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Aggiungi una trama nella tua linguaThis documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly ... Leggi tuttoThis documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly 50 years.This documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly 50 years.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Primetime Emmy
- 3 vittorie e 6 candidature totali
Eldridge Cleaver
- Self - Black Panther Party
- (filmato d'archivio)
Kathleen Cleaver
- Self - Black Panther Party
- (filmato d'archivio)
Mike Gray
- Self - Filmmaker
- (filmato d'archivio)
Recensioni in evidenza
What can you do when the system is biased against you? You can resist. Who is drawn to resistance? The young, the restless, those not yet powerful even by the standards of their own communities. What good does violent resistance do? Maybe not much directly, but it helps re-frame a debate in which otherwise the powerless are ignored. The Black Panther Party was a movement established to protect the interests of black Americans in the 1960s. On one hand, they were terrorists whose mandate was self-given; on the other, they really inspired the communities in which they were embedded, to whom the police were just the mightiest local mafia. They combined a message of self-help, pride, the demand for justice, protection and revolutionary fervour; at their worst, they advocated murder (and in return, members were literally murdered by the cops) and (near the end) raised money from drug dealing. Their charismatic leaders ultimately fell out with one another; their eloquent speeches remain compelling today. This documentary, featuring interviews with many surviving Panthers, is a bit one-sided; we don't hear from those within the community who did not approve (there surely must have been some), or (say) from the families of police officers hurt by Panther violence (only from those cops who still take pride in the violence they dealt out). But the sense of anger at the everyday injustice perpetrated on black Americans that drove the Panthers' formation is clear. Ultimately the Panthers had nowhere to go; their last significant act was in electoral politics, both admirable and yet strangely unambitious for an organisation that had been committed to the overthrow of the government of the United States. Of the Panthers' three most famous members, two are dead, one having become addicted to drugs and the other having become a Republican. But Bobby Seale still lives as a community activist in the Bay Area. And for all the problems, this documentary leaves one (mostly) impressed by what he tried to do.
This is a heroic attempt at a one-film history of the Panthers. It suffers only from its own ambition- this is too complex a subject to offer a "history of" in the length of a single feature film.
The best parts of the film are the stirring, emotional recounts of battles with agents of the state by revolutionaries who were on the front lines, heroes most of us have never before heard of.
The portraits offered of the iconic Party leaders were a bit more problematic, or simply lacking. The presentation of Huey Newton is far too simplistic. One comes away with a sketch of a sociopath who the Party naively turned into an icon. While there is credible documentation of Newton's erratic behavior and drug abuse after spending many years in prison on likely trumped up charges, watching this film you would not know of Newton's extensive and influential writings on revolutionary theory, including his ground-breaking advocacy of the Gay- Equality struggle.
Other important strands of Panther history were simply lacking. There is, for instance, no mention of George Jackson or the Angola Three. Still, a fine attempt to do a lot with too little space and time.
The best parts of the film are the stirring, emotional recounts of battles with agents of the state by revolutionaries who were on the front lines, heroes most of us have never before heard of.
The portraits offered of the iconic Party leaders were a bit more problematic, or simply lacking. The presentation of Huey Newton is far too simplistic. One comes away with a sketch of a sociopath who the Party naively turned into an icon. While there is credible documentation of Newton's erratic behavior and drug abuse after spending many years in prison on likely trumped up charges, watching this film you would not know of Newton's extensive and influential writings on revolutionary theory, including his ground-breaking advocacy of the Gay- Equality struggle.
Other important strands of Panther history were simply lacking. There is, for instance, no mention of George Jackson or the Angola Three. Still, a fine attempt to do a lot with too little space and time.
BLACK PANTHERS is a salutary piece that should be shown as a reminder to every politician past and present that racism is alive and regrettably flourishing throughout the United States. Perhaps they should bear this fact in mind before making racist and inflammatory statements in their campaign speeches.
With the help of extensive archive footage plus first-hand reminiscences from those involved, Stanley Nelson's documentary tells the story of a movement that grew out of the Civil Rights Movement but favored more active forms of intervention. Protests might be kept largely peaceful - at least in the early years - but members of the movement were quite prepared to carry weapons, especially in California, where a loophole in the law allowed them to do so. The overwhelmingly white police force took strong exception to this, but there was little they could do within the confines of the law ... except to beat up miscreants in the name of preserving the peace.
Ideologically speaking, the Black Panthers had a lot in common with the liberation movements that sprung up all over Africa during the Sixties. Many nations freed themselves at length from the shackles of colonial rule: the Black Panthers wanted to do the same for African Americans within the USA. They garnered considerable support from within the African continent, and managed to attract a huge following for their various demonstrations. The media found some of them highly attractive with their Afro hairstyles and alternative modes of dress through which they expressed their unique identities.
In a chilling reminder of the anti-Communist movement two decades previously, the government - especially under Richard Nixon - tried to limit the Black Panthers' activities through the work of J. Edgar Hoover and the FBI. Although not exactly described as such, his determine to root out so-called "subversives" reeked of an anticommunist witch-hunt, taking place in a country that publicly speaking liked to proclaim its commitment to democratic values.
Perhaps the document was a tad one-sided, as it tended to concentrate on the Panthers' commitment to eradicate racism while not exploring some of its more violent tactics. But then perhaps they could be justified; the days of the African American passively turning the other cheek or peacefully resisting in a manner prescribed by Martin Luther King were long gone.
My first memory of the Black Panther movement and its significance came at the 1968 Olympics, when the African American Tommie Smith raised his hand in the movement's salute just after he had received a gold medal. Although the television companies tried to make light of the incident, it was a clear indication of how the movement had become part of the mainstream rather than remaining on the margins.
With the help of extensive archive footage plus first-hand reminiscences from those involved, Stanley Nelson's documentary tells the story of a movement that grew out of the Civil Rights Movement but favored more active forms of intervention. Protests might be kept largely peaceful - at least in the early years - but members of the movement were quite prepared to carry weapons, especially in California, where a loophole in the law allowed them to do so. The overwhelmingly white police force took strong exception to this, but there was little they could do within the confines of the law ... except to beat up miscreants in the name of preserving the peace.
Ideologically speaking, the Black Panthers had a lot in common with the liberation movements that sprung up all over Africa during the Sixties. Many nations freed themselves at length from the shackles of colonial rule: the Black Panthers wanted to do the same for African Americans within the USA. They garnered considerable support from within the African continent, and managed to attract a huge following for their various demonstrations. The media found some of them highly attractive with their Afro hairstyles and alternative modes of dress through which they expressed their unique identities.
In a chilling reminder of the anti-Communist movement two decades previously, the government - especially under Richard Nixon - tried to limit the Black Panthers' activities through the work of J. Edgar Hoover and the FBI. Although not exactly described as such, his determine to root out so-called "subversives" reeked of an anticommunist witch-hunt, taking place in a country that publicly speaking liked to proclaim its commitment to democratic values.
Perhaps the document was a tad one-sided, as it tended to concentrate on the Panthers' commitment to eradicate racism while not exploring some of its more violent tactics. But then perhaps they could be justified; the days of the African American passively turning the other cheek or peacefully resisting in a manner prescribed by Martin Luther King were long gone.
My first memory of the Black Panther movement and its significance came at the 1968 Olympics, when the African American Tommie Smith raised his hand in the movement's salute just after he had received a gold medal. Although the television companies tried to make light of the incident, it was a clear indication of how the movement had become part of the mainstream rather than remaining on the margins.
(Watched Nov 14, 2016)
Stanley Nelson's Black Panthers: Vanguard Of The Revolution documentary is amazing and insightful, glad I picked it up. Of course, very relevant to today. Some parallels you can make to BLM, but BLM doesn't quite have leaders so maybe won't fall to cults of personality or targeted attacks by government/FBI to cause in-fighting. Then again, big enough changes haven't happened for social reform such as stop-and-frisk, voter ID suppression, etc but might be too much to expect from a movement that still is a social media phenomenon. And there isn't the cool trendy outfit to catch on with the general public like the beret/leather/shades combo, so not hitting mainstream media as much. Although DeRay McKesson could be considered a vanguard of BLM now, much like the campaign for Bobby Seale to be mayor.
Stanley Nelson's Black Panthers: Vanguard Of The Revolution documentary is amazing and insightful, glad I picked it up. Of course, very relevant to today. Some parallels you can make to BLM, but BLM doesn't quite have leaders so maybe won't fall to cults of personality or targeted attacks by government/FBI to cause in-fighting. Then again, big enough changes haven't happened for social reform such as stop-and-frisk, voter ID suppression, etc but might be too much to expect from a movement that still is a social media phenomenon. And there isn't the cool trendy outfit to catch on with the general public like the beret/leather/shades combo, so not hitting mainstream media as much. Although DeRay McKesson could be considered a vanguard of BLM now, much like the campaign for Bobby Seale to be mayor.
With the heightened sense of racism that has been projected in the media in the last 12 months (not that it didn't exist without all the publicity), director Stanley Nelson's recollection of the fight for civil rights with The Black Panthers on the front lines seems highly appropriate at this juncture. While some deemed the party's actions as bold and arrogant, the passion for equal rights was front and center. Nelson divulges frank interviews with former Black Panther members as they discuss their methods that exploited the media to further their cause as well as the rallies that ignited the streets with support and outrage. The true enthrallment comes from the dastardly deeds of J. Edgar Hoover and his Counterintelligence Program that tracked, tapped, and falsified personal letters to members of the Black Panther party. The first Director of the FBI even convinced detained party members to turn on their organization and become government informants. It's an accounting with so many outrageous points it has to be true. -Jimmy Martin
Lo sapevi?
- ConnessioniFeatured in The Global African: The Black Panthers: A Revolution in Review (2015)
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- Lordo Stati Uniti e Canada
- 516.893 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.215 USD
- 6 set 2015
- Lordo in tutto il mondo
- 584.109 USD
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By what name was The Black Panthers: Vanguard of the Revolution (2015) officially released in Canada in English?
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