VALUTAZIONE IMDb
6,9/10
1778
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCompeting radio personalities in Chicago find common ground when they have to work together.Competing radio personalities in Chicago find common ground when they have to work together.Competing radio personalities in Chicago find common ground when they have to work together.
- Premi
- 1 vittoria e 3 candidature
David James Lewis
- Scott Ryder
- (as David Lewis)
Emily Maddison
- Swimsuit Model
- (as Emily Bruhn)
Trama
Lo sapevi?
- BlooperEarly in the movie, when Sonia is filling in at the Chicago station, her fiance calls the main switchboard of the station and the receptionist/operator patches him directly through to the on-air call-in line . . . and, unknowingly, she puts him on the air. Chances are something like that would never happen . . . particularly on a major market station. Sorry but, to this career broadcaster, that's a "red flag."
- Citazioni
Nick Linden: Now that I see you two together, I don't really see you two together.
- ConnessioniFeatures BBC Sunday-Night Theatre: The Silent Village (1951)
Recensione in evidenza
Sonia Mayerick (Alison Sweeney) has her own female empowerment radio show in Chicago. Her selfish boyfriend Scott Ryder ends their engagement on the air after listening to the popular man-cave show hosted by Nick Linden (Jonathan Scarfe). Sonia is substituting for a radio psychiatrist. She and Nick have an encounter. When Nick starts talking about her in his show, she is shocked to discover that she has been talking to the caveman himself. She barges into his show and chemical reaction occurs.
At the start, these are two annoying personalities. They are both know-it-alls. Her boyfriend does humanize her and his history does show more sides later on. I do see what the movie is setting up. Obviously, this is a meeting of combative opposites. It's a classic romantic trope although it's a little more edgy than the usual Hallmark fare. It boils down to the likeability of the two lead actors and the speed of their characters' growth. The explosive meet-hate of the first studio booth encounter piques my interest. They soften quite nicely. The reintroduction of Scott is good although he needs a more compelling actor. Without a better Scott, the triangle isn't strong enough. This is a solid Hallmark with a little spice.
At the start, these are two annoying personalities. They are both know-it-alls. Her boyfriend does humanize her and his history does show more sides later on. I do see what the movie is setting up. Obviously, this is a meeting of combative opposites. It's a classic romantic trope although it's a little more edgy than the usual Hallmark fare. It boils down to the likeability of the two lead actors and the speed of their characters' growth. The explosive meet-hate of the first studio booth encounter piques my interest. They soften quite nicely. The reintroduction of Scott is good although he needs a more compelling actor. Without a better Scott, the triangle isn't strong enough. This is a solid Hallmark with a little spice.
- SnoopyStyle
- 19 ott 2019
- Permalink
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