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Ryan Coogler

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Ryan Coogler

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  • Partnered with Oscar-winning actor Forest Whitaker who agreed to develop and produce his first feature-film project, Prossima fermata Fruitvale Station (2013).
  • Ryan cast his brother Keenan Coogler in his breakout debut film Prossima fermata Fruitvale Station (2013). And like Ryan, Keenan was also a standout football player in a Bay Area college.
  • Is the youngest director to direct a film for the Marvel Cinematic Universe.
  • Directed 2 actors to an Oscar nomination: Sylvester Stallone and Angela Bassett.
  • Every movie he's directed features Michael B. Jordan.
  • Member of the 'Academy of Motion Picture Arts and Sciences' (AMPAS) since 2016.
  • Ryan is the son of Joselyn (Thomas), a community organizer, and Ira Coogler, a juvenile hall probation counselor. He grew up in Richmond, CA, in the East Bay area, north of Oakland. He attended nearby Saint Mary's College on a football scholarship, then transferred to Sacramento State College. Later, Ryan was a graduate student in the University of Southern California School of Cinematic Arts.
  • Has worked as a security guard, and also with imprisoned youth at San Francisco's Juvenile Hall.
  • Is an avid comic book fan and his favorite hero is Black Panther and when he was offered to direct the movie based on the character he quickly accepted.
  • After graduating from USC, the film school paid for his travel and accommodations to the Cannes Film Festival for Prossima fermata Fruitvale Station (2013), as a part of their student DEI initiative, even though he was no longer a student, becoming the only person in the film school's history to receive the honor.
  • Frequently works with composer Ludwig Göransson (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • Often includes a scene where the lead character looks out over the landscape of their home town or country (Oakland in Prossima fermata Fruitvale Station (2013), Philadelphia in Creed - Nato per combattere (2015), Wakanda in Black Panther (2018)).
  • Films frequently include a protagonist who has a mentor that was an ally of their own absent father (Creed - Nato per combattere (2015), Black Panther (2018)).
  • Frequently works with editor Michael P. Shawver (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • Films include a protagonist that has a close relationship with their mother even as they disagree with their son's lifestyle choice (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • Frequently works with production designer Hannah Beachler (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • Films include a protagonist that has experience in juvenile detention or the prison system (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • Frequently works with cinematographer Rachel Morrison (Prossima fermata Fruitvale Station (2013), Black Panther (2018)).
  • Films often include a flashback edited into a sequence when the lead is at their low point, before their comeback (Creed - Nato per combattere (2015), Black Panther (2018)).
  • His lead characters frequently have a verbal altercation with a man from their past, which may escalate into violence (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • He has directed one film that has been nominated for the Best Picture Oscar: Black Panther (2018).
  • Films include a lead character that creates an event for the sole purpose of being documented by the media (a press conference) or shared on social media (Prossima fermata Fruitvale Station (2013), Creed - Nato per combattere (2015), Black Panther (2018)).
  • His professional career was fast-tracked by the USC film school dean and select faculty members, as a part of Dean Elizabeth Daley's DEI directive, when he was a student in the school's MFA production program.
  • The USC film school dean, Elizabeth Daley, and faculty members fast-tracked his career by securing talent representation, access to film financing, and providing an inside track to key Hollywood executives while he was a student, as a part of the school's DEI program.

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