Il professore scettico Phillip Goodman fa un viaggio in una destinazione terrificante dopo aver trovato un file contenente i dettagli di tre casi apparentemente inspiegabili.Il professore scettico Phillip Goodman fa un viaggio in una destinazione terrificante dopo aver trovato un file contenente i dettagli di tre casi apparentemente inspiegabili.Il professore scettico Phillip Goodman fa un viaggio in una destinazione terrificante dopo aver trovato un file contenente i dettagli di tre casi apparentemente inspiegabili.
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Recensioni in evidenza
I was lucky enough to catch the stage show in the West End a few years ago and I thoroughly enjoyed the live performance. I have just seen the film version and have to say that it creeped me out...a lot. Good performances and great stories.
I don't know if seeing the stage show may have helped those who felt that it was up to scratch but everyone is different, yet I still feel this is well worth a watch.
Enjoy.
Saw 'Ghost Stories' as someone who loved the trailer, appreciates horror, has enjoyed her fair share of anthology films (i.e. Hammer), was intrigued by the cast and loved the idea. It appealed to me straight away, and it quickly became another one of my most anticipated films of the years.
It also, after seeing it, very nearly became one of my favourites of the year thus far. A perfect example of how to execute British horror well, one of the better ones in years and another film to live up to a great idea and even outdo it. Would also go far to say that 'Ghost Stories' is one of the best anthology films personally seen too, certainly one of the most consistent, but it's much more than just an anthology film. It's also an unsettling and very well crafted film in its own right for any genre. 'Ghost Stories' won't go down as one of my favourite films ever and is not quite one of my favourites of the year, though it is in the better half, but a lot of work went into it and it shows.
Not everything surprises, there are places where knowing what is going to happen is not difficult. The tone shift towards the end jars ever so slightly. Really though there is very little wrong with 'Ghost Stories'. The episodic structure, inevitable as it is an anthology film and all the anthology films seen which is a lot are episodic, is not a problem at all when it could have been easily. Primarily because of the pacing being so fluid, the structure being tight and the atmosphere, the film also knew what to do with itself, what it wanted to be and who to aim it at, not always the case in horror.
Visually, there are some really striking and unnerving images in 'Ghost Stories', providing a good deal of eeriness and then there are the clever visual references. The film also boasts some of the cleverest and best use of sound editing and design of the year so far, another standout of the year being 'A Quiet Place'.
Writing is twisted, intelligent, thoughtful and darkly humorous. There are a lot of genuinely unsettlingly creepy moments in each story and the unnerving atmosphere is constant with a great touch of the bizarre and the grotesque without ever being confusing or dull. Anthology films can be inconsistent, where there are stories that fare better than others. 'Ghost Stories' is a rare case for an anthology film where all the stories work, hence why it was called earlier on in the review one of the most consistent anthology films. The plot twist is totally unexpected and stays with you.
Directing is assured and beautifully handled. The performances are spot on across the board. Was not expecting actors known for comedy like Paul Whitehouse and Martin Freeman to excel in roles where more of a dramatic approach was required, they do so magnificently. Alex Lawther is one to watch.
Concluding, hugely impressive and well worth the watch. Those who like British horror, or horror in general, shouldn't miss it. 8/10 Bethany Cox
It also, after seeing it, very nearly became one of my favourites of the year thus far. A perfect example of how to execute British horror well, one of the better ones in years and another film to live up to a great idea and even outdo it. Would also go far to say that 'Ghost Stories' is one of the best anthology films personally seen too, certainly one of the most consistent, but it's much more than just an anthology film. It's also an unsettling and very well crafted film in its own right for any genre. 'Ghost Stories' won't go down as one of my favourite films ever and is not quite one of my favourites of the year, though it is in the better half, but a lot of work went into it and it shows.
Not everything surprises, there are places where knowing what is going to happen is not difficult. The tone shift towards the end jars ever so slightly. Really though there is very little wrong with 'Ghost Stories'. The episodic structure, inevitable as it is an anthology film and all the anthology films seen which is a lot are episodic, is not a problem at all when it could have been easily. Primarily because of the pacing being so fluid, the structure being tight and the atmosphere, the film also knew what to do with itself, what it wanted to be and who to aim it at, not always the case in horror.
Visually, there are some really striking and unnerving images in 'Ghost Stories', providing a good deal of eeriness and then there are the clever visual references. The film also boasts some of the cleverest and best use of sound editing and design of the year so far, another standout of the year being 'A Quiet Place'.
Writing is twisted, intelligent, thoughtful and darkly humorous. There are a lot of genuinely unsettlingly creepy moments in each story and the unnerving atmosphere is constant with a great touch of the bizarre and the grotesque without ever being confusing or dull. Anthology films can be inconsistent, where there are stories that fare better than others. 'Ghost Stories' is a rare case for an anthology film where all the stories work, hence why it was called earlier on in the review one of the most consistent anthology films. The plot twist is totally unexpected and stays with you.
Directing is assured and beautifully handled. The performances are spot on across the board. Was not expecting actors known for comedy like Paul Whitehouse and Martin Freeman to excel in roles where more of a dramatic approach was required, they do so magnificently. Alex Lawther is one to watch.
Concluding, hugely impressive and well worth the watch. Those who like British horror, or horror in general, shouldn't miss it. 8/10 Bethany Cox
This portmanteau film is made up of 3 scary ghost stories, all investigated by a man of science who is convinced the paranormal can be explained away with mundane explanations. A mysterious package leads him to investigate these 3 spooky tales. Great acting, well shot and directed, with a very British sense of humour sprinkled throughout. Do not read too much about this movie, just go and experience it, I think you will find it scary, interesting and most of all worth your time.
As long as you immerse yourself in the film and don't try to critique it in that annoying "why did they go out and search" sort of way, then you will enjoy it. There are jump scares and it is a good British horror film. I enjoyed it, i felt entertained but then I like to broaden my horror movie horizons and don't rely on cgi or a new 'twist' to entertain me. So, give it a go...don't listen to the millennials who don't know the 'traditional' horror film or this that want a quick resolution. It is what it is: a good British horror.
Within the framework of a paranormal-debunker investigating three cases which his colleague has declared unexplainable, this film presents three horror vignettes that manage a spooky atmosphere but have an overall darkly comedic overtone. This is important to know going in, I think, because dark comedy can be disappointing--even to those who like it--if one expects more sincere horror.
Though many reviewers have called this film truly scary or creepy, this is not its intention, which I think has also led to poor reviews by people disappointed with the ending. Ultimately the narrative framework coalesces into the fourth, poignant if not outright tragic vignette.
I think the filmmakers were aiming for some existential levels they did not quite reach, regarding the nature of truth and how people interpret what they see--or THINK they see. Nevertheless the film was a break from the ordinary, which this horror fanatic always appreciates.
Though many reviewers have called this film truly scary or creepy, this is not its intention, which I think has also led to poor reviews by people disappointed with the ending. Ultimately the narrative framework coalesces into the fourth, poignant if not outright tragic vignette.
I think the filmmakers were aiming for some existential levels they did not quite reach, regarding the nature of truth and how people interpret what they see--or THINK they see. Nevertheless the film was a break from the ordinary, which this horror fanatic always appreciates.
Lo sapevi?
- QuizThe title of the film was misspelled as "Ghost Storeis" in much of the pre-release media. This was done to accord with the production's tagline "The brain sees what it wants to see"
- BlooperWhen one of the bullies is about to torment Kojac he takes a last drag of his cigarette then throws it onto the ground. In the very next frame he's smoking again.
- Citazioni
Mike Priddle: It's funny, isn't it? How it's always the last key that unlocks everything.
- Curiosità sui creditiThe production logos play over the sound of dripping water and someone struggling to breathe.
- ConnessioniFeatured in Projector: Ghost Stories (2018)
- Colonne sonoreMonster Mash
Performed by Bobby Pickett (as Bobby "Boris" Pickett) & The Cryptkicker Five (as The Crypt Kickers).
Written by Bobby Pickett (as Bobby "Boris" Pickett) & Leonard L. Capizzi (as Leonard L Capizzi).
Used by kind permission of Carlin Music Corp.
Published by Courtesy of Decca Music Group Ltd.
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Dettagli
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- Celebre anche come
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- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 148.747 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.972 USD
- 22 apr 2018
- Lordo in tutto il mondo
- 4.131.358 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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