Roofman

Saw this during a sneak preview. Keeping in mind the movie is based on the true story of Jeffrey Manchester.

The first half of the movie was very entertaining and moved along well with quite a few laughs.

The second half seemed to slow down a lot. I was also wanting to look at my phone to see how much time was left at that point. It does seem it could have been made a much shorter film.

Was nice seeing Tatum in this type of movie. Dunst did good as well.

It was a good movie but was really hoping for a different ending for this guy!

What I most admired about this film was the restraint. Small town America, a story told perfectly. No hyperbole, very little moralising and a great deal of fun, particularly showcasing the hero's gymnastic abilities. But he was a low key hero, just working to solve everyday problems, how to find food, where to sleep. Two believable children, Kirsten Dunst putting in a good performance. Somebody worked hard on this script, the pastor and his wife providing an excellent comedy routine, Ben Mendelssohn in particular was excellent. Even the accomplice spoke perfectly believable commonsense, saying to the hero (I am paraphrasing) your practical skills are good but you are weak on the emotional level.

7.0/10 (Recommend)

I have been looking forward to this one since I've seen the trailer, and honestly I was not disappointed. While the pacing is a little slow, and in the second half things seem to drag slightly, it's still an enjoyable story. Despite the slightly slow pacing it doesn't feel like you're watching a movie. The way scenes are captured it feels like you're part of the action, or at the very least a fly on the wall.

Channing Tatum is a lot of fun in the role of Jeffery Manchester, and the chemistry him and Kirsten Dunst have is satisfying. Sure he's a criminal and she's just an oblivious single mother, but they feel natural together and you can't help but cheer for a positive outcome.

The film isn't overly funny, but it has some funny bits where you can at least chuckle. The vibe is that this is a slightly more serious, "emotional" film than it is a comedy. And it may look like a family movie, but be mindful that there are a few n-words thrown around, a sex scene or two, and a brief nip slip. Oh no, not a nip slip, you say. Well, some may be concerned with the content they take in or what their kids or teens watch so I mention it.

Overall, this is definitely a film to see in theatres even. The true story and the Hollywood story may be overdramatized, but this story will definitely entertain. While the pacing is a little slow, the story pulls you in and makes you feel like you're part of the adventure. Channing is fun, Kirsten is loveable, and you just want to see the bad guy succeed because he lures you in perfectly.

That's it for now. Thanks for taking time to read my review. Happy watching and enjoy the show!

Directed by: Derek Cianfrance Written by: Derek Cianfrance, Kirt Gunn

SUMMARY

After breaking out from prison, a convict hides out inside a Toy 'R Us store, surviving undetected for months. However, his secret life begins to unravel as he falls for a divorced mom. Ultimately, despite being given a chance to escape the country, he risks everything to say goodbye - and is caught in the act.

RATING

B

Roofman tells the true story of Jeff Manchester, who escaped prison and hid out inside a Toys 'R Us. The movie captures his ingenuity and resourcefulness with flair, but it falters emotionally, drifting into a middling family drama halfway through. Lacking a true moment of crisis, the story feels predictable and safe. In the end, Roofman is a very good film that never quite dares to be great.

The feeling is that of having watched something genuine and comforting. A film that entertains, but also moves; that talks about escapes and lies, but above all, about the desire to start over.

The Good Bandit may not explore all the themes it presents, but what it delivers is done with such care and balance that it is impossible not to be captivated.

With inspired direction and Channing Tatum at his best, the film confirms that the best films of the year are not always the most grandiose-sometimes they are simply those that know how to tell a good story with heart.