Boston - Caccia all'uomo

PPs (police procedurals) are a staple of the film/TV industry and are (believe it or not) as common as comedies or romcoms. However, within that category, "big" PPs based on big crimes are not that common. In fact, you would have to go back to the early 70s when a number of "big PPs" like Day of the Jackal 1973 were all the rage.

So, a film like this done properly (and, trust me, this one is done perfectly) would be a treat all by itself. However, what makes this film extra-special is the extensive use of video footage.

Now, to be clear, video footage as a plot device is not new by itself. It is now, and has been used extensively in British film and TV because, as we all know, London is the most "surveyed" city on the planet.

But -- the point -- nothing the Brits have ever done with the forensic use of video comes even close to what Berg brings us in this excellent film. Much the same way that the original creators of CSI-Vegas introduced an entirely new sort of sub-genre, it can be argued that Patriots Day similarly has taken the police procedural to an entirely new level.

The film itself? Brilliant! Berg has taken a stellar group of A-listers and make them work as a team, mirroring on the subliminal level the theme of the movie, which is both positive, and hopeful, and suggests that if we all work together, we can accomplish pretty much anything.

People are captivated by the extraordinary events. And people love to be entertained. So what could possibly be better than a dramatic story of extraordinary nature. Especially if it's based on real events, shows the heroism of simple people and touches the audience's sensitive patriotic spot.

That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.

All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.

The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?

There seem to be a lot of negative reviews for this movie because of an apparent mis-telling of the story or true story or hoax or whatever else people have said. As I'm not American, and have very little to do with American events (so hence have no context as to the truth or hoax or conspiracy or whatever of the Boston Marathon) I shall just stick to reviewing the movie for what it is: a movie.

As a movie, they did a great job pulling it together. Mark Wahlberg plays his character perfectly. I have no idea if thats because of his acting ability, or if its more the fact that someone has yet again created a character that fits Mark Wahlberg to perfection. To be honest, it's probably the latter. Because of that, if you liked Deep Water Horizon then you'll probably like this because his acting is the same in both (which works fine because it's similar type of emotion and adrenaline you'd expect from both situations).

The character spread was also well done. You got to see the impacting/impacted characters early on and had a nice transition between their development as the movie progressed.

My only reservation about the film is that it pretty much gives you no explanation as to why the bombing even happened. Sure, it's easy for people to shout that it was terrorism or a hate crime, or done by hateful people, but that isn't an explanation. It might be true, but it's not an explanation, it's blatant ignorance which the world can no longer afford. This film could have benefited so much from shedding some light on the bombers motivation!!! To be honest, they were actually the one part that let this film down, Their storyline was wasted on surface level personality development and retracing of their steps throughout the event. Instead, the film should have used that time to instead show their motivation to commit the acts. This would have deepened their storyline and given the movie as a whole, a much richer and more stimulating story. In saying that, Themo Melikidze did a great job of making a believable character out of the little depth he was given.

All in all this was a good film, however, it does lack the depth and backbone necessary for a second viewing.

I saw this movie at a preview showing and was very pleasantly surprised.

The movie is great, the cast are uniformly excellent, and the plot moves along really nicely. I was mesmerized throughout, the pacing was excellent and, even though we all remember the outcome from the extensive news coverage, I was surprised at some of the things that happened before the end.

It was surprisingly moving at a few points, sorry, no spoilers so I won't say any more.

Great job to everyone who worked on this movie.

The day is 15 April 2013; the place is Boston; the occasion is the annual marathon. As we all know, two radicalised Chechen immigrants, Dzhokhar (Alex Wolff) and Tamerlan Tsarnaev (Themo Melikidze), set off two bombs which killed three people and injured several hundred others, including 16 who lost limbs.

This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.

For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.

This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.