Un racconto gotico sull'ossessione tra una giovane donna perseguitata nella Germania del 19esimo secolo e l'antico vampiro della Transylvania che la perseguita, portando con sè orrore inaudi... Leggi tuttoUn racconto gotico sull'ossessione tra una giovane donna perseguitata nella Germania del 19esimo secolo e l'antico vampiro della Transylvania che la perseguita, portando con sè orrore inaudito.Un racconto gotico sull'ossessione tra una giovane donna perseguitata nella Germania del 19esimo secolo e l'antico vampiro della Transylvania che la perseguita, portando con sè orrore inaudito.
- Regia
- Sceneggiatura
- Star
- Candidato a 4 Oscar
- 60 vittorie e 194 candidature totali
Gherghina Bereghianu
- Innkeeper's Mother-in-Law
- (as Georgina Bereghianu)
Katerina Bila
- Virgin on Horseback
- (as Kateřina Bílá)
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Riepilogo
Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
Recensioni in evidenza
Good, but I prefer Herzog's version
It wouldn't make much sense to compare this efx heavy remake to the black and white original (an unauthorized rip-off of Dracula). But I couldn't help comparing this to Herzog's 1979 version and would recommend any fan of this movie who hasn't already seen that one to check it out. Here's why:
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Fell short of the hype it received
The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.
Meh....meh
This film did nothing that Coppola's 1992 Bram Stoker's Dracula didn't already do. Coppola's film both thematically, and visually broke ground (costumes, creature design, set pieces, etc.), and had a far more expository, but also sinister and apprehensive feel. Not to mention it was also far more carnal. Nosferatu on the other hand, just felt like a tamer, "nothing new to see here" re-make, with nothing remotely original in any depictions. Maybe if Nosferatu looked scarier than a bald Vlad Teppish ("The Impaler", "Dracul"), that might've helped. I give it a 5-6 with a "I wouldn't watch it again" rating.
Did Not Do It For Me
I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
It's..... something
I was very excited to see this movie and finally went to see it. And it is....... Fine.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
Stream & Scream: 13 Fresh Frights
Stream & Scream: 13 Fresh Frights
Our Sr. Video Producer Alex Logan is back with two handfuls of his top Halloween-season picks available on streaming. If you’re a freak like him, his recs from the past five or so years should keep you up all night.
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Lo sapevi?
- QuizThe exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
- BlooperWhen Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
- Citazioni
Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?
- Curiosità sui creditiThe Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu - Il vampiro (1922) released.
- Versioni alternativeThe "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
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Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ma Cà Rồng Nosferatu
- Luoghi delle riprese
- Corvin Castle, Transylvania region, Romania(Castle shown in the trailer, 40-second mark)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 95.608.235 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.652.560 USD
- 29 dic 2024
- Lordo in tutto il mondo
- 181.764.515 USD
- Tempo di esecuzione
- 2h 12min(132 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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