Tre manifesti a Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri is a dark comedy that has an a-list cast with names like Frances McDormand, Woody Harrelson, Sam Rockwell, John Hawkes, and Peter Dinklage. It centers around Mildred Hayes, a woman whose daughter was raped and killed, and who believes that the local police have not done enough about it. In reaction, she erects three billboards outside of her town that send a message to the sheriff about the state of the investigation.

Writer/director Martin McDonagh (Seven Psychopaths, In Bruges) has outdone himself with this one. In my opinion, if this isn't one of the top Oscar contenders come awards season, then Hollywood has officially lost its mind.

Basically everything about this film works: from the acting, to the writing, to the direction. Mcdormand gives the performance of her career here, giving us humor through all the pain clearly shown on her face. Rockwell also gives his best performance here as a cop who isn't that bright and is more than a little racist.

Three Billboards Outside Ebbing, Missouri is probably the most unpredictable film of the year, and that's coming from a year that includes films like Baby Driver and Logan. There are scenes where you think that you know where the plot is going, but then midway through it completely flips the script.

For the entire run-time of this film, I was invested. It has the perfect run-time; it ends exactly when it needs to and there is not a scene that feels out of place.

It seems like one of the hardest things to do in film nowadays is to balance comedy and drama. However, this movie does it effortlessly. Each scene has just the right amount of comedy and drama, and sometimes, despite the fact that you're laughing, it's easy to forget that jokes are being made.

Also, the message that this film gives off resonates very powerfully with you after the film finishes. It makes you see the good side in humanity, despite our flaws. No character in this film is a cliché one-dimensional shell of a person. Everybody has a reason for being there, which is more than some films recently have offered.

Three Billboards Outside Ebbing, Missouri is easily one of the best and most enjoyable films of 2017, and it will make you laugh, cry, and think all in one sitting. There are not any clear flaws with this film that I can find, but I am still searching.

I give Three Billboards Outside Ebbing, Missouri an A+.

Saw 'Three Billboards Outside Ebbing, Missouri' on the promise of one of the year's best trailers, the immensely talented cast, the intriguing subject matter, the receiving and pending of numerous accolades and being familiar with Martin McDonagh's previous work.

On the most part 'Three Billboards Outside Ebbing, Missouri' was incredibly well done. Understandably it is not for all. The film has already been criticised for implausibility, bigotry, the ending and its lack of character likeability and over-the-top actions, though often without acknowledging the film's many strengths and resorting to condescension (a big bugbear of mine) towards people who liked it let alone loved it.

Did have a couple of issues with 'Three Billboards Outside Ebbing, Missouri' myself. The ending is far too abrupt and without resolution in a film crying out for one.

Epileptics should beware too of a dizzyingly edited attempted murder scene, understand why it was edited that way but will admit that it did make me feel ill watching it (luckily it quickly passed).

Abbie Cornish felt out of place here, she doesn't have a lot to do (not enough to single handedly ruin the film, she would have to have a far more major role to do that) but everything about her just jarred.

There are some implausible behaviours and consequences, Dixon's actions were more than just a sackable offense for instance.

However, there is so much to like about 'Three Billboards Outside Ebbing, Missouri'. With the sole exception of Cornish, who isn't in it enough to ruin the film, the acting is brilliant. Frances McDormand's performance is a career high and one of the year's best, very heartfelt and fiery, even if you don't condone some of her actions it is hard not to feel for her as she goes through every mother's worst nightmare. Woody Harrelson is heart-breaking and has the film's most sympathetic character perhaps (either he or Peter Dinklage's, although Dinklage doesn't have the film's most tragic scene).

Sam Rockwell is similarly a revelation, you initially dislike his character but later on his 180 is incredibly moving and he is the character who changes and redeems the most. Peter Dinklage always makes anything better and it's the same here just by his presence alone and his performance is the most likeable one, especially towards the end where one actually feels sorry for him.

Another standout is the writing, do not let the heavy use of profanity put you off. There are parts that are darkly comic and induce a number of chuckles and laugh out louds. The film also works as being one that is morally nuanced and complex, the characters are not "likeable" ones, neither were they intended to be, and make questionable decisions but they undergo changes that sees them in a different perspective (Dixon especially).

A large part of me found it difficult to not relate to Mildred, her actions are extreme at times but there are parents in the same situation that feel similarly seeing as grief is an incredibly powerful and complex emotion. It's the tragic elements that resonate most though, with its heavy going themes handled very poignantly and harrowingly. 'Three Billboards Outside Ebbing, Missouri' has a story that is deliberate but also gripping, with an adept balance of its varied tones. Which is why it is sad that it ends as unsatisfyingly as it does.

With the exception of one scene, 'Three Billboards Outside Ebbing, Missouri' is succinctly edited and grittily and beautifully shot. McDonagh directs very skilfully. Carter Burwell's music score fits perfectly and is a hypnotic, understated and melancholic score in its own right. Just as fitting in a somewhat ironic way is the use of the gorgeous "Last Rose of Summer" exquisitely sung by Renee Fleming, whose voice one familiar with and loves classical music and opera (like me) recognises from anywhere.

Overall, gripping and very well done film if not perfect. The performances are among the best of the year especially but the film itself as an overall whole just falls a tad short of being one of the year's best films. 8/10 Bethany Cox

It seemed that the pregnant police detective Marge Gunderson from 'Fargo' would forever be the most memorable character of Frances McDormand's acting career. But now I'm not so sure. Mildred Hayes, the heroine from 'Three Billboards', is a serious contender. This might well be her best performance ever.

The part of Mildred Hayes was written with McDormand in mind. Hayes is a divorced single mother, living with her son on the outskirts of a small, remote town. She had a daughter too, but the girl was raped and killed on a quiet mountain road not far from home. Frustrated by the lack of progress of the investigation, Hayes decides to rent three dilapidated billboards, publicly accusing the local police chief of incompetence. By doing so, she attracts the attention of the media, angers almost the entire town and causes a succession of increasingly violent actions.

Although the film is about grief, anger, revenge and violence, it is extremely funny. Above all because of Mildred Hayes' stubborn character and her ability to verbally humiliate people by her extremely sharp tongue. The monologue she delivers when a priest visits her house to tell her she has gone too far, is priceless.

Apart from McDormand's performance, the screenplay is another great feature of this film. The story is full of unexpected twists, gradually shifting the positions of the main characters towards each other. None of the characters are one-dimensional: they all reveal surprising parts of their personalities as the story moves forward.

And then there is the overall, almost Coen-esque atmosphere of a small town full of colourful characters. There is a racist cop, a friendly midget, a smart advertising guy and a pretty girl who is so dumb she doesn't know the difference between polo and polio.

It is hard to mention something negative about this film. 'Three Billboards' is, from start to finish, a great movie. I can't imagine anyone not enjoying it.

Having recently won the People's Choice Awards at TIFF, Three Billboards outside Ebbing, Missouri is very easy to see why it won.

Three Billboards is a dark but also funny and heart-felt story about one woman's quest to get justice for her daughter's rape and murder. After Mildred Haynes buys three billboards with words written on them accusing the town's well-liked sheriff of having not found her daughter's killer, it sets a series of events that turns the citizens and the cops against her.

The thing I can say about Three Billboards without going into spoilers is that it is wildly unpredictable. One moment you think things are going one direction as expected then it takes hard left turn that only adds to the dynamic between the characters. As the pressure within the town builds and anger is pointed towards Mildred, we see many of these characters evolve in order to deal with tragedy and grief and learn to find peace. And the movie goes through a roller-coaster of emotions. One moment you are laughing your butt off from the hilarious dialogue then you feel like someone just punched you in the gut. With every victory you think this story brings you feel like it was taken away from because of the world's unfairness and injustice. In lesser hands the mixture of dark and comedic tones would not work, but director and writer Martin McDonagh knows how to balance them to perfection.

The performances here just through the roof. Frances McDormand delivers a performance that will for sure get her into the Lead Actress awards race at the Oscars. As Mildred, McDormand just cuts loose with her performance with every line of hate, cynicism and cursing towards everyone she feels doesn't truly understand the internal pain she is going through. But McDormand does now and then show a soft side to Mildred. It shows that Mildred is just person like everyone who has her own way of dealing with the tragedy of loosing her own child. And Sam Rockwell also gives one of the best performances of his career as the flawed and very misguided cop Dixon. The character of Dixon is short-tempered, volatile, and not bright with some baggage of his own that the locals accuse him of. But Sam Rockwell brings his charm and sincerity to what could be a rather unlikable character. And in the latter half, you see Dixon go through a tremendous arc of learning to care about others rather then just being angry towards them. Other great performances that should be called out are Woody Harrelson, Peter Dinklage, John Hawk and Caleb Landry Jones.

Three Billboards outside Ebbing, Missouri is easily one of the best movies this year and is worth seeing once it comes out in wide releases.

When you think about great cinema, you often imagine some grandiose epic setting which all that greatness builds upon. The likes of Gone With the Wind or Godfather or The Shawshank Redemption, such films span through decades or cover the major historic events.

But a great story isn't necessary grand on the outside. Three Billboards Outside Ebbing, Missouri is like a tiny rabbit hole size of those three wooden screens, but stick a head in - and you'll see a huge empty space laid with people's sorrow, guilt and regret. And that emptiness sucks you in and leaves no way to stay untouched.

But there's also hope. Hope for justice. Hope for retribution. And maybe even hope that it's still not too late to change something, or to change yourself. That nothing is absolutely black and white. That even in the darkest moments of our lives there's some room for a sense of humor, maybe a sad and bitter one but still one worth a warm smile.

This world is a crooked place, where crime often goes unpunished. And Peter Dinklage's small role in this film, as a reference to another not so pretty world where the "happily ever after" way doesn't quite exist, is a stinging reminder of that. TBOEM does not, however, try to pull the magic sword out of the stone and go crush the wicked and protect the righteous. Instead, it shows that sometimes, crumbling under the weight of the evil things that fall on us, we lose our own limits and become those who sow evil ourselves. Anger does beget even more anger.

And maybe the reason that makes America great indeed is that, with all the messed up stuff happening without and within, it's in your culture to value forgiveness, something Christianity teaches everyone but not everyone tends to listen. To suffer without guilt, yet to offer a helping hand to your offender when he's down and wounded. To break the circle of evil and help each other wake that yearning for decency that everyone has inside them, albeit dormant sometimes. Forgiveness is tough, and, just like revenge, it doesn't bring back the things - or people - we've lost. But at least it helps to hold onto what could still be here.

Yeah, it's just a movie, and most people aren't as deep and philosophical as the movie characters can afford to be. But if some unrealistic complexity (and sometimes even wisdom) of the simple people could make some real regular people on the other side of the screen stop and think over their own real regular ways, maybe that's exactly what we need from time to time. Because life is still here, and so are the multiple choices it gives, And which road to choose today, we can still decide along the way.