Experimentul Pitesti

A true cinematic masterpiece, 'The Pitesti Experiment,' helmed by the visionary director Victoria Baltag, is a profound exploration of human history's shadowed corridors. With an audacious storytelling style, the film fearlessly uncovers the raw facets of the Pitesti Experiment, leaving an indelible impact on both individual psyche and societal psyche.

Every frame resonates with emotion, every gaze speaks volumes, and every dialogue reverberates through the soul. Victoria Baltag has managed to channel the anguish with such intensity that it leaps off the screen, courtesy of the captivating visuals and the actors' profound performances. The audience is taken on an emotional roller coaster, experiencing the characters' struggles and triumphs on a personal level.

The empathy evoked for the tortured characters is unparalleled; the film serves as a haunting reminder of the horrors committed in the pursuit of power and control. It unveils the psychological fragility of the victims, imprinting their suffering in our hearts, compelling us to uphold the sanctity of human rights.

In summation, 'The Pitesti Experiment' stands as a courageous and imperative film, unearthing a somber chapter in our collective history. Through its emotionally charged narrative and empathetic lens, Victoria Baltag guides us through the intricate labyrinths of human emotion, inciting contemplation on the boundaries of humanity when confronted with extreme circumstances. This film unquestionably warrants our unwavering attention. It is a clarion call for its presence not just on the Romanian cinema screens, but also on the international stage. This cinematic masterpiece transcends borders, deserving to captivate hearts and minds worldwide.

I find it difficult to state how I feel having seen the movie. I know it is not for the faint hearted but it is necessary, critical in our days to know the truth, the history as it happened.

It may be hard for people to relate today although, looking at the current conflict in Ukraine, authoritarianism is very present nowadays.

The fact the movie was made without a budget and still very much managed to reflect reality and provide a glimpse into what was the darkest, most cruel, dehumanising process in Romanian history (possibly not just Romanian history) is a fantastic thing in itself.

It reminds me once more that cruelty has no political or religious affiliation. It is a human being that simply lost their humanity.

The only reason for the rating is due to the gruesome representation. Not the kind of movie I'd like to see over and over.

Since the meeting with Francisc Ford Copolla (in 2007) I have never seen so much pasture, rigor in documentation, attention to details, enthusiasm and emotion well controlled by the authority of the consciousness of one's own value in a director. A MAN and a Genius (I own the terms) whom I had the chance to meet in Suceava, along with the screening of her film about the Pitesti experiment that began (the climax), in Suceava.

The public still knows very little about the terrible Pitesti Experiment, in which some political prisoners were turned against others and the latter went through unimaginable tortures. Books and studies were written, but it was not enough. To fill this gap, 12 years ago, a very young director, Victoria Baltag, started an ambitious project, without any funding.

In 2015, he managed to make an artistic film without a budget, in which the late great actor Ion Caramitru also participated, in what would be his last role in a feature film.

From then until now, the director and her team of volunteers went with the film on a national tour, in 44 places, but she was also invited to Mexico, Canada and the USA. Every time he presented in an exhibition the objects he managed to collect: three paintings made by the prisoner Fag Negrescu after he managed to survive the inferno in Pitesti, numerous other paintings donated by contemporary artists because from the money obtained in following their sale to be able to help the project, works of art by the director, photos and objects from the filming, a necklace donated to Iasi by the journalist Lucian Merisca, the son of Constantin Merisca, a former political prisoner in Pitesti.

At the end of August, the first edition of the tournament ended in Bucharest, for a little while because the second tournament of 2023 is going to start this fall and has at its center objects of the young people who went through the Pitesti Experiment.

I've seen the movie and wanted to say a few words while it's fresh in my memory.

Given the budget and the notoriety of the actors involved, I'd say it's a decent attempt to re-create the historical facts behind the real "Pitesti experiment".

It's not meant to be politically correct nor it does so. I would like to praise the performance of the actor that was cast as the leading role, he did a pretty good job to get inside the part. It shows perfectly how one can become just a tool of the regime when the self-preservation instinct becomes the only thing that drives their actions.

There are some scenes where the dialogue seems a bit sub-par or clumsy, but I think,overall, it manages to build upon and puts the viewer in the unsettling landscape of the prison horrors that occured back then. Some prison scenes are really hard to watch and will give some anxiety even to the toughest mind.

On a side note, this topic remains a dreadful page on Romania's history to this day, having left the main voices responsible for these horrors unaccounted for and unpunished.

If I have not succeeded through my articles and my direct experiences with the Romanian State reported on my blog as a free journalist and investigative sociologist in Romania to convince you that Romania is a Discreet Dictatorship and not a real democracy, surely the director of the film "The Pitesti Experiment", Victoria Baltag (My God, what a name! Reminds me of Vitoria Lipan from Baltagul; she seems like a woman destined from birth to carry the mission of bringing justice to the victims of communism even after death).

Victoria Baltag's film is recognized by the free critics in Romania as the film of the year 2023. But not by the Ministry of Culture and the Romanian State through its various cultural institutions, who refused to support the movie for the simple fact that today's politicians of the Single Party (PSD, PNL and their satellites AUR and SOS) in Romania, the children of those who caused the drama presented in the film The Pitesti Experiment, do not want to put their parents-torturers or just nomenclaturists of communism with the role of witnesses or even instigators at the time, in the embarrassing situation of having to remember the acts of cruelty described in the film.

I think this film is important for the culture of every Romanian, both of those who lived the harsh experience of communism but only later learned of its extent, just as the world learned about the horrors of Nazism and the Holocaust only after World War II, as well as of the young people who had no chance to know this dark side of Romania's recent history because today's descendants of yesterday's torturers rather wanted to hide the collective drama and trauma of this people linked to communism and communists. A drama which, as you will understand from Victoria Baltag's words, but also from my articles, is continued, even if discreetly, by the children of the communists who rule Romania today.

So I invite you to see this film which promises to be memorable and then write your honest and undisguised opinions about it on Facebook, where even in a discreet dictatorship like Romania, Freedom of Expression is still full.

Enjoy your viewing!