Official Secrets: Segreto di stato

The true life story of a woman who put the truth before career and personal life. The true life story of Katharine Gun, the brave young woman who leaked a document, telling us exactly what was happening in Iraq.

It's a terrific film, it focuses on a story which for many is still hard to swallow. It's such an exciting movie, crammed with tension, as a political story you may expect it to be slow, it isn't.

The performances are superb, Kiera Knightley is fantastic as Katharine, Ralph Fiennes and Matt Smith are also on point.

IMDb is a platform for reviewing films and shows, it's a terrific site, and not the place for my political views. I'll just leave this, this is the first time I've not switched off something featuring Tony Blair.

Great film, 8/10.

Official Secrets is a very well done and very important political thriller, it won the best Foreign Film Award at the Traverse City Film Festival that I attended, so that goes to prove that it has a lasting effect, and I agree. So if you're willing to believe in what the story is telling you, it has great performances and twists and turns throughout, it'll have you cheering for the protagonists and utterly booing the antagonists, if you're in the mood for a good solid political thriller I recommend Official Secrets.

It's 2003 and America is making the case to go to war with Iraq. Katharine Gun (Keira Knightley) is a British intelligence translator in GCHQ. They secretly listen in on communications around the world. Everybody gets an email ordering them to work with the Americans to dig up dirt on other UN Security Council states and push them to pass a war vote. Katharine is shocked. Despite the powerful Official Secrets Act, she risks everything to leak the damaging memo to the public. Journalist Martin Bright (Matt Smith) breaks with his paper's endorsement of the war to publish the article as the power of the state bears down upon Katharine and her refugee husband.

I am surprised at the tension of this movie. It helps that I remember a little of the story but not its outcome for Katharine. One thing that frustrated me early on is the attitude of the husband. Without any insights into his character, he can come off as a callous clueless buffoon. The movie needs to lay out his situation from the beginning so that the audience can appreciate his point of view. The other minor issue is the title. It is the blandest of titles. The book's title "The Spy Who Tried to Stop a War" would be vastly better. This movie has lots of tension as a thriller and loads of insight into war creating.

I was talked into going to see this and had my doubts as it seemed to be a variation on the Judi Dench film, Red Joan, which came out last year.

However, despite being a slow burn of a film, it does a very good job with the slightly staid script. The morality angle is very evenly addressed and the politics of the invasion of Iraq are laid bare. We all know now how the government of Tony Blair were sucked in to a war that had resolved very little (and may have made things worse) but to be in the know at the time and to stand up and be counted took great personal courage. And this conflict of interests is very well handled to its satisfactory resolution.

I must confess that Keira Knightley is not an actress I've ever warmed to but she does a decent job in the lead role. However the standout supporting actor to me is Matt Smith who's energy and dynamism as the journalist who doggedly pursues the story he is tipped off about really keeps the film ticking along.

Definitely worth a watch and hopefully it may make you question the honesty of governments in the future.

The release of Official Secrets (2019) coincides with the current US President telling the world he gladly accepts intelligence dirt on political opponents irrespective of source. With impeccable timing, the film shows how such dirt-gathering can potentially impact the course of history.

Based on real events, Katharine Gun (Keira Knightly) is a surveillance employee in Britain's Government Communication Headquarters (GCHQ). In early 2003, she sees an email from an American intelligence agency seeking British support to illegally pressure six UN Security Council swing-states for war with Iraq (falsely claiming it possessed weapons of mass destruction). Highly principled and anti-war, Katharine passes on the email to a friend with journalist connections and within weeks it is on the front pages. She confesses her crime, and for the next year, her life is hell as she awaits trial under the Official Secrets Act.

If you have little interest in global politics or major world events, you may get lost in this dialogue-driven moral rights story. It is crafted into several narrative segments: Katharine's relationship to her Muslim immigrant husband; her relations with GCHQ colleagues; the role of The Observer newspaper; and legal arguments by defence and prosecution lawyers. Each is a separate and engaging story that culminates in a shock trial outcome in early 2004.

Official Secrets works at several levels, but it is Keira Knightly who keeps the film together. She exudes an effortless screen presence that holds audience attention despite an uncharacteristically understated performance. This ensures that attention is drawn away from herself to keep the spotlight on the morality of whistleblowing and the duplicity of US and British action in manipulating due process. Archival material on Tony Blair, George W. Bush, and Saddam Hussein defines the story's time and place with authenticity. The script is dense with explanation and legal argument but, at the core, it is a story of one individual who believes an illegal war is about to be declared and cannot bear the moral responsibility of doing nothing.

Much of the action takes place in The Observer newsroom as reporters grapple with the enormity of the information leak, the legal consequences of going to press, and the implications of silence. The interplay of commercial, legal, and political imperatives is well drawn by an excellent supporting cast and a filming style evocative of the loneliness that comes from being one voice standing on principle.

There continues to be real-life morality dramas involving high-profile whistle-blowers around the world, and the public is divided on whether they are heroes or villains. This film may help you decide.